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Höchsterwünschtes Freudenfest, BWV 194
(Most highly desired festival of joy), , is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for dedication of the church and organ at Störmthal on 2 November 1723. The cantata text was written by an anonymous poet, including two stanzas of Johann Heermann's hymn "" (1630) and two stanzas of Paul Gerhardt's "" (1647). Bach used an earlier secular cantata as a base for a structure in two parts of six movements each, beginning with an extended choral movement and concluding both parts with chorale stanzas. The inner movements are alternating recitatives and arias. The chorales are the only movements which were certainly newly composed for the occasion. Bach scored the work for three vocal soloists, a four-part choir and a Baroque instrumental ensemble of three oboes, bassoon, strings and continuo. After the first performance in Störmthal, Bach performed the cantata again in Leipzig for Trinity Sunday, first on 4 June 1724, a shortened version in 1726, and t ...
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Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed Bach cantata, cantatas for both List of secular cantatas by Johann Sebastian Bach, secular and sacred use. He composed his church cantatas for use in the Lutheranism, Lutheran church, mainly intended for the occasions of the liturgical year. Bach's Nekrolog, Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas,Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: ''scores:Bach-Gesellschaft Ausgabe/Thematic Catalogue, Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas ...
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Baroque Instruments
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a Historically informed performance, historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments. The following table lists instruments, classified as brass instruments, Woodwind instrument, woodwinds, String instrument, strings, and basso continuo. The continuous bass is played by a group of instruments, depending on the given situation. Many instruments have an Italian or French name which is used as a common name also in English. The use of instruments by composers is shown in examples mostly by Johann Sebastian Bach. Table of instruments Baroque instrumentation The typical orchestra of the Baroque period was based on string instruments (violin, viola) and #Continuo, continuo. A continuous bass was the rule ...
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Concert Pitch
Concert pitch is the pitch reference to which a group of musical instruments are tuned for a performance. Concert pitch may vary from ensemble to ensemble, and has varied widely over time. The ISO defines international standard pitch as A440, setting 440 Hz as the frequency of the A above middle C. Frequencies of other notes are defined relative to this pitch. The written pitches for transposing instruments do not match those of non-transposing instruments. For example, a written C on a B clarinet or trumpet sounds as a non-transposing instrument's B. The term "concert pitch" is used to refer to the pitch on a non-transposing instrument, to distinguish it from the transposing instrument's written note. The clarinet or trumpet's written C is thus referred to as "concert B". Modern standard concert pitch The A above middle C is often set at the international standard of 440 Hz. Historically, this A has been tuned to a variety of different pitches. History of pitch standards ...
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Leopold, Prince Of Anhalt-Köthen
Leopold of Anhalt-Köthen (29 November 1694 – 19 November 1728) was a German prince of the House of Ascania and ruler of the principality of Anhalt-Köthen. Today, he is best remembered for employing Johann Sebastian Bach as his Kapellmeister between 1717 and 1723. He was born at Köthen, the second (but eldest surviving) son of Emmanuel Lebrecht, Prince of Anhalt-Köthen, by his wife Gisela Agnes of Rath. Life Early years At his birth, the agnates of the Anhalt principalities still did not recognize Leopold's right of inheritance due to the morganatic status of his parents' marriage. These rights were confirmed on 28 June 1698, however, and Leopold was able to succeed his father when he died in 1704, at age ten. His mother, the Dowager Princess Gisela Agnes, acted as regent on his behalf, but King Frederick I of Prussia, according to the late Prince's will, became his "upper guardian". From the beginning of the regency, conflicts arose between the king and the dowager p ...
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Anhalt-Köthen
Anhalt-Köthen was a Princes of the Holy Roman Empire, principality of the Holy Roman Empire ruled by the House of Ascania. It was created in 1396 when the Principality of Anhalt-Zerbst was partitioned between Anhalt-Dessau and Anhalt-Köthen. The first creation lasted until 1562, when it fell to Prince Joachim Ernest, Prince of Anhalt, Joachim Ernest of Anhalt-Zerbst, who merged it into the reunited Principality of Anhalt. Anhalt-Köthen was created a second time in 1603, when Anhalt was again divided. In 1806, Anhalt-Köthen was raised to a duchy. With the death of Duke Henry, Duke of Anhalt-Köthen, Henry on 23 November 1847, the Anhalt-Köthen line became extinct and its territories were united to Anhalt-Dessau by patent of 22 May 1853. Today, Anhalt-Köthen is mostly remembered as a long-time residence of Johann Sebastian Bach, while he worked for Leopold, Prince of Anhalt-Köthen. History The Principality of Anhalt arose in 1212 under its first ruler, Henry I, Count of An ...
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Kapellmeister
( , , ), from German (chapel) and (master), literally "master of the chapel choir", designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister position was a senior one ...
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Preise, Jerusalem, Den Herrn, BWV 119
(Praise the Lord, Jerusalem), BWV 119, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig for ''Ratswechsel'', the inauguration of a new town council, and first performed it on 30 August 1723. Bach composed the cantata in his first year as ''Thomaskantor'' in Leipzig, about three months after taking office at the end of May 1723. A festive service at the Nikolaikirche was an annual event, celebrating the inauguration of a new town council, always held on the Monday after St. Bartholomew (August 24). The text by an anonymous poet includes psalm verses and an excerpt from Martin Luther's German Te Deum. It is focused on acknowledgement of authority as a gift of God, thanks for past blessings, and prayer for future help. The cantata is structured in nine movements, three of them choral (1, 7, 9), the others alternating arias and recitatives. The orchestra is large and representative, with four trumpets, timpani, two recorders and three oboes, in additi ...
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Köthen
Köthen () is a town in Germany. It is the capital of the district of Anhalt-Bitterfeld in Saxony-Anhalt, about north of Halle. Köthen is the location of the main campus and the administrative centre of the regional university, Anhalt University of Applied Sciences/Hochschule Anhalt which is especially strong in information technology. The city is conveniently located at the hub of the Magdeburg–Leipzig, Dessau–Köthen and Köthen–Aschersleben railways. Köthen is situated in a fertile area with rich black soil suitable to the cultivation of sugar-beets. Industry includes high-tech engineering, manufacture of cranes, as well as chemicals, printing, and foodstuffs. In English, the name of the city is often spelt anachronistically as Cöthen, a practice that has become standard in the literature relating to the life and work of Johann Sebastian Bach, who resided and worked there from 1717 to 1723. History Owing to the fertile soil of the region, the area of Köthen i ...
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BWV 194a
The (, ; BWV) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990 and the third edition in 2022.Bach-Werke-Verzeichnis (BWV). Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach, 3rd expanded edn. Edited by Christine Blanken, Christoph Wolff and Peter Wollny The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. In part this reflects that fact that some compositions cannot be dated. However, an approximate or precise date can be assigned to others: for example, BWV 992 was composed many years before BWV 1. Alternative classifications The BWV classification is open to criticism, and the Bach scholar Christoph Wolff was involved in the design of an alternative, the Bach Compendium. Publication of the Bach Compendium began in 1985. The BWV, however, ...
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John Eliot Gardiner
Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach, especially the Bach Cantata Pilgrimage of 2000, performing Church cantata (Bach), Bach's church cantatas in liturgical order in churches all over Europe, and New York City, with the Monteverdi Choir, and recording them at the locations. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gardiner's early musical experience came largely through singing with his family and in a local church choir. As a child he grew up with the celebrated Elias Gottlob Haussmann, Haussmann portrait of J. S. Bach, which had been lent to his parents for safe keeping during the Second World War. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied History at King's College, Cambridge, where his tutor was the social anthropo ...
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Solomon
Solomon (), also called Jedidiah, was the fourth monarch of the Kingdom of Israel (united monarchy), Kingdom of Israel and Judah, according to the Hebrew Bible. The successor of his father David, he is described as having been the penultimate ruler of all Twelve Tribes of Israel under an amalgamated History of ancient Israel and Judah, Israel and Judah. The hypothesized dates of Solomon's reign are from 970 to 931 BCE. According to the biblical narrative, after Solomon's death, his son and successor Rehoboam adopted harsh policies towards the northern Israelites, who then rejected the reign of the Davidic line, House of David and sought Jeroboam as their king. In the aftermath of Jeroboam's Revolt, the Israelites were split between the Kingdom of Israel (Samaria), Kingdom of Israel in the north (Samaria) and the Kingdom of Judah in the south (Judea); the Bible depicts Rehoboam and the rest of Solomon's Patrilineality#In the Bible, patrilineal descendants ruling over independent ...
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Thomaskantor
(Cantor at St. Thomas) is the common name for the musical director of the , now an internationally known boys' choir founded in Leipzig in 1212. The official historic title of the Thomaskantor in Latin, ', describes the two functions of Cantor (Christianity), cantor and director. As the cantor, he prepared the choir for service in four Lutheranism, Lutheran churches, Thomaskirche (St. Thomas), Nikolaikirche, Leipzig, Nikolaikirche (St. Nicholas), St. Matthew, Leipzig, Neue Kirche (New Church) and St. Peter, Leipzig, Peterskirche (St. Peter). As director, he organized music for city functions such as town council elections and homages. Functions related to the university took place at the Paulinerkirche, Leipzig, Paulinerkirche. Johann Sebastian Bach was the most famous , from 1723 to 1750. Position Leipzig has had a Leipzig University, university dating back to 1409, and is a commercial center, hosting a Leipzig Trade Fair, trade fair first mentioned in 1165. It has been mostl ...
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