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I Must Have Done Somebody Wrong
"I Must Have Done Somebody Wrong" is a blues song written and recorded by Eddie Kirkland in 1959. Using the same lyrics but modifying aspects of the music, Elmore James recorded it as "Done Somebody Wrong" in 1960; he took sole writing credit for it and it came to be known as an Elmore James song. "Done Somebody Wrong" was interpreted by the Allman Brothers Band in 1971 and featured on their classic live album ''At Fillmore East''. As ''Billboard'' magazine has stated, the song became "more associated with the Allmans than with James in the end." Eddie Kirkland original Kirkland moved around during his youth, but one classification of blues singers' heritages places him in the Alabama part of the "Eastern Piney Woods" region. "I Must Have Done Somebody Wrong" was recorded for Fortune Records in Detroit, Michigan in 1959, and issued later that year on a 45 rpm record with "I Need You Baby" on the other side. Kirkland was listed as the sole songwriter. Unlike some blues s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elmore James
Elmore James ( Brooks; January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar". Biography Elmore James was born Elmore Brooks in Richland, Holmes County, Mississippi, the son of 15-year-old Leola Brooks, a field hand. His father was probably Joe Willie "Frost" James, who moved in with Leola, and Elmore took his surname. He began making music at the age of 12, using a simple one-string instrument (diddley bow, or jitterbug) strung on a shack wall. As a teen he performed at dances under the names Cleanhead and Joe Willie James. James was influenced by Robert Johnson, Kokomo Arnold and Tampa Red. He recorded several of Tampa Red's songs. He also inherited from Tampa Red's band two musicians who joined his own backing band, the Bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oak Publications
Wise Music Group is a global music publisher, with headquarters in Berners Street, London. In February 2020, Wise Music Group changed its name from The Music Sales Group. In 2014 Wise Music Group (as The Music Sales Group) acquired French classical music publisher Éditions Alphonse Leduc. Éditions Alphonse Leduc publishes classical music by French composers including Jacques Ibert, Henri Dutilleux, Olivier Messiaen, Francis Poulenc, and Joseph Canteloube. It also publishes operatic works by Italian composers Gioachino Rossini and Vincenzo Bellini, and works by Muzio Clementi, Muzio Clémenti, Johannes Brahms, and Pyotr Ilyich Tchaikovsky, Pyotr Tchaikovsky. In March 2017, The Music Sales Group acquired disco publisher Bleu Blanc Rouge from Belgian record producer and songwriter Jean Kluger. In April 2018, Music Sales sold its physical and online print divisions, including Musicroom, to Milwaukee-based publisher Hal Leonard for $50 million. Hal Leonard will continue to dist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Stone Press
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the current owne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Random House
Random House is an American book publisher and the largest general-interest paperback publisher in the world. The company has several independently managed subsidiaries around the world. It is part of Penguin Random House, which is owned by German media conglomerate Bertelsmann. History Random House was founded in 1927 by Bennett Cerf and Donald Klopfer, two years after they acquired the Modern Library imprint from publisher Horace Liveright, which reprints classic works of literature. Cerf is quoted as saying, "We just said we were going to publish a few books on the side at random," which suggested the name Random House. In 1934 they published the first authorized edition of James Joyce's novel ''Ulysses'' in the Anglophone world. ''Ulysses'' transformed Random House into a formidable publisher over the next two decades. In 1936, it absorbed the firm of Smith and Haas—Robert Haas became the third partner until retiring and selling his share back to Cerf and Klopfer in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Invasion
The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States and significant to the rising "counterculture" on both sides of the Atlantic Ocean. Pop and rock groups such as the Beatles, the Rolling Stones, the Zombies, the Kinks, Small Faces, the Dave Clark Five, Herman's Hermits, the Hollies, the Animals, Gerry and the Pacemakers, the Searchers, the Yardbirds, the Who and Them, as well as solo singers like Dusty Springfield, Cilla Black, Petula Clark, Tom Jones and Donovan, were at the forefront of the "invasion". Background The rebellious tone and image of US rock and roll and blues musicians became popular with British youth in the late 1950s. While early commercial attempts to replicate US rock and roll mostly failed, the trad jazz–inspired skiffle craze, with its do it yourself attitude, produced two top ten hits in the US by Lonnie Done ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Hurts Me Too
"It Hurts Me Too" is a blues standard that is "one of the most interpreted blues ongs. First recorded in 1940 by American blues musician Tampa Red, the song is a mid-tempo eight-bar blues that features slide guitar. It borrows from earlier blues songs and has been recorded by many blues and other artists. Origins "It Hurts Me Too" is based on "Things 'Bout Comin' My Way", recorded by Tampa Red in 1931. The melody lines are nearly identical and instrumentally they are similar, although the latter has an extra bar in the turnaround, giving it nine bars. "Sam Hill from Louisville", one of several pseudonyms of Walter Vinson (or Vincson), recorded "Things 'Bout Coming My Way" in 1931 shortly before Tampa Red. Vinson's version is based on his 1930 recording with the Mississippi Sheiks, "Sitting on Top of the World". Both songs share several elements with "You Got to Reap What You Sow", recorded by Tampa Red in 1929 and by Leroy Carr and Scrapper Blackwell in 1928. The melody lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sky Is Crying (song)
"The Sky Is Crying" is a blues standard written and initially recorded by Elmore James in 1959. Called "one of his most durable compositions", "The Sky Is Crying" became a R&B record chart hit and has been interpreted and recorded by numerous artists. Composition and recording "The Sky Is Crying" is a slow-tempo twelve-bar blues notated in 12/8 time in the key of C. It is an impromptu song inspired by a Chicago downpour during the recording session: The songs features prominent slide guitar by James with his vocals, accompanied by his longtime backing band, the Broomdusters: J. T. Brown (musician), J. T. Brown on saxophone, Little Johnny Jones (pianist), Johnny Jones on piano, Odie Payne on drums, and Homesick James on bass. James' unique slide guitar sound on the recording has generated some debate; Homesick James attributed it to a recording studio technique, others have suggested a different amplifier or guitar setup, and Ry Cooder felt that it was an altogether differe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notes (journal)
''Notes'' is a quarterly journal devoted to "music librarianship, music bibliography and discography, the music trade, and on certain aspects of music history." Published by the Music Library Association, ''Notes'' offers reviews on current music-related books, digital media, and sound recordings as well as inventories of publishers’ catalogs and materials recently received. History First series Debuting in July 1934, the first series of ''Notes'' produced fifteen issues in eight years. The journal's first editor, Eva Judd O'Meara, wrote in the first issue: “The notes were intended for a chorus of voices from all the music libraries in the group, but so far none have joined in, and one drones on alone, lamenting the other parts that were expected to give volume and tone to the performance” Those first 23 pages of mimeographed notes included an article on the need to create subdivisions to the card catalog in order to accommodate the many works from or about Johann Sebasti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul "Hucklebuck" Williams
Paul "Hucklebuck" Williams (July 13, 1915 – September 14, 2002) was an American jazz and blues saxophonist, bandleader, and songwriter. His record "The Huckle-Buck", recorded in December 1948, was one of the most successful R&B records of the time. In his ''Honkers and Shouters'', Arnold Shaw credited Williams as one of the first to employ the honking tenor saxophone solo that became the hallmark of rhythm and blues and rock and roll in the 1950s and early 1960s. Biography Williams was born in Lewisburg, Tennessee, and grew up in Bowling Green, Kentucky, before moving with his parents to Detroit, Michigan, at the age of 13. He started learning saxophone and played in school bands before forming his own band, Paul Williams and his Kings of Rhythm, with the trumpeter Lloyd Henderson, in the mid-1930s, and playing in local clubs. The band split up during World War II, and Williams then joined Clarence Dorsey's band. He toured with the band, then known as the Sensational Six, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belton Evans
Samuel "Sticks" Evans (5 February 1923 – 11 April 1994) was an American drummer, percussionist, music teacher, arranger and musical director. He was credited variously as Sammy "Stick" Evans, Samie Evans, Sammy Evans, Sammie Evans, Stick Evans, Sticks Evans, and Belton Evans. Biography In 1950, he recorded with the Milt Buckner Orchestra backing Wynonie Harris, and in 1952-3 he was playing and recording with Milt Buckner's Organ Trio. He left the trio in February 1953, and in 1954 he was with the Teddy Wilson Trio with Milt Hinton. In the early 1960s, he was recording on the Prestige label, credited as Belton Evans, and accompanied on bass by Leonard Gaskin, for blues artists such as Curtis Jones, Sunnyland Slim, Sonny Terry, Big John Greer, LaVern Baker, and King Curtis. He appears on John Lewis’ ''Jazz Abstractions'' album (1961), with Bill Evans, Eric Dolphy, Ornette Coleman and Jim Hall, among others. That same year he was a member of the Ray Bryant Combo b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homesick James
Homesick James (April 30, 1910December 13, 2006 was an American blues musician known for his mastery of the slide guitar. He worked with his cousin, Elmore James, and with Sonny Boy Williamson II. Early years Homesick James was born in Somerville, Tennessee, United States, the son of Cordellia Henderson and Plez Williamson Rivers, who were both musicians. The year of his birth is uncertain. He stated that he was born in 1905, 1910, or 1914,Russell, T.; Smith, C. (2006). ''The Penguin Guide to Blues Recordings''. London: Penguin Books. p. 263. while his union records give 1924. His actual birth name has given as James Williamson or John Henderson. Little is known about his early life. He developed a self-taught style of slide guitar through playing at local dances in his teens. He claimed to have played with Yank Rachell, Sleepy John Estes, Blind Boy Fuller, Sonny Boy Williamson II and Big Joe Williams, among others, and to have been acquainted with Robert Johnson. He also clai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Spruill
James Edgar Spruill (June 9, 1934 – February 3, 1996), also known as Wild Jimmy Spruill, was an American New York based session guitarist, whose guitar solos featured on many rhythm and blues and pop hits of the 1950s and 1960s. Biography Early life and success Spruill was born into a sharecropping family in Fayetteville, North Carolina, United States. As a child he listened to both country music and blues. He learned to play guitar, first with a cigar box guitar with an elastic band, and then graduated within a few years to a Fender Telecaster and Standel amplifier. Later in his career, he took to playing a Gibson Les Paul which he "modified" by sawing off most of the body. He moved to New York City in 1955, and began working as a session musician. He most frequently worked for the record producers Danny and Bobby Robinson, who ran the Fire, Fury, Everlast, Enjoy and VIM record labels based at Bobby Robinson's ''Happy House of Hits'' record store in Harlem. He also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
