Halt Im Gedächtnis Jesum Christ, BWV 67
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Halt Im Gedächtnis Jesum Christ, BWV 67
(Keep Jesus Christ in mind), 67, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for , the first Sunday after Easter, and first performed it on 16 April 1724. Based on the prescribed gospel of the appearance of Jesus to the Disciples, first without then with Thomas, an unknown poet compares the situation of the doubtful Thomas to the Christian in general. He places Nikolaus Herman's Easter hymn "" in the centre of the cantata, repeats the line "" (Peace be with you) several times, and ends with the first stanza from Jakob Ebert's hymn "" (Thou Prince of Peace, Lord Jesus Christ). Bach structured the work in seven movements, arranged in symmetry around the central chorale, and scored it for three solo voices, a four-part choir and a Baroque instrumental ensemble of a slide horn for hymn tunes, flauto traverso, two oboes d'amore, strings and basso continuo. Besides the unusual central chorale, the cantata contains a dramatic scena with Jesus repeati ...
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Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed cantatas for both secular and sacred use. His church cantatas are cantatas which he composed for use in the Lutheran church, mainly intended for the occasions of the liturgical year. Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas, Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: '' Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas are around two-thirds of that number, with limited additional information on the ones that went missing or survived as fr ...
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Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section (music), section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ...
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Flauto Traverso
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist (in British English), flutist (in American English), or simply a flute player. This type of flute is used in many ensembles, including concert bands, military bands, marching bands, orchestras, flute ensembles, and occasionally jazz bands and big bands. Other flutes in this family include the piccolo, the alto flute, and the bass flute. A large repertory of works has been composed for flute. Predecessors The flute is one of the oldest and most widely used wind instruments. The precursors of the modern concert flute were keyless wooden transverse flutes similar to modern fifes. These were later modified to include between one and eight keys for chromatic notes. "Six-finger" D is the most common pitch for keyless wooden transverse flutes, which continue to be used toda ...
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Corno Da Tirarsi
The corno da tirarsi ("pull horn") is a Baroque brass instrument. Johann Sebastian Bach wrote for the instrument when he was working in Leipzig Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as ..., and it appears to have been played for him by Gottfried Reiche. It has been stated that it appears in four Bach cantatas. However, it is only called for in three cantatas by name, BWV 46, 162 and 67. Aside from its appearance in the works of Bach, there is no other evidence of its existence – Picon states "No… ''corno da tirarsi'' instrument remains. Nor some dictionary article, maker's bill, player's list, picture or document of any kind that would bring proof of the actual existence of the instrument. The reality of the ''corno da tirarsi'' is only documented (as far as we know) ...
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Second Epistle To Timothy
The Second Epistle to Timothy is one of the three pastoral epistles traditionally attributed to Paul the Apostle.. Addressed to Timothy, a fellow missionary, it is traditionally considered to be the last epistle he wrote before his death. Although the pastorals are written under Paul's name, they are different from his other epistles, and since the early 19th century, scholars have increasingly seen them as the work of an unknown student of Paul's doctrine.. They do not address Paul's common themes, such as the believers' unity with Christ, and they reflect a church hierarchy that is more organized and defined than the church was in Paul's time. Nonetheless, a number of major scholars have defended the traditional authorship of 2 Timothy. Authorship Some modern critical scholars argue that 2 Timothy, as well as the other two so-called 'pastoral letters' (1 Timothy and Titus), were not written by Paul but by an anonymous author, sometime between 90 and 140 AD. Some scholars r ...
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Jerusalem
Jerusalem (; he, יְרוּשָׁלַיִם ; ar, القُدس ) (combining the Biblical and common usage Arabic names); grc, Ἱερουσαλήμ/Ἰεροσόλυμα, Hierousalḗm/Hierosóluma; hy, Երուսաղեմ, Erusałēm. is a city in Western Asia. Situated on a plateau in the Judaean Mountains between the Mediterranean Sea, Mediterranean and the Dead Sea, it is one of the List of oldest continuously inhabited cities, oldest cities in the world and is considered to be a holy city for the three major Abrahamic religions: Judaism, Christianity, and Islam. Both Israelis and Palestinians claim Jerusalem as their Capital city, capital, as Israel maintains its primary governmental institutions there and the State of Palestine ultimately foresees it as its seat of power. Because of this dispute, Status of Jerusalem, neither claim is widely recognized internationally. Throughout History of Jerusalem, its long history, Jerusalem has been destroyed at least twice, Sie ...
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Gospel Of John
The Gospel of John ( grc, Εὐαγγέλιον κατὰ Ἰωάννην, translit=Euangélion katà Iōánnēn) is the fourth of the four canonical gospels. It contains a highly schematic account of the ministry of Jesus, with seven "signs" culminating in the raising of Lazarus (foreshadowing the resurrection of Jesus) and seven "I am" discourses (concerned with issues of the church–synagogue debate at the time of composition) culminating in Thomas' proclamation of the risen Jesus as "my Lord and my God". The gospel's concluding verses set out its purpose, "that you may believe that Jesus is the Christ, the Son of God, and that believing you may have life in his name." John reached its final form around AD 90–110, although it contains signs of origins dating back to AD 70 and possibly even earlier. Like the three other gospels, it is anonymous, although it identifies an unnamed " disciple whom Jesus loved" as the source of its traditions. It most likely arose withi ...
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First Epistle Of John
The First Epistle of John is the first of the Johannine epistles of the New Testament, and the fourth of the catholic epistles. There is no scholarly consensus as to the authorship of the Johannine works. The author of the First Epistle is termed John the Evangelist, who most scholars believe is not the same as John the Apostle. Most scholars believe the three Johannine epistles have the same author, but there is no consensus if this was also the author of the Gospel of John. This epistle was probably written in Ephesus between 95 and 110 AD. The author advises Christians on how to discern true teachers: by their ethics, their proclamation of Jesus in the flesh, and by their love. The original text was written in Koine Greek. The epistle is divided into five chapters. Content The main themes of the epistle are love and fellowship with God.Wilder, p. 214Barbour, p. 346 The author describes various tests by which readers may ascertain whether or not their communion with God is ...
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List Of Church Cantatas By Liturgical Occasion
The following is a list of church cantatas, sorted by the liturgical occasion for which they were composed and performed. The genre was particularly popular in 18th-century Lutheran Germany, although there are later examples. The liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers such as Telemann composed cycles of church cantatas comprising all 72 of these occasions (e.g. '' Harmonischer Gottes-Dienst''). Such a cycle is called an "ideal" cycle, while in any given liturgical year feast days could coincide with Sundays, and the maximum number of Sundays after Epiphany and the maximum number of Sundays after Trinity could not all occur. In some places, of which Leipzig in Johann Sebastian Bach's time is best known, no concerted music was allowed for the three last Sundays of Advent, nor for the Sundays of Lent (apart when Annunciation fell o ...
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St John Passion
The ''Passio secundum Joannem'' or ''St John Passion'' (german: Johannes-Passion, link=no), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of the surviving Passions by Bach. It was written during his first year as director of church music in Leipzig and was first performed on April 7, 1724, at Good Friday Vespers at the St. Nicholas Church. The structure of the work falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably by Barthold Heinrich Brockes) and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the ''St Matthew Passion'', the ''St John Passion'' has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished". The work is most often heard ...
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Thomaskantor
(Cantor at St. Thomas) is the common name for the musical director of the , now an internationally known boys' choir founded in Leipzig in 1212. The official historic title of the Thomaskantor in Latin, ', describes the two functions of cantor and director. As the cantor, he prepared the choir for service in four Lutheran churches, Thomaskirche (St. Thomas), Nikolaikirche (St. Nicholas), Neue Kirche (New Church) and Peterskirche (St. Peter). As director, he organized music for city functions such as town council elections and homages. Functions related to the university took place at the Paulinerkirche. Johann Sebastian Bach was the most famous , from 1723 to 1750. Position Leipzig has had a university dating back to 1409, and is a commercial center, hosting a trade fair first mentioned in 1165. It has been mostly Lutheran since the Reformation. The position of Thomaskantor at Bach's time has been described as "one of the most respected and influential musical offices of P ...
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Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's '' Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of t ...
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