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Heyrati
“Heyrati” ( az, Heyratı) – is one of the rhythmic mughams of Azerbaijan. It’s performed at a key of “C rast” of “Mahur-hindi” branch. Its time signature is – 4/4. It has a vital and heroic character. Musical performance like an introduction is executed after each vocal part. Mugham was used in “Leyli and Majnun (opera), Leyli and Majnun” opera by Uzeyir Hajibeyov. Signal calls of Azerbaijani radio were based on the beginning notes of this mugham. References

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Mugham
Mugham ( az, Muğam) or Mughamat ( az, Muğamat) is one of the many classical compositions from Azerbaijan, contrasting with tasnif and ashik. It is a highly complex art form that weds classical poetry and musical improvisation in specific local modes. Mugham is a modal system. Unlike Western modes, "mugham" modes are associated not only with scales but with an orally transmitted collection of melodies and melodic fragments that performers use in the course of improvisation. Mugham is a compound composition of many parts. The choice of a particular mugham and a style of performance fits a specific event. The dramatic unfolding in performance is typically associated with increasing intensity and rising pitches, and a form of poetic-musical communication between performers and initiated listeners. Three major schools of mugham performance existed from the late 19th and early 20th centuries in the regions of Karabakh, Shirvan, and Baku. The town of Shusha of Karabakh, was partic ...
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Heyrati Mugam
“Heyrati” ( az, Heyratı) – is one of the rhythmic mughams of Azerbaijan. It’s performed at a key of “C rast” of “Mahur-hindi” branch. Its time signature is – 4/4. It has a vital and heroic character. Musical performance like an introduction is executed after each vocal part. Mugham was used in “Leyli and Majnun ''Layla & Majnun'' ( ar, مجنون ليلى ; Layla's Mad Lover) is an old story of Arab origin, about the 7th-century Bedouin poet Qays ibn al-Mulawwah and his ladylove Layla bint Mahdi (later known as Layla al-Aamiriya). "The Layla ...” opera by Uzeyir Hajibeyov. Signal calls of Azerbaijani radio were based on the beginning notes of this mugham. References {{Reflist Music of Azerbaijan Modes (music) Mugham modes Articles containing video clips ...
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Mugham Modes
Mugham ( az, Muğam) or Mughamat ( az, Muğamat) is one of the many classical compositions from Azerbaijan, contrasting with tasnif and ashik. It is a highly complex art form that weds classical poetry and musical improvisation in specific local modes. Mugham is a modal system. Unlike Western modes, "mugham" modes are associated not only with scales but with an orally transmitted collection of melodies and melodic fragments that performers use in the course of improvisation. Mugham is a compound composition of many parts. The choice of a particular mugham and a style of performance fits a specific event. The dramatic unfolding in performance is typically associated with increasing intensity and rising pitches, and a form of poetic-musical communication between performers and initiated listeners. Three major schools of mugham performance existed from the late 19th and early 20th centuries in the regions of Karabakh, Shirvan, and Baku. The town of Shusha of Karabakh, was partic ...
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Afrasiyab Badalbeyli Mugam Eyrati
Afrasiyab, also spelled Afrasiab, Afrosiyab, or Afrosiyob, may refer to: * Afrasiyab (Samarkand) -an ancient site north of Samarkand, Uzbekistan *Afrasiab, Iran, a village in Kurdistan Province * Afrasiab, a sorcerer and emperor who appears in the Persian epic Shahnameh *Afrasiyab Badalbeyli Afrasiyab Badal bey oghlu Badalbeyli ( az, Əfrasiyab Bədəl bəy oğlu Bədəlbəyli) (19 April 1907, in Baku – 6 January 1976, in Baku) was a Soviet Azerbaijani composer, with noble Iranian origins (he was the descendant of Bahman Mirza and ... -an Azerbaijani composer *Afrosiyob, the train service name of High-speed rail in Uzbekistan. {{dab, geo ...
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Azerbaijan
Azerbaijan (, ; az, Azərbaycan ), officially the Republic of Azerbaijan, , also sometimes officially called the Azerbaijan Republic is a transcontinental country located at the boundary of Eastern Europe and Western Asia. It is a part of the South Caucasus region and is bounded by the Caspian Sea to the east, Russia (Republic of Dagestan) to the north, Georgia to the northwest, Armenia and Turkey to the west, and Iran to the south. Baku is the capital and largest city. The Azerbaijan Democratic Republic proclaimed its independence from the Transcaucasian Democratic Federative Republic in 1918 and became the first secular democratic Muslim-majority state. In 1920, the country was incorporated into the Soviet Union as the Azerbaijan SSR. The modern Republic of Azerbaijan proclaimed its independence on 30 August 1991, shortly before the dissolution of the Soviet Union in the same year. In September 1991, the ethnic Armenian majority of the Nagorno-Karabakh region formed the ...
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Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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Jabbar Qaryaqady, Qurban Pirimov And Qılman Salahov
Jabbar ( ar, جبار , link=no) is an Arabic word meaning "giant" or "almighty". With the definite article as al-Jabbar ( ar, الجبار , link=no) it is one of the names of God in Islam, and is so used in the given name Abd al-Jabbar ( ar, عبد الجبار , link=no). Al-Jabbar as surname *Abdul Jalilul Jabbar (ruled 1649–1652), 12th Sultan of Brunei *Abdul-Karim al-Jabbar (born 1974), American football player Jabbar as given name * Jabbar Garyagdioglu (1861–1944), Azerbaijani folk singer *Jabbar Baghtcheban (1884-1966), Iranian worker with the deaf * Jabbar Patel (born 1942), Indian theatre and film director * Jabbar Savalan (born ca. 1991), Azerbaijani blogger *Jawad Jabbar Sadkhan Al-Sahlani, Iraqi held in Guantanamo Jabbar as surname *Javed Jabbar, Pakistani politician * Mehreen Jabbar (born 1971), Pakistani filmmaker and daughter of Javed Jabbar *Pat Jabbar, music producer * Kareem Abdul-Jabbar (born 1947), American basketball player (occasionally appears as "J ...
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Leyli And Majnun (opera)
''Leyli and Majnun'' ( az, Leyli və Məcnun) is an opera in four acts by Uzeyir Hajibeyov, to an Azerbaijani libretto written by the composer and his brother Jeyhun Hajibeyov. The opera was first performed in Baku in 1908. Performance history It was written in 1907 and first performed on at the Taghiyev Theatre in Baku, which was then part of the Russian Empire. The opera is considered the First Opera of the Muslim East. The first performance of the opera was led by Huseyn Arablinski and Hajibeyov himself played violin. Uzeyir Hajibeyov and his brother Jeyhun Hajibeyov wrote the libretto for the opera based on Azerbaijani poet Muhammad Fuzuli's poem Layla and Majnun; most parts of the poem remained unchanged. Thus, the opera ''Leyli and Majnun'' became a founder of the unique new genre in musical culture of the world, which synthesizes oriental and European musical forms, resembling a dialogue of two musical cultures of East and West. This opera has been shown more than 2, ...
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Uzeyir Hajibeyov
Uzeyir bey Abdulhuseyn oghlu Hajibeyov ( az, Üzeyir bəy Əbdülhüseyn oğlu Hacıbəyov; russian: Узеир Абдул-Гусейн оглы Гаджибеков, translit=Uzeir Abdul-Guseyn ogly Gadzhibekov; September 18, 1885November 23, 1948), known as Uzeyir Hajibeyov ( az, Üzeyir Hacıbəyov, links=no, Arabic script: , ) was an Azerbaijani composer, conductor, publicist, playwright, and social figure. He is recognized as the father of Azerbaijani composed classical music and opera. Uzeyir Hajibeyov composed the music of the national anthem of Azerbaijan Democratic Republic (which was re-adopted after Azerbaijan regained its independence from the Soviet Union in 1991). He also composed the anthem used by Azerbaijan during the Soviet period. He was the first composer of an opera in the Islamic world. He composed that first oriental opera Leyli and Majnun in 1908 and since then Azerbaijani people have been honored him for bringing to life the written masterpiece of the wo ...
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Music Of Azerbaijan
Azerbaijani music ( Azerbaijani: Azərbaycan musiqisi) is the musical tradition of the Azerbaijani people from Azerbaijan Republic. Azerbaijani music has evolved under the badge of monody, producing rhythmically diverse melodies.Энциклопедический музыкальный словарь, 2-е изд., Москва, 1966 (''Encyclopedical Music Dictionary'' (1966-1967), 2nd ed., Moscow) Music from Azerbaijan has a branch mode system, where chromatisation of major and minor scales is of great importance. Classical music In 1920, Azerbaijani classical music had undergone a renaissance and Baku Academy of Music was founded to give classical musicians the same support as folk musicians. Modern day advocates of Western classical music in Azerbaijani include Farhad Badalbeyli, Fidan Gasimova and Franghiz Alizadeh. Opera and Ballet The emergence of opera and ballet in Azerbaijan is associated with the Imperial Russian and Soviet era of Azerbaijani history when Aze ...
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Modes (music)
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system of ...
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