Holbein Carpet
   HOME
*



picture info

Holbein Carpet
Holbein carpets are a type of carpet taking their name from Hans Holbein the Younger, due to their depiction in European Renaissance paintings, although they are shown in paintings from many decades earlier than Holbein. The art historian Kurt Erdmann has sub-divided the "Holbein" design into four types (of which Holbein actually only painted two); they are among the commonest designs of Anatolian carpet seen in Western Renaissance paintings. Their production started by the mid-15th century, and continued to be produced for nearly two centuries. All are purely geometric and use a variety of arrangements of lozenges, crosses and octagonal motifs within the main field. The sub-divisions are between: *Type I: Small-pattern Holbein. This type is defined by an infinite repeat of small patterns, with alternating rows of octagons and staggered rows of diamonds, as seen in Holbein the Younger's ''Portrait of Georg Gisze'' (1532), or the Somerset House Conference (1608). *Type II: no ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Anatolian Rug
Anatolian rug is a term of convenience, commonly used today to denote rugs and carpets woven in Anatolia and its adjacent regions. Geographically, its area of production can be compared to the territories which were historically dominated by the Ottoman Empire. It denotes a knotted, pile-woven floor or wall covering which is produced for home use, local sale, and export. Together with the flat-woven kilim, Anatolian rugs represent an essential part of the regional culture, which is officially understood as the Culture of Turkey today,"The historical importance of rug and carpet weaving in Anatolia"
Turkishculture.org. Retrieved on 2012-01-27.
and derives from the ethnic, religious and cultural pluralis ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Small Pattern Holbein Carpet Anatolia 16th Century
Small may refer to: Science and technology * SMALL, an ALGOL-like programming language * Small (anatomy), the lumbar region of the back * ''Small'' (journal), a nano-science publication * <small>, an HTML element that defines smaller text Arts and entertainment Fictional characters * Small, in the British children's show Big & Small Other uses * Small, of little size Size in general is the magnitude or dimensions of a thing. More specifically, ''geometrical size'' (or ''spatial size'') can refer to linear dimensions ( length, width, height, diameter, perimeter), area, or volume. Size can also be m ... * Small (surname) * "Small", a song from the album '' The Cosmos Rocks'' by Queen + Paul Rodgers See also

* Smal (other) * List of people known as the Small * Smalls (other) {{disambiguation ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Gul (design)
A ''gul'' (also written ''gol'', ''göl'' and ''gül'') is a medallion-like design element typical of traditional hand-woven carpets from Central and West Asia. In Turkmen weavings they are often repeated to form the pattern in the main field. Shape ''Gul'' are medallions, often octagonal, and often somewhat angular on a generally octagonal plan, though they can be somewhat rounded within the constraints of carpet-weaving, and some are lozenge-shaped (rhombuses). They usually have either twofold rotational symmetry or mirror reflection symmetry (often both left/right and up/down). ''Gul'' were historically described in the West as being elephant's foot motifs. Other Western guesses held that the ''gul'' was a drawing of a round Turkmen tent, with lines between tents representing irrigation canals; or that the emblem was a totemic bird. None of these descriptions have any basis in weaving tradition or culture. Etymology The term ''gul'', ''gol'', ''göl'' or ''gül'' is used w ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


David Sylvester
Anthony David Bernard Sylvester (21 September 1924 – 19 June 2001) was a British art critic and curator. Although he received no formal education in the arts, during his long career he was influential in promoting modern artists, in particular Francis Bacon, Joan Miró, and Lucian Freud. Life and career Born into a north-London Jewish family, Sylvester had trouble as a student at University College School and was thrown out of the family home. He wrote for the paper ''Tribune'' and went to Paris in 1947 where he met Alberto Giacometti, one of the strongest influences on him. Sylvester is credited with coining the term ''kitchen sink'' originally to describe a strand of post-war British painting typified by John Bratby. Sylvester used the phrase negatively but it was widely applied to other art forms including literature and theatre. During the 1950s, Sylvester worked with Henry Moore, Freud and Bacon but also supported Richard Hamilton and the other " Young Turks" of Brit ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Ushak Carpet
Uşak carpets, Ushak carpets or Oushak Carpets ( tr, Uşak Halısı) are Turkish carpets that use a particular family of designs, called by convention after the city of Uşak, Turkey – one of the larger towns in Western Anatolia, which was a major center of rug production from the early days of the Ottoman Empire, into the early 20th century (although these patterns were woven in other regions also). Classification Historically Ushaks were classified as ‘Anatolian Rugs,’ Anatolian literally translating to ‘land of the rising sun.’ Today scholars know much more about Oushaks and are able to classify them as such. ‘Anatolian’ is used as a last resort when a more specific identification cannot be found; at which point ‘Anatolian’ refers to a carpet made in Turkey. The level of international popularity attained by Uşak's carpets became such that the word "Ushak" is considered an English word of Turkic origin In the European market In the European mark ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Jean De Dinteville
Jean de Dinteville (1504–1555) was a French diplomat. He is the left-hand figure in Hans Holbein the Younger, Holbein's 1533 painting ''The Ambassadors (Holbein), The Ambassadors'', painted whilst he was French ambassador to London, and which he presumably commissioned. Dinteville's motto was ''Memento mori'', meaning "Remember thou shalt die." References External links oneonta.edu See also

*François de Dinteville (1498-1530), his brother 1504 births 1555 deaths Ambassadors of France to the Kingdom of England 16th-century French diplomats People of the Tudor period {{France-diplomat-stub ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Saint Giles
Saint Giles (, la, Aegidius, french: Gilles), also known as Giles the Hermit, was a hermit or monk active in the lower Rhône most likely in the 6th century. Revered as a saint, his cult became widely diffused but his hagiography is mostly legendary. A town that bears his name grew up around the monastery he purportedly founded, which became a pilgrimage centre and a stop on the Way of Saint James. He is traditionally one of the Fourteen Holy Helpers. Historicity The legend of Giles connects him to Caesarius of Arles, who died in 543. In 514, Caesarius sent a messenger, Messianus, to Pope Symmachus in the company of an abbot named Aegidius. It is possible that this abbot is the historical figure at the basis of the legend of Saint Giles.J. Pycke, "(2) Gilles", in ''Dictionnaire d'histoire et de géographie ecclésiastiques'', Vol. 20 (1984): cols. 1352–1355. There are two forged Papal bulls purporting to have been issued by Pope John VIII in 878. Sometimes taken as authent ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Master Of Saint Giles
The Master of Saint Giles (french: Maître de Saint-Gilles) was a Franco-Flemish painter active, probably in Paris, about 1500, working in a delicate Late Gothic manner, with rendering of textures and light and faithful depictions of actual interiors that show his affinities with Netherlandish painting. It is not clear whether the Master of Saint Giles was a French painter who trained in the Low Countries (perhaps more likely), or a Netherlander who emigrated to France. His pseudonym was given him by Max Friedländer, who reconstructed part of the anonymous painter's oeuvre, starting from two panels devoted to Saint Giles (a ''Miracle'' and a ''Mass'') in the National Gallery, London, that were part of the lefthand shutter of an altarpiece, and two further panels now in Washington from the same altarpiece. The hand of an assistant can be discerned in the ''Baptism of Clovis'' at the National Gallery of Art, Washington, who also have a panel with ''Episodes from the Life of a ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Verrocchio
Andrea del Verrocchio (, , ; – 1488), born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. He apparently became known as ''Verrocchio'' after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece. Life Verrocchio was born in Florence in around 1435. His father, Michele di Francesco Cioni, initially worked as a tile and brick maker, then later as a tax collector. Verrocchio never married, and had to provide financial support for some members of his family. He was at first apprenticed to a goldsmith. It has been suggested that he was later apprenticed ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Henry VIII Of England
Henry VIII (28 June 149128 January 1547) was King of England from 22 April 1509 until his death in 1547. Henry is best known for his six marriages, and for his efforts to have his first marriage (to Catherine of Aragon) annulled. His disagreement with Pope Clement VII about such an annulment led Henry to initiate the English Reformation, separating the Church of England from papal authority. He appointed himself Supreme Head of the Church of England and dissolved convents and monasteries, for which he was excommunicated by the pope. Henry is also known as "the father of the Royal Navy" as he invested heavily in the navy and increased its size from a few to more than 50 ships, and established the Navy Board. Domestically, Henry is known for his radical changes to the English Constitution, ushering in the theory of the divine right of kings in opposition to papal supremacy. He also greatly expanded royal power during his reign. He frequently used charges of treason and ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

The Ambassadors (Holbein)
''The Ambassadors'' is a 1533 painting by Hans Holbein the Younger. Also known as '' Jean de Dinteville and Georges de Selve'', after the two people it portrays, it was created in the Tudor period, in the same year Elizabeth I was born. Franny Moyle speculates that Elizabeth's mother, Anne Boleyn, then Queen of England, might have commissioned the painting as a gift for Jean de Dinteville, the ambassador portrayed on the left in the painting. As well as being a double portrait, the painting contains a still life of several meticulously rendered objects, the meaning of which is the cause of much debate. It also incorporates one of the best-known examples of anamorphosis in painting. ''The Ambassadors'' has been part of London's National Gallery collection since its purchase in 1890. Description Although a German-born artist who spent much of his time in England, Holbein here displays the influence of Early Netherlandish painting. He used oils which for panel paintings had been dev ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Lotto Carpet
A Lotto carpet is a hand-knotted, patterned Turkish carpet that was produced primarily during the 16th and 17th centuries along the Aegean coast of Anatolia, Turkey, although it was also copied in various parts of Europe. It is characterized by a lacy arabesque, usually in yellow on a red ground, often with blue details. The name "Lotto carpet" refers to the inclusion of carpets with this pattern in paintings by the 16th-century Venetian painter Lorenzo Lotto, although they appear in many earlier Oriental carpets in Renaissance painting. Overview Lotto carpets used to be known as "Small-pattern Holbein Type II" by Western scholars, but Holbein never painted one, unlike Lorenzo Lotto who did so several times (although he was not the first artist to do so). Lotto is also documented as owning a large carpet, though its pattern is unknown. Though they look very different from Holbein Type I carpets, they are a development of the type, where the edges of the motifs take off in rig ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]