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Horst Seeger
Horst Seeger (6 November 1926 – 2 January 1999), pseudonyme ''Horst Schell'', was a German musicologist, music critic, dramaturg, librettist and opera director. Leben Born in Erkner, Seeger studied musicology at the Humboldt University of Berlin with Walter Vetter, Ernst Hermann Meyer and Hans-Heinz Dräger and worked as a music journalist and critic from 1954. From 1959 to 1960 he was editor-in-chief of the journal ''Musik und Gesellschaft''. From 1960-1973 he was chief dramaturge at the Komische Oper Berlin. In 1973 he took over the direction of the Staatsoper Dresden in the building of the Schauspielhaus and since 1979 also the direction of the Staatstheater Dresden. Seeger brought directors like Harry Kupfer and Ruth Berghaus and conductors like Herbert Blomstedt to Dresden. He rendered great services to the reconstruction of the Semperoper.''Opern-Lexikon'', 3., erweiterte Auflage, erweiterte Neuausgabe (Lizenzausgabe des Henschelverlages Kunst und Gesellschaft, Berl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Blomstedt
Herbert Thorson Blomstedt (; born 11 July 1927) is a Swedish conductor. Herbert Blomstedt was born in Massachusetts. Two years after his birth, his Swedish parents moved the family back to their country of origin. He studied at the Stockholm Royal College of Music and the University of Uppsala, followed by studies of contemporary music at Darmstadt in 1949, Baroque music with Paul Sacher at the Schola Cantorum Basiliensis, and further conducting studies with Igor Markevitch, Jean Morel at the Juilliard School, and Leonard Bernstein at Tanglewood's Berkshire Music Center. Blomstedt also lived in Finland during his youth. He won the Koussevitzky Conducting Prize in 1953 and the Salzburg Conducting Competition in 1955. Blomstedt is most noted for his performances of German and Austrian composers, such as Beethoven, Felix Mendelssohn, Johannes Brahms, Franz Schubert, Anton Bruckner, Richard Strauss and Paul Hindemith, and also as a champion of Scandinavian composers, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berliner Zeitung
The ''Berliner Zeitung'' (, ''Berlin Newspaper'') is a daily newspaper based in Berlin, Germany. Founded in East Germany in 1945, it is the only East German paper to achieve national prominence since reunification. It is published by Berliner Verlag. History and profile ''Berliner Zeitung'' was first published on 21 May 1945 in East Berlin. The paper, a center-left daily, is published by Berliner Verlag. After the fall of the Berlin Wall, the paper was bought by Gruner + Jahr and the British publisher Robert Maxwell. Gruner + Jahr later became sole owners and relaunched it in 1997 with a completely new design. A stated goal was to turn the ''Berliner Zeitung'' into "Germany's ''Washington Post''". The daily says its journalists come "from east and west", and it styles itself as a "young, modern and dynamic" paper for the whole of Germany. It is the only East German paper to achieve national prominence since reunification. In 2003, the ''Berliner'' was Berlin's largest subscr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Da Ponte
Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italian, later American, opera librettist, poet and Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Mozart's most celebrated operas: ''The Marriage of Figaro'' (1786), ''Don Giovanni'' (1787), and '' Così fan tutte'' (1790). Early career Lorenzo Da Ponte was born Emanuele Conegliano in 1749 in Ceneda in the Republic of Venice (now Vittorio Veneto, Italy). He was Jewish by birth, the eldest of three sons. In 1764, his father, Geronimo Conegliano, then a widower, converted himself and his family to Roman Catholicism in order to marry a Catholic woman. Emanuele, as was the custom, took the name of Lorenzo Da Ponte from the bishop of Ceneda who baptised him. Thanks to the bishop, the three Conegliano brothers studied at the Ceneda seminary. The bishop died in 1768, after which Lorenzo moved to the seminary at Portogruaro, where he took Minor Orders in 1770 and became Professor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Felsenstein
Walter Felsenstein (30 May 1901 – 8 October 1975) was an Austrian theater and opera director. He was one of the most important exponents of textual accuracy, productions in which dramatic and musical values were exquisitely researched and balanced. His most famous students were Götz Friedrich and Harry Kupfer both of whom went on to have important careers developing Felsenstein's work. Opera director Siegfried Schoenbohm was one of his assistants. Biography Felsenstein was born in Vienna and began his career at the Burgtheater there. From 1923 to 1932, he was a theater actor in Lübeck, Mannheim and Beuthen, where he first worked as a director. In Basel and Freiburg im Breisgau, he became closely acquainted with the contemporary concert hall. From 1932 to 1934 he worked as an opera director in Cologne, and from 1934 to 1936 at the Oper Frankfurt. He worked in Zürich from 1938 to 1940 and returned in 1940 to Germany, where he was active at the Berlin Schillertheater u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni (1966)
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the success ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovic Halévy
Ludovic Halévy (1 January 1834 – 7 May 1908) was a French author and playwright, best known for his collaborations with Henri Meilhac on Georges Bizet's ''Carmen'' and on the works of Jacques Offenbach. Biography Ludovic Halévy was born in Paris. His father, Léon Halévy (1802–1883), was a civil servant and a clever and versatile writer, who tried almost every branch of literature—prose and verse, vaudeville, drama, history—without, however, achieving decisive success in any. His uncle, Fromental Halévy, was a noted composer of opera; hence the double and early connection of Ludovic Halévy with the Parisian stage. His father had converted from Judaism to Christianity prior to his marriage with Alexandrine Lebas, daughter of a Christian architect. At the age of six, Halévy might have been seen playing in that ''Foyer de la danse'' with which he was to make his readers so familiar, and, when a boy of twelve, he would often, on a Sunday night, on his way back to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Meilhac
Henri Meilhac (23 February 1830 – 6 July 1897) was a French dramatist and opera librettist, best known for his collaborations with Ludovic Halévy on Georges Bizet's ''Carmen'' and on the works of Jacques Offenbach, as well as Jules Massenet's ''Manon''. Biography Meilhac was born in the 1st arrondissement of Paris in 1830. As a young man, he began writing fanciful articles for Parisian newspapers and comédies en vaudevilles, in a vivacious boulevardier spirit which brought him to the forefront. About 1860, Meilhac met Ludovic Halévy, and their collaboration for the stage lasted twenty years. Their most famous collaboration is the libretto for Georges Bizet's ''Carmen''. However, Meilhac's work is most closely tied to the music of Jacques Offenbach, for whom he wrote over a dozen librettos, most of them together with Halévy. The most successful collaborations with Offenbach are ''La belle Hélène'' (1864), '' Barbe-bleue'' (1866), '' La Vie parisienne'' (1866), ''La Grand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritter Blaubart (Film)
''Ritter Blaubart'' (''Knight Bluebeard'') is a fairy-tale opera (German: ''Märchenoper'') in three acts by the Austrian composer Emil Nikolaus von Reznicek. Herbert Eulenberg wrote the German libretto, based on his own five-act play with the same title, which had been first performed unsuccessfully at the Lessing Theater in Berlin in 1906. Composition history Reznicek's first sketches date from the autumn of 1915. Eulenberg revised the text of his play in consultation with the composer, reducing the number of acts to three (the original acts one and two, and the original acts four and five were both condensed to one act). Several cuts were made, and a few minor scenes were eliminated. This resulted in the story becoming much more focused on the psychology and pathological character of the title figure. Reznicek composed the music during 1917-18. The score was published by Universal Edition Vienna. Performance history After an unsuccessful attempt to get the opera staged in Berl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Geißler
Fritz Geißler (or Geissler) (16 September 1921 in Wurzen, Saxony – 11 January 1984 in Bad Saarow, Brandenburg) was one of the most important composers of the German Democratic Republic. The son of Elsa and Walther Geißler, he was raised in modest circumstances. His first violin lessons came from the leader of a local tenants' association's mandolin-band, himself a pipe-fitter. Following graduation from public school, Geissler went into training with the town-pipers band of Naunhof. After the conclusion of this most inauspicious education he earned the means to continue private lessons in violin, piano, and music theory as a bar and coffee house fiddler in Leipzig. Later, in 1979, he used his experiences from this time in his opera ''Die Stadtpfeifer'' ("The Town Pipers"). In 1940 he was conscripted into the Wehrmacht as a musician, and ordered to Guernsey in 1942, where he served in the Luftwaffe's musical corps. In 1945 he became a prisoner of war of the English, where he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried Matthus
Siegfried Matthus (13 April 1934 – 27 August 2021) was a German composer, conductor, and festival founder and manager. Some of his operas, such as '' Judith'', were premiered at the Komische Oper Berlin in East Berlin. In 1991, he founded the chamber opera festival Kammeroper Schloss Rheinsberg and directed it until 2018. In 2005, he composed a Te Deum for the reopening of the Dresden Frauenkirche. Matthus is considered one of Germany's most often performed contemporary composers. Biography Matthus was born in , East Prussia. His father was a farmer and played for entertainment and dancing. His father made sure that the son received piano lessons. In 1944, his parents fled with him to in the Ruppin district. Matthus attended secondary school in Rheinsberg, followed by studies at the Hochschule für Musik Hanns Eisler in Berlin. After graduating, he continued his studies in composition with Rudolf Wagner-Régeny and Hanns Eisler, and was shortly thereafter made the younges ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
