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Gul (design)
A ''gul'' (also written ''gol'', ''göl'' and ''gül'') is a medallion-like design element typical of traditional hand-woven carpets from Central and West Asia. In Turkmen weavings they are often repeated to form the pattern in the main field. Shape ''Gul'' are medallions, often octagonal, and often somewhat angular on a generally octagonal plan, though they can be somewhat rounded within the constraints of carpet-weaving, and some are lozenge-shaped (rhombuses). They usually have either twofold rotational symmetry or mirror reflection symmetry (often both left/right and up/down). ''Gul'' were historically described in the West as being elephant's foot motifs. Other Western guesses held that the ''gul'' was a drawing of a round Turkmen tent, with lines between tents representing irrigation canals; or that the emblem was a totemic bird. None of these descriptions have any basis in weaving tradition or culture. Etymology The term ''gul'', ''gol'', ''göl'' or ''gül'' is used w ...
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Konya 18th Carpet With Memling Gul Design
Konya () is a major city in central Turkey, on the southwestern edge of the Central Anatolian Plateau, and is the capital of Konya Province. During antiquity and into Seljuk times it was known as Iconium (), although the Seljuks also called it Darü'l-Mülk, meaning "seat of government". In 19th-century accounts of the city in English its name is usually spelt Konia or Koniah. As of 2021, the population of the Metropolitan Province was 2,277,017, making it the sixth most populous city in Turkey, and second most populous of the Central Anatolia Region, after Ankara . Of this, 1,390,051 lived in the three urban districts of Meram, Selçuklu and Karatay. Konya is served by TCDD high-speed train ( YHT) services from Istanbul and Ankara. The local airport ( Konya Havalimanı, KYA) is served by flights from Istanbul. Etymology of Iconium Konya was known in classical antiquity and during the medieval period as (''Ikónion'') in Greek (with regular Medieval Greek apheresis ''Kó ...
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Hans Memling 065
Hans may refer to: __NOTOC__ People * Hans (name), a masculine given name * Hans Raj Hans, Indian singer and politician ** Navraj Hans, Indian singer, actor, entrepreneur, cricket player and performer, son of Hans Raj Hans ** Yuvraj Hans, Punjabi actor and singer, son of Hans Raj Hans * Hans clan, a tribal clan in Punjab, Pakistan Places * Hans, Marne, a commune in France * Hans Island, administrated by Greenland and Canada Arts and entertainment * ''Hans'' (film) a 2006 Italian film directed by Louis Nero * Hans (Frozen), the main antagonist of the 2013 Disney animated film ''Frozen'' * ''Hans'' (magazine), an Indian Hindi literary monthly * ''Hans'', a comic book drawn by Grzegorz Rosiński and later by Zbigniew Kasprzak Other uses * Clever Hans, the "wonder horse" * ''The Hans India'', an English language newspaper in India * HANS device, a racing car safety device *Hans, the ISO 15924 code for Simplified Chinese script See also * Han (other) *Hans im Glüc ...
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Ornaments
An ornament is something used for decoration. Ornament may also refer to: Decoration *Ornament (art), any purely decorative element in architecture and the decorative arts *Biological ornament, a characteristic of animals that appear to serve only a decorative purpose *Bronze and brass ornamental work, decorative work that dates back to antiquity *Christmas ornament, a decoration used to festoon a Christmas tree *Dingbat, decorations in typography *Garden ornament, a decoration in a garden, landscape, or park *Hood ornament, a decoration on the hood of an automobile *Lawn ornament, a decoration in a grassy area *Ornamental plant, a decorative plant *Peak ornament, a decoration under the peak of the eaves of a gabled building Music *Ornament (music), a flourish that serves to decorate music *Ornament, a Russian band, forerunner to the band Kukuruza Other uses *Ornament (football), the football team from Hong Kong *Ornaments Rubric, a prayer of the Church of England See also Or ...
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Textile Museum (Washington, D
A textile museum is a museum with exhibits relating to the history and art of textiles, including: * Textile industries and manufacturing, often located in former factories or buildings involved in the design and production of yarn, cloth and clothing * Agriculture and farming related to textile materials such as silk, cotton and wool * Functional use of textiles such as for clothing and bedding * Textiles used in decorative arts, such as for fashion, carpets, tapestries, embroidery, lace and quilts Asia * National Textile Museum in Kuala Lumpur, Malaysia * Textile Museum Sarawak * Textile Museum (Jakarta) * Kurdish Textile Museum * Chojun Textile & Quilt Art Museum * Bhutan Textile Museum Canada * Textile Museum of Canada Europe * Quilt Museum and Gallery * Textile Museum of Borås * Textile Museum and Documentation Centre * Central Museum of Textiles, Łódź * Fashion and Textile Museum * Helmshore Mills Textile Museum (closed) * Museum of Textile in Česká Skalice ...
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Flag Of Turkmenistan
The flag of Turkmenistan ( tk, Türkmenistanyň baýdagy) features a white crescent (symbol of Islam) and five stars representing the five regions of the country and the Five Pillars of Islam. Placed upon a green field is a symbolic representation of the country's famous carpet industry. It was introduced as the flag of Turkmenistan on 27 September 1992 to replace the Soviet-era flag which consisted of a red background with two light blue bars in the middle. The modified version with a 2:3 ratio was adopted on 23 January 2001. State Flag and Constitution Day is celebrated on 18 May. Description It features a green field with a vertical red stripe near the hoist side, containing five carpet guls (designs used in producing rugs) stacked above two crossed olive branches similar to those on the flag of the United Nations; a white waxing crescent moon, typical of Turkic and Islamic symbology, and five white five-pointed stars appear in the upper corner of the field just to the fl ...
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Islamic Geometric Patterns
Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures. The geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may be overlapped and interlaced, as can arabesques (with which they are often combined), to form intricate and complex patterns, including a wide variety of tessellations. These may constitute the entire decoration, may form a framework for floral or calligraphic embellishments, or may retreat into the background around other motifs. The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century. Geometric patterns occur in a variety of forms in Islamic a ...
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Hans Holbein The Younger
Hans Holbein the Younger ( , ; german: Hans Holbein der Jüngere;  – between 7 October and 29 November 1543) was a Germans, German-Swiss people, Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Protestant Reformation, Reformation propaganda, and he made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder, an accomplished painter of the International Gothic, Late Gothic school. Holbein was born in Augsburg but worked mainly in Basel as a young artist. At first, he painted murals and religious works, and designed stained glass windows and illustrations for books from the printer Johann Froben. He also painted an occasional portrait, making his international mark with portraits of humanist Desiderius Erasmus of Rotterdam. When the Reformation reach ...
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Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Painting, painter, draughtsman, and illustrator, traditionally placed in the Venetian school (art), Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerism, Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in Venetian school (art), the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic ...
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Arts Council Of Great Britain
The Arts Council of Great Britain was a non-departmental public body dedicated to the promotion of the fine arts in Great Britain. It was divided in 1994 to form the Arts Council of England (now Arts Council England), the Scottish Arts Council (later merged into Creative Scotland), and the Arts Council of Wales. At the same time the National Lottery was established and these three arts councils, plus the Arts Council of Northern Ireland, became distribution bodies. History In January 1940, during the Second World War, the Council for the Encouragement of Music and the Arts (CEMA), was appointed to help promote and maintain British culture. Chaired by Lord De La Warr, President of the Board of Education, the council was government-funded and after the war was renamed the Arts Council of Great Britain. Reginald Jacques was appointed musical director, with Sir Henry Walford Davies and George Dyson also involved. John Denison took over after the war. A royal charter was grante ...
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David Sylvester
Anthony David Bernard Sylvester (21 September 1924 – 19 June 2001) was a British art critic and curator. Although he received no formal education in the arts, during his long career he was influential in promoting modern artists, in particular Francis Bacon, Joan Miró, and Lucian Freud. Life and career Born into a north-London Jewish family, Sylvester had trouble as a student at University College School and was thrown out of the family home. He wrote for the paper ''Tribune'' and went to Paris in 1947 where he met Alberto Giacometti, one of the strongest influences on him. Sylvester is credited with coining the term ''kitchen sink'' originally to describe a strand of post-war British painting typified by John Bratby. Sylvester used the phrase negatively but it was widely applied to other art forms including literature and theatre. During the 1950s, Sylvester worked with Henry Moore, Freud and Bacon but also supported Richard Hamilton and the other " Young Turks" of Brit ...
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Konya
Konya () is a major city in central Turkey, on the southwestern edge of the Central Anatolian Plateau, and is the capital of Konya Province. During antiquity and into Seljuk times it was known as Iconium (), although the Seljuks also called it Darü'l-Mülk, meaning "seat of government". In 19th-century accounts of the city in English its name is usually spelt Konia or Koniah. As of 2021, the population of the Metropolitan Province was 2,277,017, making it the sixth most populous city in Turkey, and second most populous of the Central Anatolia Region, after Ankara . Of this, 1,390,051 lived in the three urban districts of Meram, Selçuklu and Karatay. Konya is served by TCDD high-speed train ( YHT) services from Istanbul and Ankara. The local airport ( Konya Havalimanı, KYA) is served by flights from Istanbul. Etymology of Iconium Konya was known in classical antiquity and during the medieval period as (''Ikónion'') in Greek (with regular Medieval Greek apheresis ''Kón ...
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Kilim Motifs
Many motifs are used in traditional kilims, handmade flat-woven rugs, each with many variations. In Turkish Anatolia in particular, village women wove themes significant for their lives into their rugs, whether before marriage or during married life. Some motifs represent desires, such as for happiness and children; others, for protection against threats such as wolves (''to the flocks'') and scorpions, or against the evil eye. These motifs were often combined when woven into patterns on kilims. With the fading of tribal and village cultures in the 20th century, the meanings of kilim patterns have also faded. In these tribal societies, women wove kilims at different stages of their lives, choosing themes appropriate to their own circumstances. Some of the motifs used are widespread across Anatolia and sometimes across other regions of West Asia, but patterns vary between tribes and villages, and rugs often expressed personal and social meaning. Context A Turkish kilim is ...
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