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Homesick James
Homesick James (April 30, 1910December 13, 2006 was an American blues musician known for his mastery of the slide guitar. He worked with his cousin, Elmore James, and with Sonny Boy Williamson II. Early years Homesick James was born in Somerville, Tennessee, United States, the son of Cordellia Henderson and Plez Williamson Rivers, who were both musicians. The year of his birth is uncertain. He stated that he was born in 1905, 1910, or 1914,Russell, T.; Smith, C. (2006). ''The Penguin Guide to Blues Recordings''. London: Penguin Books. p. 263. while his union records give 1924. His actual birth name has given as James Williamson or John Henderson. Little is known about his early life. He developed a self-taught style of slide guitar through playing at local dances in his teens. He claimed to have played with Yank Rachell, Sleepy John Estes, Blind Boy Fuller, Sonny Boy Williamson II and Big Joe Williams, among others, and to have been acquainted with Robert Johnson. He also clai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Somerville, Tennessee
Somerville is a town in Fayette County, Tennessee, United States. It is part of the Memphis metropolitan area. The population was 3,415 at the 2020 census, up from 3,094 at the 2010 census. It is the county seat of Fayette County. History The town was named to honor Lieutenant Robert Somerville, who was killed in 1814 during the Battle of Horseshoe Bend in central Alabama while serving under General Andrew Jackson. Somerville was incorporated in 1836. Geography Somerville is located slightly northeast of the center of Fayette County at (35.237623, -89.358400). U.S. Route 64 runs through the center of town as Fayette Street, leading northeast to Whiteville and west to Oakland. Downtown Memphis is to the west. Tennessee State Route 76 crosses US 64 at the center of town. North of US 64, it is the town's Main Street and leads to Brownsville. To the south it is South Street, leading to Moscow. According to the United States Census Bureau, the town has a total area of , of w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross Road Blues
"Cross Road Blues" (also known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references. Bluesman Elmore James revived the song with recordings in 1954 and 1960–1961. English guitarist Eric Clapton with Cream popularized the song as "Crossroads" in the late 1960s. Their blues rock interpretation inspired many cover versions and the Rock and Roll Hall of Fame included it as one of the "500 Songs That Shaped Rock and Roll". ''Rolling Stone'' placed it at number three on the magazine's list of the "Greatest Guitar Songs of All Time" in recognition of Clapton's guitar work. Recording In October 1936, Johnson audi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
USA Records
USA Records was an American, Chicago based independent record label. Jim Golden started the USA label as part of Chicago's Allstate Distributors in 1960, which was owned by Paul Glass. USA Record Co., Inc. had its office at 1448 South Michigan Avenue, Chicago, Illinois 60605, which was across the street from Chess Records and Glass's Allstate Distributors, Chess' regional distributor. While USA had a few regional hits, their biggest hit came in 1967 with the chart-topping "Kind of a Drag" by The Buckinghams The Buckinghams are an American sunshine pop band from Chicago. They formed in 1966 and went on to become one of the top-selling acts of 1967, charting their only five top 40 hits in the U.S. that year. The band dissolved in 1970, but re-formed .... The label lasted until 1969. USA Records worldwide rights were acquired by 43 North Broadway, LLC in 2015. External links * * * 1960 establishments in Illinois 1969 disestablishments in the United States Defunct c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sky Is Crying (song)
"The Sky Is Crying" is a blues standard written and initially recorded by Elmore James in 1959. Called "one of his most durable compositions", "The Sky Is Crying" became a R&B record chart hit and has been interpreted and recorded by numerous artists. Composition and recording "The Sky Is Crying" is a slow-tempo twelve-bar blues notated in 12/8 time in the key of C. It is an impromptu song inspired by a Chicago downpour during the recording session: The songs features prominent slide guitar by James with his vocals, accompanied by his longtime backing band, the Broomdusters: J. T. Brown (musician), J. T. Brown on saxophone, Little Johnny Jones (pianist), Johnny Jones on piano, Odie Payne on drums, and Homesick James on bass. James' unique slide guitar sound on the recording has generated some debate; Homesick James attributed it to a recording studio technique, others have suggested a different amplifier or guitar setup, and Ry Cooder felt that it was an altogether differe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dust My Broom
"Dust My Broom" is a blues song originally recorded as "I Believe I'll Dust My Broom" by American blues artist Robert Johnson in 1936. It is a solo performance in the Delta blues-style with Johnson's vocal accompanied by his acoustic guitar. As with many of his songs, it is based on earlier blues songs, the earliest of which has been identified as "I Believe I'll Make a Change", recorded by the Sparks brothers as " Pinetop and Lindberg" in 1932. Johnson's guitar work features an early use of a boogie rhythm pattern, which is seen as a major innovation, as well as a repeating triplets figure. In 1951, Elmore James recorded the song as "Dust My Broom" and "made it the classic as we know it", according to blues historian Gerard Herzhaft. James' slide guitar adaptation of Johnson's triplet figure has been identified as one of the most famous blues guitar riffs and has inspired many rock performers. The song has become a blues standard, with numerous renditions by a variety of mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lazy Bill Lucas
Lazy Bill Lucas (May 29, 1918 – December 11, 1982) was an American blues musician who was part of the birth of the Chicago blues scene in the 1940s, 1950s and early 1960s. He then took his talents to Minneapolis, Minnesota, becoming an important part of that city's blues history until his death. Early career Born William Lucas to sharecroppers in Wynne, Arkansas, United States, Lucas's family was always looking for better living conditions and worked their way north to Southern Missouri, then to St. Louis in 1940 and Chicago the year after. As a youngster, he sang on the streets of Advance, Missouri, where the mostly white audience preferred hillbilly songs, but in St. Louis in 1940, he teamed up with blues singer Big Joe Williams and started singing for a black audience. Until 1946, Lucas played guitar on the streets, often at the side of Sonny Boy Williamson II. Later that year, he formed a trio with Willie Mabon and Earl Dranes, joined the Musicians Union, and enjoyed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floyd Jones
Floyd Jones (July 21, 1917 – December 19, 1989) was an African-American blues singer, guitarist and songwriter. He was one of the first of the new generation of electric blues artists to record in Chicago after World War II, and a number of his recordings are regarded as classics of the Chicago blues idiom. Early life Jones was born in Marianna, Arkansas. He started playing the guitar seriously after being given one by Howlin' Wolf, and worked as an itinerant musician in Arkansas and Mississippi in the 1930s and early 1940s. He settled in Chicago in 1945. Playing in Chicago In Chicago, Jones took up the electric guitar and was one of a number of musicians, playing on Maxwell Street and in nonunion venues in the late 1940s, who played an important role in the development of the postwar Chicago blues. This group included Little Walter and Jimmy Rogers, both of whom went on to become mainstays of the Muddy Waters band; Snooky Pryor; Jones's cousin Moody Jones and the mandolin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snooky Pryor
James Edward "Snooky" Pryor (September 15, 1919 or 1921 – October 18, 2006) was an American Chicago blues harmonica player. He claimed to have pioneered the now-common method of playing amplified harmonica by cupping a small microphone in his hands along with the harmonica, although on his earliest records, in the late 1940s, he did not use this method. Career Pryor was born in Lambert, Mississippi, United States. He developed a country blues style influenced by Sonny Boy Williamson I (John Lee Williamson) and Sonny Boy Williamson II (Aleck Ford "Rice" Miller). In the mid-1930s, in and around Vance, Mississippi, Pryor played in impromptu gatherings of three or four harmonica players, including Jimmy Rogers, who then lived nearby and had yet to take up playing the guitar. Pryor moved to Chicago around 1940. While serving in the U.S. Army he would blow bugle calls through a PA system, which led him to experiment with playing the harmonica that way. However, most historians cred ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leroy Foster (musician)
"Baby Face" Leroy Foster (February 1, 1923 – May 26, 1958) was an American blues singer, drummer and guitarist, active in Chicago from the mid-1940s until the late 1950s. He was a significant figure in the development of the postwar electric Chicago blues sound, notably as a member of the Muddy Waters band during its formative years. Early life Foster was born in Algoma, Mississippi. He moved to Chicago in the mid-1940s and by 1946 was working with the pianist Sunnyland Slim and the harmonica player John Lee "Sonny Boy" Williamson. He was introduced to the singer and guitarist Muddy Waters by an acquaintance Waters met at a recording session in 1946. Foster was soon playing guitar and drums in Waters's band, along with the guitar and harmonica player Jimmy Rogers. The band was later joined by Little Walter on harmonica. Calling themselves the Headhunters, the trio was known for going from club to club and “cutting” (i.e., engaging in musical duels with) other bands. First ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chance Records
Chance Records was a Chicago-based label founded in 1950 by Art Sheridan. It specialized in blues, jazz, doo-wop, and gospel. Among the acts who recorded for Chance were The Flamingos, The Moonglows, Homesick James, J. B. Hutto, Brother John Sellers, and Schoolboy Porter. In addition, Chance released three singles by John Lee Hooker and made a coordinated issue of the first singles by Jimmy Reed and The Spaniels with the brand-new and still tiny Vee-Jay Records. The company closed down at the end of 1954. Sheridan became one of the financial backers of Vee-Jay. History Chance Records opened for business in September 1950. Initially the company was housed at Sheridan's American Record Distributors, 2011 South Michigan Avenue in Chicago.Pruter, Robert (1997). ''Doowop: The Chicago Scene.'' Urbana: University of Illinois Press, pp. 21–39 Among the first artists to record for the company were the Al Sims Trio, an uptown blues group, and a combo led by tenor saxophonist Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
