Heinrich Wölfflin
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Heinrich Wölfflin
Heinrich Wölfflin (; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. He taught at Basel, Berlin and Munich in the generation that raised German art history to pre-eminence. His three great books, still consulted, are ''Renaissance und Barock'' (1888), ''Die Klassische Kunst'' (1898, "Classic Art"), and ''Kunstgeschichtliche Grundbegriffe'' (1915, "Principles of Art History"). Wölfflin taught at Berlin University, from 1901 to 1912; Munich University, from 1912 to 1924; and Zurich University, from 1924 until his retirement. Origins and career Wölfflin was born in Winterthur, Switzerland, and is buried in Basel. His father, Eduard Wölfflin, was a professor of classical philology who taught at Munich University and helped found and organize the ''Thesaurus Linguae L ...
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Rudolf Dührkoop
Rudolf Johannes Dührkoop (1 August 1848, Hamburg – 3 April 1918, Hamburg) was a German portrait photographer; one of the leading early representatives of pictorialism. Biography He was born to Christian Friederich Dührkoop, a carpenter, and his wife, Johanna Friederica Emile. After serving in the Franco-Prussian War, he returned home and married Maria Louise Caroline Matzen. They had two daughters, Hanna Maria Theresia and Julie Wilhelmine, who also became a photographer, under the name Minya Diez-Dührkoop. He was initially a railroad employee, then worked as a salesman. During this time, he developed an interest in photography, and spent several years learning how to do it on his own. He published his first professional article on the subject in 1882. That same year, he applied for and was issued a photographer's license. Six months later, he opened his own studio. From the very beginning, he worked as a portrait photographer, and was quite successful. His daughter, Ju ...
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Berlin University
Humboldt-Universität zu Berlin (german: Humboldt-Universität zu Berlin, abbreviated HU Berlin) is a German public research university in the central borough of Mitte in Berlin. It was established by Frederick William III on the initiative of Wilhelm von Humboldt, Johann Gottlieb Fichte and Friedrich Ernst Daniel Schleiermacher as the University of Berlin () in 1809, and opened in 1810, making it the oldest of Berlin's four universities. From 1828 until its closure in 1945, it was named Friedrich Wilhelm University (german: Friedrich-Wilhelms-Universität). During the Cold War, the university found itself in  East Berlin and was ''de facto'' split in two when the Free University of Berlin opened in West Berlin. The university received its current name in honour of Alexander and Wilhelm von Humboldt in 1949. The university is divided into nine faculties including its medical school shared with the Freie Universität Berlin. The university has a student enrollment of around ...
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Kleine Schriften
' is a German phrase ("short writings" or "minor works"; la, Opuscula) often used as a title for a collection of articles and essays written by a single scholar over the course of a career. "Collected Papers" is an English equivalent. These shorter works were usually published previously in various periodicals or in collections of papers (such as a ') written by multiple scholars. A scholar's ''Kleine Schriften'' may be contained in a single volume, or several volumes published at once or (more commonly) in series within a period of a few years. Multi-volume collections may contain a scholar's minor or lesser-known book-length works as well. The title is usually reserved for the collected works of a scholar who wrote primarily in German or whose first language was German. The collection of a scholar who worked or taught internationally will often contain essays in more than one language; the multi-volume ' of Walter Burkert, for instance, includes work in German, English, and Fre ...
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Mary Hottinger
Marie (Mary) Donald Hottinger, née ''Mackie'' (20 June 1893, Liverpool – 6 December 1978, Zurich), was a Scottish translator and editor. In the German-speaking world she is primarily known as the editor of various anthologies of crime, ghost and horror stories and translating non-fiction '' Escape to Life.'' Her three-volume standard work with the titles ''Mord'' , ''Mehr Morde'' and ''Even more Morde'', has been reprinted often since the end of the 1950s, brought the Anglo-Saxon crime story and compilation of stories to a literary art form. Life Marie Mackie's parents, Customs Officer John Lindsay Mackie and his wife Louise Donald, were from Dundee, Scotland; her older brother Norman Lindsay Mackie (1891-1915) died in the Battle of Loos. From 1912 to 1915 Marie Mackie studied French and German at Girton College, Cambridge; She received her MA there in 1922. During the First World War, she was employed as a translator in the War Office from 1915 to 1917, then until 1919 ...
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American Society For Aesthetics
American Society for Aesthetics (ASA) is a philosophical organization founded in 1942 to promote the study of aesthetics. The ASA sponsors national and regional conferences, and publishes the ''Journal of Aesthetics and Art Criticism'', the ''American Society for Aesthetics Graduate Ejournal'', and the ''ASA Newsletter ASA as an abbreviation or initialism may refer to: Biology and medicine * Accessible surface area of a biomolecule, accessible to a solvent * Acetylsalicylic acid, aspirin * Advanced surface ablation, refractive eye surgery * Anterior spinal ...''. The organization also funds various projects. Awards * biennial John Fisher Memorial Prize in Aesthetics to an original essay in aesthetics * Monograph Prize for an outstanding monograph in the philosophy of art or aesthetics * Ted Cohen Prize (to honor Ted Cohen), founded in 2014 External links American Society for Aesthetics Records at San Diego UniversityAmerican Council of Learned Societies ASA ProfileAe ...
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Bence Nanay
Bence Nanay is Professor of Philosophy and BOF Research Professor at the University of Antwerp and has worked as a film critic. He is co-director of the Centre for Philosophical Psychology at the University of Antwerp and Senior Research Associate at Peterhouse, Cambridge University. Biography Bence Nanay is Professor of Philosophy and BOF Research Professor at the University of Antwerp. He has been Visiting Professor at a number of universities in France, Italy, Germany and Switzerland ( Università della Svizzera Italiana). He is co-director of the centre for Philosophical Psychology at the University His research focuses on philosophy of mind, philosophy of biology and aesthetics. His work is widely discussed in journals like ''Journal of Philosophy'', ''Philosophical Studies'', '' Analysis (journal)'', ''Pacific Philosophical Quarterly'', ''Mind & Language'', ''Journal of Mind and Behavior'', ''Studies in the History and Philosophy of Science'', ''Phenomenology and the Cognitive ...
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The Journal Of Aesthetics And Art Criticism
''The Journal of Aesthetics and Art Criticism'' is a quarterly Peer review, peer-reviewed academic journal covering the study of aesthetics and art criticism. It was published by Wiley-Blackwell on behalf of the American Society for Aesthetics up to January 2021 when it shifted to Oxford University Press. External links

* * Aesthetics journals Wiley-Blackwell academic journals Quarterly journals Publications established in 1941 English-language journals Academic journals associated with learned and professional societies {{aesthetics-stub ...
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Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ...
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Klara Steinweg
Klara Steinweg (1903–1972) was a German art historian, specializing in the Italian Renaissance. She was a collaborator with Richard Offner on the ''Critical and Historical Corpus of Florentine Painting'', from 1930 to 1965. Biography Klara Steinweg was born on 18 May 1903 in Westphalia, Germany. She started her studies in 1922 under Heinrich Wölfflin in Munich, and later with Adolph Goldschmidt at the University of Berlin. By 1925, she was in Göttingen working on writing her dissertation on Andrea Orcagna under , which was published in 1929. In 1930, she became an assistant to Richard Offner and moved to Berlin. She started her work on volume 4 of the book series ''Critical and Historical Corpus of Florentine Painting''. In 1935, she moved to Florence to continue her work with Offner. With the outbreak of World War II (in 1939), where she remained until the end of the war, and she continued to work almost exclusively on the Offner project until 1965. She lived in Floren ...
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Erwin Panofsky
Erwin Panofsky (March 30, 1892 in Hannover – March 14, 1968 in Princeton, New Jersey) was a German-Jewish art historian, whose academic career was pursued mostly in the U.S. after the rise of the Nazi regime. Panofsky's work represents a high point in the modern academic study of iconography, which he used in hugely influentialShone, Richard and Stonard, John-Paul, eds. ''The Books that Shaped Art History'', chapter 7. London: Thames & Hudson, 2013. works like his "little book" ''Renaissance and Renascences in Western Art'' and his masterpiece, '' Early Netherlandish Painting''. Many of his works are still in print, including ''Studies in Iconology: Humanist Themes in the Art of the Renaissance'' (1939), ''Meaning in the Visual Arts'' (1955), and his 1943 study ''The Life and Art of Albrecht Dürer''. Panofsky's ideas were also highly influential in intellectual history in general,Chartier, Roger. ''Cultural History'', pp. 23–24 (from "Intellectual History and the Histor ...
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Ernst Gombrich
Sir Ernst Hans Josef Gombrich (; ; 30 March 1909 – 3 November 2001) was an Austrian-born art historian who, after settling in England in 1936, became a naturalised British citizen in 1947 and spent most of his working life in the United Kingdom. Gombrich was the author of many works of cultural history and art history, most notably ''The Story of Art'', a book widely regarded as one of the most accessible introductions to the visual arts, and '' Art and Illusion'',Shone, Richard and Stonard, John-Paul, eds.. ''The Books That Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss'', chapter 9. London: Thames & Hudson, 2013. a major work in the psychology of perception that influenced thinkers as diverse as Carlo Ginzburg, Nelson Goodman, Umberto Eco, and Thomas Kuhn. Biography The son of Karl Gombrich and Leonie Hock, Gombrich was born in Vienna, Austria-Hungary, into an assimilated bourgeois family of Jewish origin who were part of a sophisticated social and ...
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Magic Lantern
The magic lantern, also known by its Latin name , is an early type of image projector that used pictures—paintings, prints, or photographs—on transparent plates (usually made of glass), one or more lenses, and a light source. Because a single lens inverts an image projected through it (as in the phenomenon which inverts the image of a camera obscura), slides were inserted upside down in the magic lantern, rendering the projected image correctly oriented. It was mostly developed in the 17th century and commonly used for entertainment purposes. It was increasingly used for education during the 19th century. Since the late 19th century, smaller versions were also mass-produced as toys. The magic lantern was in wide use from the 18th century until the mid-20th century when it was superseded by a compact version that could hold many 35 mm photographic slides: the slide projector. Technology Apparatus The magic lantern used a concave mirror behind a light source to direct ...
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