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Haveli Of Nau Nihal Singh
The Haveli of Nau Nihal Singh (Urdu/ pa, ), officially known as Government Victoria Girls' High School, is a haveli that houses a government school located in Lahore, Pakistan. Dating from the Sikh era of the mid-19th century, the haveli is considered to be one of the finest examples of Sikh architecture in Lahore, and is the only Sikh-era haveli that preserves its original ornamentation and architecture. Location The haveli is located within the Walled City of Lahore, and is located near the Mori Gate in the southern half of the walled city. The haveli is also near the Bhatti Gate and Lohari Gate. History The haveli was built around the late 1830s for Kanwar Nau Nihal Singh, by his grandfather and founder of the Sikh Empire, Maharaja Ranjit Singh.The Free Library. S.v. Hindu symbolism in sikh art brickwork in Haveli Naunihal Singh.." Retrieved Oct 08 2017 from https://www.thefreelibrary.com/Hindu+symbolism+in+sikh+art+brickwork+in+Haveli+Naunihal+Singh.-a0389937207 The mansion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haveli
A ''haveli'' is a traditional townhouse, mansion, manor house, in the Indian subcontinent, usually one with historical and architectural significance, and located in a town or city. The word ''haveli'' is derived from Arabic ''hawali'', meaning "partition" or "private space", popularised under the Mughal Empire, and was devoid of any architectural affiliations. Later, the word ''haveli'' came to be used as a generic term for various styles of regional mansions, manor houses, townhouse found in the Indian subcontinent. History Origin The term ''Haveli'' originates from Arabic word ''hawali'', meaning "partition" or "private space", term which was popularized under Mughal Empire. Early Havelis served Muslim rulers of the Indian Subcontinent and became an important architectural component of urban environments under the Mughals. Although Havelis originate from Indo-Islamic architecture, the existence of multistory homes and courtyards in the region is claimed as early as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maharani Datar Kaur
Maharani Datar Kaur (born Bibi Raj Kaur Nakai; (c. 1784– 20 June 1838) was the queen consort of Maharaja Ranjit Singh, the founder of the Sikh Empire and the mother of his successor, Maharaja Kharak Singh. She was the daughter of Sardar Ran Singh Nakai, third ruler of the Nakai Misl and Sardarni Karmo Kaur. Datar Kaur was betrothed to Ranjit Singh in childhood; the Anand Karaj took place when the couple were still young. Though Ranjit Singh married several times for political reasons, Datar Kaur remained his favorite and most respected wife. He lovingly addressed her as ''Mai Nakain''. In 1801, she gave birth to Kharak Singh, the heir apparent of Ranjit Singh. She took an active interest in the affairs of the State and was given command during the Battle of Multan (1818) alongside her son, Kharak Singh. She was the grandmother of Maharaja Nau Nihal Singh (1821–1840) and aunt of Sardar Kahan Singh Nakai. Datar Kaur died on 20 June 1838 in her haveli in Sheikhupura. Her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Lahore
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Havelis
A ''haveli'' is a traditional townhouse, mansion, manor house, in the Indian subcontinent, usually one with historical and architectural significance, and located in a town or city. The word ''haveli'' is derived from Arabic ''hawali'', meaning "partition" or "private space", popularised under the Mughal Empire, and was devoid of any architectural affiliations. Later, the word ''haveli'' came to be used as a generic term for various styles of regional mansions, manor houses, townhouse found in the Indian subcontinent. History Origin The term ''Haveli'' originates from Arabic word ''hawali'', meaning "partition" or "private space", term which was popularized under Mughal Empire. Early Havelis served Muslim rulers of the Indian Subcontinent and became an important architectural component of urban environments under the Mughals. Although Havelis originate from Indo-Islamic architecture, the existence of multistory homes and courtyards in the region is claimed as early as 3 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architecture In Pakistan
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes ; ; . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. The practice, which began in the prehistoric era, has been used as a way of expressing culture for civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century AD treatise ''De architectura'' by the Roman architect Vitruvius, according to whom a good building embodies , and (durability, utility, and beauty). Centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapoor Haveli
Kapoor Haveli is a residential building in the city of Peshawar, Pakistan. It is notable for being the former home of one generation of the Kapoor family, a prominent show business family of India. The building was constructed before the partition of India, between 1918 and 1922, by Dewan Basheswarnath Kapoor, father of Prithviraj Kapoor, the first member of the family to enter film industry in 1928 as an extra in his first film, ''Be Dhari Talwar''.Rishi Kapoor, Shabana Azmi remember a compassionate human on 113th birth anniversary of Prithviraj Kapoor: ‘The man who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Dilip Kumar, Peshawar
House of Dilip Kumar, Peshawar housed the Indian film actor Dilip Kumar. Born as Mohammad Yusuf Khan in Peshawar (North West Frontier Province, British India) on , one of twelve siblings, he moved to Bombay in the late 1930s with his family. It was named as a Pakistani national heritage monument on 13 July 2014 by the Pakistani Prime Minister Nawaz Sharif. Kumar visited his house once and sentimentally kissed the soil. In 1988, he visited Peshawar and in an interview given at the PC Hotel fondly recalled the days of his childhood and growing up, lapsing into Hindko and Pashto time to time. In 1997, when he was awarded Nishan-e-Imtiaz, Pakistan's highest civilian honor, he was unable to reach the house because of uncontrollable crowds. The government had been trying to acquire the house. Location The house is located in the Qissa Khawani Bazaar of Peshawar, Khyber Pakhtunkhwa, Pakistan. Acquisition On 13 July 2013, Nawaz Sharif directed the ministry of information, broadcastin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nāga
The Nagas (IAST: ''nāga''; Devanāgarī: नाग) are a divine, or semi-divine, race of half-human, half-serpent beings that reside in the netherworld (Patala), and can occasionally take human or part-human form, or are so depicted in art. A female naga is called a Nagi, or a Nagini. According to legend, they are the children of the sage Kashyapa and Kadru. Rituals devoted to these supernatural beings have been taking place throughout South Asia for at least 2,000 years. They are principally depicted in three forms: as entirely human with snakes on the heads and necks, as common serpents, or as half-human, half-snake beings in Hinduism, Buddhism, and Jainism. ''Nagaraja'' is the title given to the king of the nagas. Narratives of these beings hold cultural significance in the mythological traditions of many South Asian and Southeast Asian cultures, and within Hinduism and Buddhism, they are the ancestral origins of the Nagavanshi Kshatriyas. Etymology In Sanskrit, a () ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garuda
Garuda (Sanskrit: ; Pāli: ; Vedic Sanskrit: गरुळ Garuḷa) is a Hindu demigod and divine creature mentioned in the Hindu, Buddhist and Jain faiths. He is primarily depicted as the mount (''vahana'') of the Hindu god Vishnu. Garuda is also the half-brother of the Devas, Daityas, Danavas and Yakshas. He is the son of the sage Kashyapa and Vinata. He is the younger brother of Aruna, the charioteer of the Sun. Garuda is mentioned in several other texts such as the Puranas and the Vedas. Garuda is described as the king of the birds and a kite-like figure. He is shown either in a zoomorphic form (a giant bird with partially open wings) or an anthropomorphic form (a man with wings and some ornithic features). Garuda is generally portrayed as a protector with the power to swiftly travel anywhere, ever vigilant and an enemy of every serpent. He is also known as Tarkshya and Vainateya. Garuda is a part of state insignia of India, Indonesia and Thailand. The Indonesian official ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kangra Painting
Kangra painting (Hindi: कांगड़ा चित्रकारी) is the pictorial art of Kangra, named after the Kangra State, a former princely state of Himachal Pradesh, which patronized the art. It became prevalent with the fading of Basohli school of painting in mid-18th century, and soon produced such a magnitude in paintings both in content as well as volume, that the Pahari painting school, came to be known as Kangra paintings. Though the main centres of Kangra paintings are Guler, Basohli, Chamba, Nurpur, Bilaspur and Kangra. Later on this style also reached Mandi, Suket, Kullu, Arki, Nalagarh and Tehri Garhwal (represented by Mola Ram), and now are collectively known as Pahari painting, covering the style that was patronized by Rajput rulers between the 17th and 19th centuries. Pahari paintings, as the name suggests, were paintings executed in the hilly regions of India, in the sub-Himalayan state of Himachal Pradesh."Kangra Painting" https://www.auch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maharaja Ranjit Singh's Throne
Maharaja Ranjit Singh's throne was made by the goldsmith Hafez Muhammad Multani about 1820 to 1830, for the eponymous ruler of the Sikh empire. It is made of a wood and resin core, covered with sheets of repoussé, chased and engraved gold. ''''. Overview It shows the splendour of Ranjit Singh's court and is decorated with richly worked sheets of gold. The distinctive cusped base of this throne is composed of two tiers of lotus petals. The lotus is a symbol of purity and creation and a has tradit ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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