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ISRC
The International Standard Recording Code (ISRC) is an international standard code for uniquely identifying sound recordings and music video recordings. The code was developed by the recording industry in conjunction with the ISO technical committee 46, subcommittee 9 (TC 46/SC 9), which codified the standard as ISO 3901 in 1986, and updated it in 2001. An ISRC identifies a particular ''recording'', not the work (composition and lyrical content) itself. Therefore, different recordings, edits, and remixes of the same work should each have their own ISRC. Works are identified by ISWC. Recordings remastered or revised in other ways are usually assigned a new ISRC. History ISO 3901 was completed in 1986. In 1988, the IFPI recommended that its member companies adopt ISRCs for music videos. In 1989, the ISO designated the IFPI as the registration authority for ISRCs. The IFPI, in turn, delegated part of the administration of ISRCs to several dozen national agencies, which allocate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ISRC Code Example
The International Standard Recording Code (ISRC) is an international standard code for uniquely identifying sound recordings and music video recordings. The code was developed by the recording industry in conjunction with the ISO technical committee 46, subcommittee 9 (TC 46/SC 9), which codified the standard as ISO 3901 in 1986, and updated it in 2001. An ISRC identifies a particular ''recording'', not the work (composition and lyrical content) itself. Therefore, different recordings, edits, and remixes of the same work should each have their own ISRC. Works are identified by ISWC. Recordings remastered or revised in other ways are usually assigned a new ISRC. History ISO 3901 was completed in 1986. In 1988, the IFPI recommended that its member companies adopt ISRCs for music videos. In 1989, the ISO designated the IFPI as the registration authority Registration authorities exist for many standards organizations, such as ANNA (Association of National Numbering Agencies for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Federation Of The Phonographic Industry
The International Federation of the Phonographic Industry (IFPI) is the organisation that represents the interests of the recording industry worldwide. It is a non-profit members' organisation registered in Switzerland and founded in Italy in 1933 by Francesco Braga. It operates a secretariat based in London, with regional offices in Brussels, Hong Kong, Miami, Abu Dhabi, Singapore and Nairobi. Function IFPI's mission is to promote the value of recorded music, campaign for record producer rights, and expand the commercial uses of recorded music. Its services to members include a legal policy programme, litigation, content protection, sales reporting for the recorded music market, insight and analysis and work in the areas of performance rights, technology and trade. Structure IFPI is governed by its Main Board, a group including representatives from across the organisation's members (including major and independent record labels), representatives from certain IFPI National Grou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Global Release Identifier
The Global Release Identifier (GRid) is a system to identify releases of digital sound recordings (and other digital data) for electronic distribution. It is designed to be integrated with identification systems deployed by key stakeholders from across the music industry. (GRid should not be confused with the Global Repertoire Database (GRD), a system to track ownership and control of musical works, which was planned from 2008–2014 but ultimately failed.) Basic construction A GRid consists of 18 alphanumerical characters (numerical digits and capital letters as defined in ISO/IEC 646:1991-IRV, which is identical to ASCII) that are grouped into four elements as follows: ;Identifier Scheme element (2 characters): “A1” denotes a GRid. ;Issuer Code element (5 characters): A unique identifier of the organisation responsible for allocating the GRid, issued by the International GRid Authority (i.e., the IFPI). ;Release Number element (10 characters): Uniquely identifies the spe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gesellschaft Zur Verwertung Von Leistungsschutzrechten
The GVL (german: Gesellschaft zur Verwertung von Leistungsschutzrechten mbH) is a German music copyright collection society that represents the interests of performing artists and producers of sound recordings. Its German name translates to English as "Society for the exploitation of ancillary copyrights". Incorporated in 1959, the GVL represents 160,000 performers and over 12,000 rights-holders. They have international agreements in place, often referred to as "reciprocal deals" with music copyright collection societies including Phonographic Performance Limited (PPL), the oldest established sound recordings copyright collective. The GVL also collects so-called "secondary exploitation rights" on behalf of its members. The total income of the GVL in 2014 was €163.4 million. The GVL collected approximately €230 million ($261 million) for members in 2018, a 25.9 percent decline of income compared to the previous year's high of €310 million ($352 million). In May 2020 GEMA an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ID3v2
ID3 is a metadata container most often used in conjunction with the MP3 audio file format. It allows information such as the title, artist, album, track number, and other information about the file to be stored in the file itself. There are two unrelated versions of ID3: ID3v1 and ID3v2. ID3v1 takes the form of a 128-byte segment at the end of an MP3 file containing a fixed set of data fields. ID3v1.1 is a slight modification which adds a "track number" field at the expense of a slight shortening of the "comment" field. ID3v2 is structurally very different from ID3v1, consisting of an extensible set of "frames" located at the start of the file, each with a frame identifier (a three- or four-byte string) and one piece of data. 83 types of frames are declared in the ID3v2.4 specification, and applications can also define their own types. There are standard frames for containing cover art, BPM, copyright and license, lyrics, and arbitrary text and URL data, as well as other things. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcast Wave Format
Broadcast Wave Format (BWF) is an extension of the popular Microsoft WAV audio format and is the recording format of most file-based non-linear digital recorders used for motion picture, radio and television production. It was first specified by the European Broadcasting Union in 1997, and updated in 2001 and 2003. It has been accepted as the ITU recommendation ITU-R BS.1352-3, Annex 1. The purpose of this file format is the addition of metadata to facilitate the seamless exchange of sound data between different computer platforms and applications. It specifies the format of metadata, allowing audio processing elements to identify themselves, document their activities, and supports timecode to enable synchronization with other recordings. This metadata is stored as extension chunks in a standard digital audio WAV file. BWF is the recommended format for digitizing sound files by the International Association of Sound and Audiovisual Archives. Files conforming to the Broadcast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Standard Book Number
The International Standard Book Number (ISBN) is a numeric commercial book identifier that is intended to be unique. Publishers purchase ISBNs from an affiliate of the International ISBN Agency. An ISBN is assigned to each separate edition and variation (except reprintings) of a publication. For example, an e-book, a paperback and a hardcover edition of the same book will each have a different ISBN. The ISBN is ten digits long if assigned before 2007, and thirteen digits long if assigned on or after 1 January 2007. The method of assigning an ISBN is nation-specific and varies between countries, often depending on how large the publishing industry is within a country. The initial ISBN identification format was devised in 1967, based upon the 9-digit Standard Book Numbering (SBN) created in 1966. The 10-digit ISBN format was developed by the International Organization for Standardization (ISO) and was published in 1970 as international standard ISO 2108 (the 9-digit SBN co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Labelcode
Labelcode also known as Label Code is a unique 4-digit or 5-digit music label identification code that is assigned by (GVL), Germany. Since 2017, Labelcode is no longer mandatory. Labelcode is still used in some occasions, for example, CD publishing. Ways to get a Labelcode A Labelcode is only issued by GVL after it has been published for the first time. However, there are several ways to get an LC. #The simplest is the way described below: Takeover of the LC of the Record press, press shop (keyword: assignment of ancillary rights). #After pressing a CD, for example, an application for an LC including a copy of the recordings is sent to GVL. After processing and issuing the LC, the GVL sends the sticker with the LC to the applicant. Only from the second production onwards can the LC be used permanently. #In consultation with the GVL, members of the Association of German Musicians (VDM) can receive their own label code via the VDM. This is also possible before pressing a CD for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CD-Text
CD-Text is an extension of the Red Book Compact Disc specifications standard for audio CDs. It allows storage of additional information (e.g. album name, song name, and artist name) on a standards-compliant audio CD. The specification for CD-Text was included in the Multi-Media Commands Set 3 R01 (MMC-3) standard, released in September 1996 and backed by Sony. It was also added to new revisions of the Red Book. The actual text is stored in a format compatible with Interactive Text Transmission System (ITTS), defined in the IEC 61866 standard. The ITTS standard is also applied in the |
International Standard Musical Work Code
International Standard Musical Work Code (ISWC) is a unique identifier for musical works, similar to ISBN for books. It is adopted as international standard ISO 15707. The ISO subcommittee with responsibility for the standard is TC 46/SC 9. Format Each code is composed of three parts: # prefix element (1 character) # work identifier (9 digits) # check digit (1 digit) Currently, the only prefix defined is "T", indicating Musical works. However, additional prefixes may be defined in the future to expand the available range of identifiers and/or expand the system to additional types of works. Computation of the check digit With * d_i: one of the nine digits of the work identifier (i=1 to 9) from left to right. * C: check digit. S = 1 + \sum_^id_i C = (10 - (S \mod 10)) \mod 10 Example: T-034.524.680-C S=179 C=1 ISWC identifiers are commonly written the form ''T-123.456.789-C''. The grouping is for ease of reading only; the numbers do not incorporate any information about ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Label
A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label", derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Videos
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings. Although the origins of music videos date back to musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including " illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live-action, documentary, and non-narrative approaches such as abstract film. Combining these styles and techniques has become more popular due to the variety for the audience ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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