Hark! The Herald Angels Sing
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Hark! The Herald Angels Sing
"Hark! The Herald Angels Sing" is an English Christmas carol that first appeared in 1739 in the collection ''Hymns and Sacred Poems''. The carol, based on , tells of an angelic chorus singing praises to God. As it is known in the modern era, it features lyrical contributions from Charles Wesley and George Whitefield, two of the founding ministers of Methodism, with music adapted from " Vaterland, in deinen Gauen" by Felix Mendelssohn. Wesley, who had written the original version as "Hymn for Christmas-Day," had requested and received slow and solemn music for his lyrics, which has since largely been discarded. In 1840—a hundred years after the publication of ''Hymns and Sacred Poems''—Mendelssohn composed a cantata to commemorate Johann Gutenberg's invention of movable type printing, and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of "Hark! The Herald Angels Sing", that propels the carol known today.
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Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always a ...
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Hark! The Herald Angels Sing
"Hark! The Herald Angels Sing" is an English Christmas carol that first appeared in 1739 in the collection ''Hymns and Sacred Poems''. The carol, based on , tells of an angelic chorus singing praises to God. As it is known in the modern era, it features lyrical contributions from Charles Wesley and George Whitefield, two of the founding ministers of Methodism, with music adapted from " Vaterland, in deinen Gauen" by Felix Mendelssohn. Wesley, who had written the original version as "Hymn for Christmas-Day," had requested and received slow and solemn music for his lyrics, which has since largely been discarded. In 1840—a hundred years after the publication of ''Hymns and Sacred Poems''—Mendelssohn composed a cantata to commemorate Johann Gutenberg's invention of movable type printing, and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of "Hark! The Herald Angels Sing", that propels the carol known today.
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Thine Be The Glory
Thine Be the Glory, Risen Conquering Son (French: ''À toi la gloire O Ressuscité''), also titled Thine Is the Glory, is a Christian hymn for Easter, written by the Swiss Protestant minister, Edmond Budry (1854–1932), and set to the tune of the chorus "See, the Conqu'ring hero comes" from the third section of Handel's oratorio ''Judas Maccabaeus''. The hymn is sometimes sung at weddings or funerals. An English translation was made in 1923 by Richard Birch Hoyle (1875–1939). The German Advent hymn '' Tochter Zion, freue dich'' uses the same tune. History Tune "Thine Be the Glory" is sung to the hymn tune . The tune was originally written by the German-British composer George Frideric Handel. He composed it initially for his 1747 oratorio ''Joshua'', in which it features as a chorus, "See, the Conquering Hero Comes!", celebrating the military victories of the Biblical figure Joshua. The chorus is sung three times, and its final rendition is accompanied by a military side ...
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King's College, Cambridge
King's College is a constituent college of the University of Cambridge. Formally The King's College of Our Lady and Saint Nicholas in Cambridge, the college lies beside the River Cam and faces out onto King's Parade in the centre of the city. King's was founded in 1441 by King Henry VI soon after he had founded its sister institution at Eton College. Initially, King's accepted only students from Eton College. However, the king's plans for King's College were disrupted by the Wars of the Roses and the resultant scarcity of funds, and then his eventual deposition. Little progress was made on the project until 1508, when King Henry VII began to take an interest in the college, probably as a political move to legitimise his new position. The building of the college's chapel, begun in 1446, was finished in 1544 during the reign of Henry VIII. King's College Chapel is regarded as one of the finest examples of late English Gothic architecture. It has the world's largest fan vaul ...
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King's College Chapel, Cambridge
King's College Chapel is the chapel of King's College in the University of Cambridge. It is considered one of the finest examples of late Perpendicular Gothic English architecture and features the world's largest fan vault. The Chapel was built in phases by a succession of kings of England from 1446 to 1515, a period which spanned the Wars of the Roses and three subsequent decades. The Chapel's large stained glass windows were completed by 1531, and its early Renaissance rood screen was erected in 1532–36. The Chapel is an active house of worship, and home of the King's College Choir. It is a landmark and a commonly used symbol of the city of Cambridge. Construction Henry VI planned a university counterpart to Eton College (whose Chapel is very similar, but not on the scale intended by Henry). The King decided the dimensions of the Chapel. Reginald Ely was most likely the architect and worked on the site since 1446. Two years earlier Reginald was charged with sourcing ...
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Nine Lessons And Carols
Nine Lessons and Carols, also known as the Festival of Nine Lessons and Carols and Service of Nine Lessons and Carols, is a service of Christian worship traditionally celebrated on or near Christmas Eve. The story of the fall of humanity, the promise of the Messiah, and the birth of Jesus is told in nine short Bible readings or lessons from Genesis, the prophetic books and the Gospels, interspersed with the singing of Christmas carols, hymns and choir anthems. History Although the tradition of Nine Lessons and Carols is popularly associated with King's College, Cambridge, its origins are attributed to Truro Cathedral in Cornwall. Up to the late 19th century, the singing of Christmas carols was normally performed by singers visiting people's houses, and carols — generally considered to be secular in content — had been excluded from Christian worship. In the Victorian era, the rising popularity of hymnody encouraged church musicians to introduce carols into worship. An ...
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Recessional Hymn
A recessional hymn is a hymn placed at the end of a church service to close it. It is used commonly in the Catholic Church and Anglican Church, an equivalent to the concluding voluntary, which is called a Recessional Voluntary, for example a Wedding Recessional. See also Processional hymn A processional hymn is a chant, hymn or other music sung during the Procession, usually at the start of a Christian service, although occasionally during the service itself. The procession usually contains members of the clergy and the choir walki ... References External links * Hymnology Order of Mass {{Song-stub ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ...
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David Willcocks
Sir David Valentine Willcocks, (30 December 1919 – 17 September 2015) was a British choral conductor, organist, composer and music administrator. He was particularly well known for his association with the Choir of King's College, Cambridge, which he directed from 1957 to 1974, making frequent broadcasts and recordings. Several of the descants and carol arrangements he wrote for the annual service of Nine Lessons and Carols were published in the series of books ''Carols for Choirs'' which he edited along with Reginald Jacques and John Rutter. He was also director of the Royal College of Music in London. During the Second World War (1939–1945) he served as an officer in the British Army, and was decorated with the Military Cross for his actions on Hill 112 during the Battle of Normandy in July 1944. His elder son, Jonathan Willcocks, is also a composer. Biography Born in Newquay in Cornwall, Willcocks began his musical training as a chorister at Westminster Abbey from ...
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Last Verse Harmonisation
Last verse harmonisation is a technique of hymn accompaniment used by church organists to vary the harmony of a hymn, during the last verse whilst the melody remains unchanged, though sometimes embellished. If the congregation is led by a choir, then the choir will usually sing in unison during the last verse, as opposed to in parts (usually SATB) for the other verses, and the trebles or sopranos (or occasionally tenors) may sing a descant. The purpose of last verse harmonisation is to add interest, variation and excitement to a hymn tune. Organists recommend it as a technique which encourages the congregation to sing. More experienced organists with a greater understanding of harmony will usually improvise the last verse, whereas beginners are likely to use harmonisations that have either been included in the hymn book, or published in a collection of harmonisations. When a descant is sung, the organist must either keep to the original harmony, or use an alternative one that has b ...
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Descant
A descant, discant, or is any of several different things in music, depending on the period in question; etymologically, the word means a voice (''cantus'') above or removed from others. The Harvard Dictionary of Music states: A descant is a form of medieval music in which one singer sang a fixed melody, and others accompanied with improvisations. The word in this sense comes from the term ' (descant "above the book"), and is a form of Gregorian chant in which only the melody is notated but an improvised polyphony is understood. The ' had specific rules governing the improvisation of the additional voices. Later on, the term came to mean the treble or soprano singer in any group of voices, or the higher pitched line in a song. Eventually, by the Renaissance, descant referred generally to counterpoint. Nowadays the counterpoint meaning is the most common. Descant can also refer to the highest pitched of a group of instruments, particularly the descant viol or recorder. Si ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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