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Höchsterwünschtes Freudenfest, BWV 194
(Most highly desired festival of joy), , is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for dedication of the church and organ at Störmthal on 2 November 1723. The cantata text was written by an anonymous poet, including two stanzas of Johann Heermann's hymn "" (1630) and two stanzas of Paul Gerhardt's "" (1647). Bach used an earlier secular cantata as a base for a structure in two parts of six movements each, beginning with an extended choral movement and concluding both parts with chorale stanzas. The inner movements are alternating recitatives and arias. The chorales are the only movements which were certainly newly composed for the occasion. Bach scored the work for three vocal soloists, a four-part choir and a Baroque instrumental ensemble of three oboes, bassoon, strings and continuo. After the first performance in Störmthal, Bach performed the cantata again in Leipzig for Trinity Sunday, first on 4 June 1724, a shortened version in 1726, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed cantatas for both secular and sacred use. His church cantatas are cantatas which he composed for use in the Lutheran church, mainly intended for the occasions of the liturgical year. Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas,Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: '' Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas are around two-thirds of that number, with limited additional information on the ones that went missing or survived as fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Instruments
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments. The following table lists instruments, classified as brass instruments, woodwinds, strings, and basso continuo. The continuous bass is played by a group of instruments, depending on the given situation. Many instruments have an Italian or French name which is used as a common name also in English. The use of instruments by composers is shown in examples mostly by Johann Sebastian Bach. Table of instruments Baroque instrumentation The typical orchestra of the Baroque period is based on string instruments (violin, viola) and continuo. A continuous bass is the rule in Baroque music; its absence is worth mentioning and has a reason, such as describi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Pitch
Concert pitch is the pitch (music), pitch reference to which a group of musical instruments are musical tuning, tuned for a performance. Concert pitch may vary from musical ensemble, ensemble to ensemble, and has varied widely over music history. The most common modern tuning standard uses A440 (pitch standard), 440 Hz for A above middle C as a reference note, with other notes being set relative to it. In the literature this is also called ''international standard pitch''. The term "concert pitch" is also used to distinguish between the "written" (or "nominal"), and "sounding" (or "real") notes of a transposing instrument, i.e. ''concert pitch'' may refer to the sounding pitch on a non-transposing instrument. Music for transposing instruments is transposed into different key signature, keys from that of non-transposing instruments. For example, playing a written C on a B clarinet or trumpet produces a non-transposing instrument's B. This pitch is referred to as "concert B". Moder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold, Prince Of Anhalt-Köthen
Leopold of Anhalt-Köthen (29 November 1694 – 19 November 1728) was a German prince of the House of Ascania and ruler of the principality of Anhalt-Köthen. Today, he is best remembered for employing Johann Sebastian Bach as his Kapellmeister between 1717 and 1723. He was born at Köthen, the second (but eldest surviving) son of Emmanuel Lebrecht, Prince of Anhalt-Köthen, by his wife Gisela Agnes of Rath. Life Early years At his birth, the agnates of the Anhalt principalities still did not recognize Leopold's right of inheritance due to the morganatic status of his parents' marriage. These rights were confirmed on 28 June 1698, however, and Leopold was able to succeed his father when he died in 1704, at age ten. His mother, the Dowager Princess Gisela Agnes, acted as regent on his behalf, but King Frederick I of Prussia, according to the late Prince's will, became his "upper guardian". From the beginning of the regency, conflicts arose between the king and the dowager prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anhalt-Köthen
Anhalt-Köthen was a principality of the Holy Roman Empire ruled by the House of Ascania. It was created in 1396 when the Principality of Anhalt-Zerbst was partitioned between Anhalt-Dessau and Anhalt-Köthen. The first creation lasted until 1562, when it fell to Prince Joachim Ernest of Anhalt-Zerbst, who merged it into the reunited Principality of Anhalt. Anhalt-Köthen was created a second time in 1603, when Anhalt was again divided. In 1806, Anhalt-Köthen was raised to a duchy. With the death of Duke Henry on 23 November 1847, the Anhalt-Köthen line became extinct and its territories were united to Anhalt-Dessau by patent of 22 May 1853. Today, Anhalt-Köthen is mostly remembered as a long-time residence of Johann Sebastian Bach, while he worked for Leopold, Prince of Anhalt-Köthen. History The Principality of Anhalt arose in 1212 under its first ruler, Henry I, son of the Saxon duke Bernhard III. Named after Anhalt Castle, the ancestral seat of the Ascanian dynasty ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preise, Jerusalem, Den Herrn, BWV 119
(Praise the Lord, Jerusalem), BWV 119, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig for ''Ratswechsel'', the inauguration of a new town council, and first performed it on 30 August 1723. Bach composed the cantata in his first year as ''Thomaskantor'' in Leipzig, about three months after taking office at the end of May 1723. A festive service at the Nikolaikirche was an annual event, celebrating the inauguration of a new town council, always held on the Monday after St. Bartholomew (August 24). The text by an anonymous poet includes psalm verses and an excerpt from Martin Luther's German Te Deum. It is focused on acknowledgement of authority as a gift of God, thanks for past blessings, and prayer for future help. The cantata is structured in nine movements, three of them choral (1, 7, 9), the others alternating arias and recitatives. The orchestra is large and representative, with four trumpets, timpani, two recorders and three oboes, in addit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 194a
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Eliot Gardiner
Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gardiner's early musical experience came largely through singing with his family and in a local church choir. As a child he grew up with the celebrated Haussmann portrait of J. S. Bach, which had been lent to his parents for safe keeping during the Second World War. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history at King's College, Cambridge, where his tutor was the social anthropologist Edmund Leach."John Eliot Gardiner", in ''Contemporary Musicians'' (1999), Detroit: Gale While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chapel on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solomon
Solomon (; , ),, ; ar, سُلَيْمَان, ', , ; el, Σολομών, ; la, Salomon also called Jedidiah (Hebrew language, Hebrew: , Modern Hebrew, Modern: , Tiberian Hebrew, Tiberian: ''Yăḏīḏăyāh'', "beloved of Yahweh, Yah"), was a monarch of ancient Israel and the son and successor of David, according to the Hebrew Bible and the Old Testament. He is described as having been the penultimate ruler of an amalgamated Kingdom of Israel (united monarchy), Israel and Judah. The hypothesized dates of Solomon's reign are 970–931 BCE. After his death, his son and successor Rehoboam would adopt harsh policy towards the northern tribes, eventually leading to the splitting of the Israelites between the Kingdom of Israel (Samaria), Kingdom of Israel in the north and the Kingdom of Judah in the south. Following the split, his Patrilineality#In the Bible, patrilineal descendants ruled over Judah alone. The Bible says Solomon built the Solomon's Temple, First Temple in Jerus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomaskantor
(Cantor at St. Thomas) is the common name for the musical director of the , now an internationally known boys' choir founded in Leipzig in 1212. The official historic title of the Thomaskantor in Latin, ', describes the two functions of cantor and director. As the cantor, he prepared the choir for service in four Lutheran churches, Thomaskirche (St. Thomas), Nikolaikirche (St. Nicholas), Neue Kirche (New Church) and Peterskirche (St. Peter). As director, he organized music for city functions such as town council elections and homages. Functions related to the university took place at the Paulinerkirche. Johann Sebastian Bach was the most famous , from 1723 to 1750. Position Leipzig has had a university dating back to 1409, and is a commercial center, hosting a trade fair first mentioned in 1165. It has been mostly Lutheran since the Reformation. The position of Thomaskantor at Bach's time has been described as "one of the most respected and influential musical offices of P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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