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House Of Albizzi
The Albizzi family () was a Florentine family originally based in Arezzo, who were rivals of the Medici and Alberti families. They were at the centre of Florentine oligarchy from 1382, in the reaction that followed the Ciompi revolt, to the rise of the Medici in 1434. They were active members of the Arte della Lana, Florence's wool guild. The Guilds played a central role in the governance of the Republic of Florence during the medieval period and guild members constituted Florence's political and economic oligarchy. The most famous and influential members of the family were Maso and his son Rinaldo degli Albizzi (1370–1442) who countered the rise of Cosimo de' Medici, exiling him in 1433. Luca, another son of Maso, was head of the Florentine galleys; his diary is an important source for historians. Luca was a loyal friend to Cosimo de' Medici. As a result, Luca was permitted to stay in Florence when the rest of his clan, including his brother, were exiled under the Medici reg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrician (post-Roman Europe)
Patricianship, the quality of belonging to a patriciate, began in the ancient world, where cities such as Ancient Rome had a social class of patrician families, whose members were initially the only people allowed to exercise many political functions. In the rise of European towns in the 12th and 13th century, the patriciate, a limited group of families with a special constitutional position, in Henri Pirenne's view, was the motive force. In 19th century Central Europe, the term had become synonymous with the upper Bourgeoisie and cannot be interchanged with the medieval patriciate in Central Europe. In German-speaking parts of Europe as well as in the maritime republics of the Italian Peninsula, the patricians were as a matter of fact the ruling body of the medieval town. Particularly in Italy, they were part of the nobility. With the establishment of the medieval towns, Italian city-states and maritime republics, the patriciate was a formally-defined social class of govern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arte Della Lana
The Arte della Lana was the wool guild of Florence during the Late Middle Ages and in the Renaissance. It was one of the seven '' Arti Maggiori ''("greater trades") of Florence, separate from the ''Arti Minori'' (the "lesser trades") and the ''Arti Mediane ''(the "middle trades"). The Arte della Lana dealt in woollen cloth and cooperated with the other corporations of bankers and merchants in administering the commune, both under the podestà and the Republic of Florence. The powerful Albizzi family were prominent members of the guild. History At the height of the industry the Arte della Lana directly employed 30.000 workers and indirectly about a third of Florence's population, and produced 100,000 lengths of cloth annually. The Arte della Lana saw all the processes from the raw baled wool through the final cloth, woven at numerous looms scattered in domiciles throughout the city. Like other guilds, the ''Arte'' served only to coordinate the activities of its own members, who di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albizzi Family
The Albizzi family () was a Florentine family originally based in Arezzo, who were rivals of the Medici and Alberti families. They were at the centre of Florentine oligarchy from 1382, in the reaction that followed the Ciompi revolt, to the rise of the Medici in 1434. They were active members of the Arte della Lana, Florence's wool guild. The Guilds played a central role in the governance of the Republic of Florence during the medieval period and guild members constituted Florence's political and economic oligarchy. The most famous and influential members of the family were Maso and his son Rinaldo degli Albizzi (1370–1442) who countered the rise of Cosimo de' Medici, exiling him in 1433. Luca, another son of Maso, was head of the Florentine galleys; his diary is an important source for historians. Luca was a loyal friend to Cosimo de' Medici. As a result, Luca was permitted to stay in Florence when the rest of his clan, including his brother, were exiled under the Medic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albizia Julibrissin
''Albizia julibrissin'', the Persian silk tree, pink silk tree, or mimosa tree, is a species of tree in the family Fabaceae, native to southwestern Asia and eastern Asia. The genus is named after the Italian nobleman Filippo degli Albizzi, who introduced it to Europe in the mid-18th century. It is sometimes incorrectly spelled ''Albizzia''. The specific epithet ''julibrissin'' is a corruption of the Persian word (), which means " silk flower" (from "flower" + "silk"). ''Albizia julibrissin'' was described by Antonio Durazzini. John Gilbert Baker used the same scientific name to refer to Prain's '' Albizia kalkora'', the ''Mimosa kalkora'' of William Roxburgh. Names ''Albizia julibrissin'' is known by a wide variety of common names, such as Persian silk tree and pink siris. It is also called Lankaran acacia or bastard tamarind, though it is not too closely related to either genus. The species is called Chinese silk tree, silk tree or mimosa in the United States, which is mis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Giovanna Tornabuoni
The ''Portrait of Giovanna Tornabuoni'' (also known as ''Portrait of Giovanna degli Albizzi'') is a painting by the Italian Renaissance painter Domenico Ghirlandaio, executed in 1488 and located in the Museo Thyssen-Bornemisza, Madrid. The portrait was commissioned by Lorenzo Tornabuoni after his wife's death in 1488 and includes many symbolic details. Description The painting portrays Giovanna degli Albizzi, a Florentine noblewoman who was married to Lorenzo Tornabuoni. She died in childbirth in 1488, the year specified on the cartellino (Italian for a slip of paper) in the background. It was commissioned by her husband, Lorenzo Tornabuoni, and the portrait was actually painted about two years after her death, around 1489-90, for the Tornabuoni family. She has been identified thanks to her other portraits in the Tornabuoni Chapel and a medal of Giovanna, also by Ghirlandaio, where she has the same hair style. It depicts the young woman from the side in a linear, ornamental arra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo I De' Medici, Grand Duke Of Tuscany
Cosimo I de' Medici (12 June 1519 – 21 April 1574) was the second Duke of Florence from 1537 until 1569, when he became the first Grand Duke of Tuscany, a title he held until his death. Life Rise to power Cosimo was born in Florence on 12 June 1519, the son of the famous condottiere Ludovico de' Medici (known as Giovanni delle Bande Nere) and his wife Maria Salviati, herself a granddaughter of Lorenzo the Magnificent. He was the grandson of Caterina Sforza, the Countess of Forlì and Lady of Imola. Cosimo came to power in 1537 at age 17, just after the 26-year-old Duke of Florence, Alessandro de' Medici, was assassinated. Cosimo was from a different branch of the Medici family, descended from Giovanni il Popolano, the great-grandson of Giovanni di Bicci de' Medici, founder of the Medici Bank. It was necessary to search for a successor outside of the "senior" branch of the Medici family descended from Cosimo di Giovanni de' Medici, since the only male child of Alessandro, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleonora Degli Albizzi
Eleonora degli Albizzi (1543 – 19 March 1634) was a mistress of Cosimo I de' Medici, the Grand Duke of Tuscany. She had an illegitimate son with him, Don Giovanni de' Medici. History She was the daughter of an ancient Florentine family of moderate means, daughter of Luigi degli Albizzi and Nannina Soderini. With the consent of her father, by 1565, at the age of about 23–24 years, she became the mistress of the Granduke, who was a widower since the death of Eleonora of Toledo in 1562. In 1566, Albizzi had a daughter with the Duke. She soon died as an infant. In 1567 she had a son, Giovanni. Rumors began to circulate that Cosimo wish to legitimize his union to Eleonora. Tradition holds that his long-time chamberlain Sforza Almeni of Perugia shared the Duke's desires with Francesco I, the legitimate heir who was increasingly the dominant force in the government. Francesco, likely worried about the entry of potential heirs and a mother-in-law, scolded his father about those pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gonfaloniere
The Gonfalonier (in Italian: ''Gonfaloniere'') was the holder of a highly prestigious communal office in medieval and Renaissance Italy, notably in Florence and the Papal States. The name derives from ''gonfalone'' (in English, gonfalon), the term used for the banners of such communes. In Florence, the office was known as Gonfalonier of Justice (''Gonfaloniere di Giustizia'') and was held by one of the nine citizens selected by the drawing lots every two months, who formed the city's government, or Signoria. In the papal states, it was known as Gonfalonier of the Church or Papal Gonfalonier. Other central and northern Italian communes, from Spoleto to the County of Savoy, elected or appointed ''gonfalonieri.'' The Bentivoglio family of Bologna aspired to this office during the sixteenth century. However, by the year 1622, when Artemisia Gentileschi painted a portrait of Pietro Gentile as a gonfaloniere of Bologna, with the ''gonfalone'' in the background, the office had merely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galley Slave
A galley slave was a slave rowing in a galley, either a convicted criminal sentenced to work at the oar ('' French'': galérien), or a kind of human chattel, often a prisoner of war, assigned to the duty of rowing. In the ancient Mediterranean, galley rowers were mostly free men, and slaves were used as rowers when manpower was in high demand. In medieval and early modern times, convicts and prisoners of war often manned galleys, and the Barbary pirates enslaved captives as galley slaves. During the 18th and 19th centuries, pirates in Asia likewise manned their galleys with captives. Antiquity Ancient navies generally preferred to rely on free men to man their galleys. Slaves were usually not put at the oars except in times of pressing manpower demands or extreme emergency, and in some of these cases they would earn their freedom by this. There is no evidence that ancient navies ever made use of condemned criminals as oarsmen, despite the popular image from novels such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo De' Medici
Cosimo di Giovanni de' Medici (27 September 1389 – 1 August 1464) was an Italian banker and politician who established the Medici family as effective rulers of Florence during much of the Italian Renaissance. His power derived from his wealth as a banker, and inter-marriage with other powerful and rich families. He was a patron of arts, learning and architecture. He spent over 600,000 gold florins (approx. $500 million inflation adjusted) on art and culture, including Donatello's David, the first freestanding nude male sculpture since antiquity. Despite his influence, his power was not absolute; Florence's legislative councils at times resisted his proposals throughout his life, and he was viewed as first among equals, rather than an autocrat.Martines, Lauro (2011). ''The Social World of the Florentine Humanists, 1390–1460''. University of Toronto Press. p. 8. Biography Early life and family business Cosimo de' Medici was born in Florence to Giovanni di Bicci de' Med ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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