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Hamavayan Ensemble
Hamāvāyān Ensemble ( fa, همآوایان) is a Persian music group. History Led by Iranian instrumentalist and composer Hossein Alizadeh, the Hamavayan Ensemble performs new interpretations of classical Persian music. The ensemble features male and female vocalists, tar and setar (ancient plucked lutes from Persia), and percussion. Maestro Alizadeh's most recent recording, Endless Vision, featuring the Hamavayan Ensemble with the Armenian duduk player Djivan Gasparyan, was nominated for a Grammy. Members *Hossein Alizadeh, tar, shourangiz (new lute) *Mohammad Motamedi, vocal * Afsaneh Rasaei, vocal *Majid Khaladj, tombak *Ali Boustan, setar *Pouria Akhavass, vocal *Nima Alizadeh, robab (lute) *Saba Alizadeh, kamancheh *mohammad enshaie, kamancheh, gheychak See also *Music of Iran *Masters of Persian Music *Mastan Ensemble *List of Iranian musicians This is a list of Iranian (Persian) musicians and musical groups. Classical Persian classical/traditional *M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Traditional Music
Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music, refers to the classical music of Iran (also known as ''Persia''). It consists of characteristics developed through the country's classical, medieval, and contemporary eras. It also influenced areas and regions that are considered part of Greater Iran. Due to the exchange of musical science throughout history, many of Iran's classical modes are related to those of its neighboring cultures. Iran's classical art music continues to function as a spiritual tool, as it has throughout history, and much less of a recreational activity. It belongs for the most part to the social elite, as opposed to the folkloric and popular music, in which the society as a whole participates. However, components of Iran's classical music have also been incorporated into folk and pop music compositions. History The history of musical development in Iran dates back thousands of years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mastan Ensemble
The Mastān Ensemble (Persian: گروه مستان - ''Gorouh-e Mastān'') is an Iranian musical group performing traditional Persian music. History The group was founded as Hafez Ensemble in 2005 by Sa'id Jafarzādeh Homāy (سعيد جعفرزاده هماي), also known as Parvāz Homāy (پرواز همای) and Homāy Foomani. The group's performance follows a Persian tradition of music making known as ''Chāmeh Sarā'i'' (چامه سرایی) according to which one person is in charge of writing the poems, composing the musics, arranging the instruments as well as singing the songs. The instruments employed by this Ensemble include Daf, Dayereh, Kamāncheh, Lute, Reed, Robab, Santour, Tār and Tonbak. The ''Mastān Ensemble'' derive their inspirations from such Sufi poets as Farid ad-Din Attar, Hafez and Rumi Jalāl al-Dīn Muḥammad Rūmī ( fa, جلالالدین محمد رومی), also known as Jalāl al-Dīn Muḥammad Balkhī (), Mevlânâ/Mawlānā ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masters Of Persian Music
Masters of Persian Music is a Persian classical music ensemble (or " supergroup") founded in 2000 by four internationally recognized '' ustāds'' (masters) of the genre: vocalist Mohammad-Reza Shajarian; composer-musicians Hossein Alizâdeh and Kayhan Kalhor; and M. R. Shajarian's son, multi-instrumentalist singer Homayoun Shajarian. The ensemble formed with a view to touring Europe and North America (where Kayhan Kalhor has lived for much of his adult life). Although not all of the four had collaborated previously, M. R. Shajarian had worked with Kalhor and Alizâdeh. In 1998 he sang for a studio album called ''Night, Silence, Desert'', which Kalhor produced. He also sang the score that Alizâdeh composed for Ali Hatami's historical drama ''Del Shodegan'' (1992). Both albums were published on Delawaz Records, a label Shajarian started for the preservation of Persian classical singing. Performances Kalhor saw the group as cultural ambassadors. They adopted the name Masters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Iran
The music of Iran encompasses music that is produced by Iranian artists. In addition to the traditional folk and classical genres, it also includes pop and internationally celebrated styles such as jazz, rock, and hip hop. Iranian music influenced other cultures in West Asia, building up much of the musical terminology of the neighboring Turkic and Arabic cultures, and reached India through the 16th-century Persianate Mughal Empire, whose court promoted new musical forms by bringing Iranian musicians. History Earliest records Music in Iran, as evidenced by the "pre-Iranian" archaeological records of Elam, the oldest civilization in southwestern Iran, dates back thousands of years. Iran is the birthplace of the earliest complex instruments, which date back to the third millennium BC. A number of trumpets made of silver, gold, and copper were found in eastern Iran that are attributed to the Oxus civilization and date back between 2200 and 1750 BC. The use of both vertical and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gheychak
Ghaychak or Gheychak (Persian: غیچک) is a bowed lute used in Iran, Afghanistan, Pakistan and Tajikistan. The name is similar to the Central Asian ghijak, but that instrument is more closely related to the kamancheh. Double-chambered bowl lute A double-chambered bowl lute with four or more metal strings and a short fretless neck. It is used by Iranians and Baloch people The Baloch or Baluch ( bal, بلۏچ, Balòc) are an Iranian peoples, Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran, and Afgh ..., and is similar to Sarinda. The soundbox is carved out of a single piece of wood. The upper orifice is partly covered in the middle by the handle and the lower one is covered by a skin membrane against which the bridge rests. File:Ghaychak.jpg, Ghaychak File:Ghaychak2.jpg, side view Sources * References External links Ghaychak String instruments Pers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamancheh
The kamancheh (also kamānche or kamāncha) ( fa, کمانچه, az, kamança, hy, Քամանչա, ku, کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Setar
A setar ( fa, سهتار, ) is a stringed instrument, a type of lute used in Persian traditional music, played solo or accompanying voice. It is a member of the tanbur family of long-necked lutes with a range of more than two and a half octaves. Originally a three stringed instrument, a fourth string was added by the mid 19th century. It is played with the index finger of the right hand. It has been speculated that the setar originated in Persia by the 9th century C.E. A more conservative estimate says "it originated in the 15th century, or even earlier." Although related to the tanbur, in recent centuries, the setar has evolved so that, musically, it more closely resembles the tar, both in tuning and playing style. Etymology According to Curt Sachs, Persians chose to name their lutes around the word ''tar'', meaning string, combined with a word for the number of strings. Du + tar is the 2-stringed dutār, se + tar is the 3-stringed setār, čartar (4 strings), pančtār ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tombak
The ''tombak'' (Persian: تمبک), ''tonbak'' (تنبک), or ''zarb'' (ضَرب) is an Iranian goblet drum. It is considered the principal percussion instrument of Persian music. The tombak is normally positioned diagonally across the torso while the player uses one or more fingers and/or the palm(s) of the hand(s) on the drumhead, often (for a ringing timbre) near the drumhead's edge. Sometimes, tombak players wear metal finger rings for an extra-percussive "click" on the drum's shell. Tombak virtuosi often perform solos lasting ten minutes or more. Description The tombak is a single-headed goblet drum is about 18 inches in height with a 28 centimetre diameter head. Its shell is carved from a single block of (sometimes highly figured, knotted or marbled) wood, maybe with a carved design or geometric pattern (such as furrows, flutes, diamonds and/or spirals—it is often a costly, heirloom-type or vintage musical instrument). At the bottom the shell is somewhat thicker tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tar (string Instrument)
The tar (from fa, تار, lit=string) is a long-necked, waisted lute family instrument, used by many cultures and countries including Iran, Azerbaijan, Uzbekistan, Armenia, Georgia, Tajikistan (Iranian Plateau), Turkey, and others near the Caucasus and Central Asia regions.tar (musical instrument) Encyclopædia Britannica . Retrieved on 2013-01-01. The older and more complete name of the tār is ''čāhārtār'' or ''čārtār'', meaning in "four string", (''čāhār'' frequently being shorted to ''čār''). This is in accordance with a practice common in Persian-speaking areas of distinguishing lutes on the basis of the number of strings origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iran
Iran, officially the Islamic Republic of Iran, and also called Persia, is a country located in Western Asia. It is bordered by Iraq and Turkey to the west, by Azerbaijan and Armenia to the northwest, by the Caspian Sea and Turkmenistan to the north, by Afghanistan and Pakistan to the east, and by the Gulf of Oman and the Persian Gulf to the south. It covers an area of , making it the 17th-largest country. Iran has a population of 86 million, making it the 17th-most populous country in the world, and the second-largest in the Middle East. Its largest cities, in descending order, are the capital Tehran, Mashhad, Isfahan, Karaj, Shiraz, and Tabriz. The country is home to one of the world's oldest civilizations, beginning with the formation of the Elamite kingdoms in the fourth millennium BC. It was first unified by the Medes, an ancient Iranian people, in the seventh century BC, and reached its territorial height in the sixth century BC, when Cyrus the Great fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hossein Alizâdeh
Hossein Alizadeh ( fa, حسین علیزاده) is an Iranian musician, composer, radif-preserver, researcher, teacher, and tar, shurangiz and setar instrumentalist and improviser. He has performed with such musicians as Shahram Nazeri, Mohammad-Reza Shajarian, Alireza Eftekhari and Jivan Gasparyan, as well as with a number of orchestras and ensembles. Music career Alizadeh was born in 1951 in Tehran. His father was from Urmia and his mother from Arak. As a teenager he attended secondary school at a music conservatory until 1975. His music studies continued at the University of Tehran, where his focus was composition and performance. He began postgraduate studies at the Tehran University of Art. After the Iranian Revolution, he resumed his studies at the University of Berlin, where he studied composition and musicology. Alizadeh plays the ''tar'' and '' setar''. He has performed with two of Iran's national orchestras, as well as with the Aref Ensemble, the Shayda Ensemble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
