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Hyagnis (mythology)
Hyagnis ( grc, Ὑάγνις or Ἄγνις) was a mythical musician from Phrygia who was considered to be the inventor of the aulos. Hyagnis was also one of the three mythical Phrygian musicians (along with Marsyas and Olympus) to whom the Ancient Greeks attributed the invention of the Phrygian mode in music. He was called the "divine" father of Marsyas probably by Olympus or Oeagrus.Hyginus, ''Fabulae'' 165 Notes References * Apollodorus, ''The Library'' with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes, Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921. ISBN 0-674-99135-4Online version at the Perseus Digital Library. * |
Phrygia
In classical antiquity, Phrygia ( ; grc, Φρυγία, ''Phrygía'' ) was a kingdom in the west central part of Anatolia, in what is now Asian Turkey, centered on the Sangarios River. After its conquest, it became a region of the great empires of the time. Stories of the heroic age of Greek mythology tell of several legendary Phrygian kings: * Gordias, whose Gordian Knot would later be cut by Alexander the Great * Midas, who turned whatever he touched to gold * Mygdon, who warred with the Amazons According to Homer's ''Iliad'', the Phrygians participated in the Trojan War as close allies of the Trojans, fighting against the Achaeans. Phrygian power reached its peak in the late 8th century BC under another, historical, king Midas, who dominated most of western and central Anatolia and rivaled Assyria and Urartu for power in eastern Anatolia. This later Midas was, however, also the last independent king of Phrygia before Cimmerians sacked the Phrygian capital, Go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulos
An ''aulos'' ( grc, αὐλός, plural , ''auloi'') or ''tibia'' (Latin) was an ancient Greek wind instrument, depicted often in art and also attested by archaeology. Though ''aulos'' is often translated as "flute" or "double flute", it was usually a double-reeded instrument, and its sound—described as "penetrating, insisting and exciting"—was more akin to that of the bagpipes, with a chanter and (modulated) drone. An aulete (, ) was the musician who performed on an ''aulos''. The ancient Roman equivalent was the ''tibicen'' (plural ''tibicines''), from the Latin ''tibia,'' "pipe, ''aulos''." The neologism aulode is sometimes used by analogy with ''rhapsode'' and ''citharode'' ( citharede) to refer to an ''aulos'' player, who may also be called an aulist; however, aulode more commonly refers to a singer who sang the accompaniment to a piece played on the aulos. Background There were several kinds of ''aulos'', single or double. The most common variety was a reed instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nonnus
Nonnus of Panopolis ( grc-gre, Νόννος ὁ Πανοπολίτης, ''Nónnos ho Panopolítēs'', 5th century CE) was the most notable Greek epic poet of the Imperial Roman era. He was a native of Panopolis (Akhmim) in the Egyptian Thebaid and probably lived in the 5th century CE. He is known as the composer of the ''Dionysiaca'', an epic tale of the god Dionysus, and of the ''Metabole'', a paraphrase of the ''Gospel of John''. The epic Dionysiaca describes the life of Dionysus, his expedition to India, and his triumphant return. It was written in Homeric Greek and in dactylic hexameter, and it consists of 48 books at 20,426 lines. Life There is almost no evidence for the life of Nonnus. It is known that he was a native of Panopolis (Akhmim) in Upper Egypt from his naming in manuscripts and the reference in epigram 9.198 of the ''Palatine Anthology''. Scholars have generally dated him from the end of the 4th to the central years of the 5th century CE. He must have lived af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysiaca
The ''Dionysiaca'' {{IPAc-en, ˌ, d, aɪ, ., ə, ., n, ᵻ, ˈ, z, aɪ, ., ə, ., k, ə ( grc-gre, Διονυσιακά, ''Dionysiaká'') is an ancient Greek epic poem and the principal work of Nonnus. It is an epic in 48 books, the longest surviving poem from Greco-Roman antiquity at 20,426 lines, composed in Homeric dialect and dactylic hexameters, the main subject of which is the life of Dionysus, his expedition to India, and his triumphant return to the west. Composition The poem is thought to have been written in the 5th century AD. The suggestion that it is incomplete misses the significance of the birth of Dionysus' one son (Iacchus) in the final Book 48, quite apart from the fact that 48 is a key number as the number of books in the ''Iliad'' and ''Odyssey'' combined. The older view that Nonnus wrote this poem before conversion to Christianity and the writing of his other long poem, a verse paraphrase of St John's Gospel, is now discredited, since a host of indications p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marsyas
In Greek mythology, the satyr Marsyas (; grc-gre, Μαρσύας) is a central figure in two stories involving music: in one, he picked up the double oboe (''aulos'') that had been abandoned by Athena and played it; in the other, he challenged Apollo to a contest of music and lost his hide and life. In antiquity, literary sources often emphasize the ''hubris'' of Marsyas and the justice of his punishment. In one strand of modern comparative mythography, the domination of Marsyas by Apollo is regarded as an example of myth that recapitulates a supposed supplanting by the Olympian pantheon of an earlier "Pelasgian" religion of chthonic heroic ancestors and nature spirits. Marsyas was a devoté of the ancient Mother Goddess Rhea/Cybele, and his episodes are situated by the mythographers in Celaenae (or Kelainai), in Phrygia, at the main source of the Meander (the river Menderes in Turkey). Family When a genealogy was applied to him, Marsyas was the son of the "divine" Hyag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympus (musician)
Olympus (or Olympos, el, Ὄλυμπος) is the name of two ancient Greek musicians, one mythical who lived before the Trojan War, and one apparently real, who lived in the 7th century BC. Both musicians were connected with the auletic music, which had its origin in Phrygia.Plutarch, ''de Mus.'' It is possible that the elder and mythical Olympus was invented through some mistake respecting the younger and historical Olympus. Instrumental music was apparently introduced into Greece by Olympus.(ed. ) Mythical Olympus The elder Olympus belongs to the mythical genealogy of Mysian and Phrygian flute-players: Hyagnis, Marsyas, and Olympus, to each of whom the invention of the flute was ascribed, and under whose names we have the mythical representation of the contest between the Phrygian ''auletic'' and the Greek ''citharoedic'' music: some writers made him the father (instead of son, or disciple, and favourite) of Marsyas, but the genealogy given above was that more generally rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrygian Mode
The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter. Ancient Greek Phrygian The octave species (scale) underlying the ancient-Greek Phrygian ''tonos'' (in its diatonic genus) corresponds to the medieval and modern Dorian mode. The terminology is based on the '' Elements'' by Aristoxenos (fl. c. 335 BC), a disciple of Aristotle. The Phrygian ''tonos'' or ''harmonia'' is named after the ancient kingdom of Phrygia in Anatolia. In Greek music theory, the ''harmonia'' given this name was based on a ''tonos'', in turn based on a scale or octave species built from a tetrachord which, in its diatonic genus, consisted of a series of rising intervals of a whole tone, followed by a semitone, followed by a whole tone. : In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibliotheca (Pseudo-Apollodorus)
The ''Bibliotheca'' (Ancient Greek: grc, Βιβλιοθήκη, lit=Library, translit=Bibliothēkē, label=none), also known as the ''Bibliotheca'' of Pseudo-Apollodorus, is a compendium of Greek myths and heroic legends, arranged in three books, generally dated to the first or second century AD. The author was traditionally thought to be Apollodorus of Athens, but that attribution is now regarded as false, and so "Pseudo-" was added to Apollodorus. The ''Bibliotheca'' has been called "the most valuable mythographical work that has come down from ancient times." An epigram recorded by the important intellectual Patriarch Photius I of Constantinople expressed its purpose:Victim of its own suggestions, the epigraph, ironically, does not survive in the manuscripts. For the classic examples of epitomes and encyclopedias substituting in Christian hands for the literature of Classical Antiquity itself, see Isidore of Seville's ''Etymologiae'' and Martianus Capella. It has the follo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oeagrus
In Greek mythology, Oeagrus ( grc-gre, Οἴαγρος, Oíagros, of the wild sorb-apple) was a king of Thrace. Biography Kingdom There are various versions as to where Oeagrus' domain was actually situated. In one version, he ruled over the Edonian kingdom in the region of Mygdonia. He is also connected with Pieria, further west, or to the vicinity of the River Hebrus to the east, the latter was said to be called 'Oeagria', in his honor. Family In the version that places Oeagrus in Pieria, his father is given as King Pierus and the nymph Methone. He was described as "a Thracian wine-god, who was himself descended from Atlas." According to ''Suda'', Oiagros was in the fifth generation after Atlas, by Alkyone, one of his daughters. This can be explained by the following genealogy: (1) Atlas by Pleione — (2) Alcyone by Poseidon — (3) Aethusa by Apollo — (4) Linus or Eleuther — (5) Pierus by Methone — Oeager. This was supported by the order of genealogy accordin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaius Julius Hyginus
Gaius Julius Hyginus (; 64 BC – AD 17) was a Latin author, a pupil of the scholar Alexander Polyhistor, and a freedman of Caesar Augustus. He was elected superintendent of the Palatine library by Augustus according to Suetonius' ''De Grammaticis'', 20. It is not clear whether Hyginus was a native of the Iberian Peninsula or of Alexandria. Suetonius remarks that Hyginus fell into great poverty in his old age and was supported by the historian Clodius Licinus. Hyginus was a voluminous author: his works included topographical and biographical treatises, commentaries on Helvius Cinna and the poems of Virgil, and disquisitions on agriculture and bee-keeping. All these are lost. Under the name of Hyginus there are extant what are probably two sets of school notes abbreviating his treatises on mythology; one is a collection of ''Fabulae'' ("stories"), the other a "Poetical Astronomy". ''Fabulae'' The ''Fabulae'' consists of some three hundred very brief and plainly, even crudely, to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrygian Characters In Greek Mythology
Phrygian can refer to: *Anything relating to the region of Phrygia *Anything relating to the Phrygians, an ethnic group *Phrygian language, their language * Phrygian cap, once characteristic of the region *Phrygian helmet, used historically in Thracian, Dacian, Classical and Hellenistic Greek armies, and later among Romans * Phrygian mode in music *A follower of Montanism Montanism (), known by its adherents as the New Prophecy, was an early Christian movement of the late 2nd century, later referred to by the name of its founder, Montanus. Montanism held views about the basic tenets of Christian theology simi ..., an early Christian movement in Phrygia {{disambig Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
