|
Half-diminished Seventh Chord
In music theory, the half-diminished seventh chord (also known as a half-diminished chord or a minor seventh flat five chord) is a seventh chord composed of a root note, together with a minor third, a diminished fifth, and a minor seventh (1, 3, 5, 7). For example, the half-diminished seventh chord built on C, commonly written as Cm7(♭5), or C7, has pitches C–E–G–B: : It can be represented by the integer notation . The half-diminished seventh chord exists in root position and in three inversions. Note that the first inversion shares identity with a chord on the minor sixth: In diatonic harmony, the half-diminished seventh chord occurs naturally on the seventh scale degree of any major scale (for example, B7 in C major) and is thus a leading-tone seventh chord in the major mode.Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I'', p. 217. . Similarly, the chord also occurs on the second degree of any natural minor scale (e.g., D7 in C minor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Root (chord)
In music theory, the concept of root is the idea that a chord (music), chord can be represented and named by one of its Musical note, notes. It is linked to Harmony (music), harmonic thinking—the idea that vertical aggregates of notes can form a single unit, a chord. It is in this sense that one speaks of a "C chord" or a "chord on C"—a chord built from C and of which the note (or pitch) C is the root. When a chord is referred to in Classical music or popular music without a reference to what type of chord it is (either major or minor, in most cases), it is assumed a major triad, which for C contains the notes C, E and G. The root need not be the bass note, the lowest note of the chord: the concept of root is linked to that of the Inverted chord, inversion of chords, which is derived from the notion of Invertible Counterpoint, invertible counterpoint. In this concept, chords can be inverted while still retaining their root. In tertian harmonic theory, wherein chords can be con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leading-tone Seventh Chord
In music theory, a leading-tone (also called a subsemitone, and a leading-note in the UK) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively. Typically, ''the'' leading tone refers to the seventh scale degree of a major scale (), a major seventh above the tonic. In the movable do solfège system, the leading-tone is sung as ''ti''. A leading-tone triad is a triad built on the seventh scale degree in a major key (vii in Roman numeral analysis), while a leading-tone seventh chord is a seventh chord built on the seventh scale degree (vii7). Walter Piston considers and notates vii as V, an incomplete dominant seventh chord. (For the Roman numeral notation of these chords, see Roman numeral analysis.) Note Seventh scale degree (or lower leading tone) Typically, when people speak of ''the'' leading tone, they mean the seventh scale degree () of the major scale, which has a strong affinity for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Scruton
Sir Roger Vernon Scruton (; 27 February 194412 January 2020) was an English philosopher and writer who specialised in aesthetics and political philosophy, particularly in the furtherance of traditionalist conservative views. Editor from 1982 to 2001 of ''The Salisbury Review'', a conservative political journal, Scruton wrote over 50 books on philosophy, art, music, politics, literature, culture, sexuality, and religion; he also wrote novels and two operas. His most notable publications include ''The Meaning of Conservatism'' (1980), ''Sexual Desire'' (1986), ''The Aesthetics of Music'' (1997), and ''How to Be a Conservative'' (2014). He was a regular contributor to the popular media, including ''The Times'', ''The Spectator'', and the ''New Statesman''. Scruton embraced conservatism after witnessing the May 1968 student protests in France. From 1971 to 1992 he was a lecturer and professor of aesthetics at Birkbeck College, London, after which he held several part-time academic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mendelssohn Wedding March 02
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for ''A Midsummer Night's Dream'' (which includes his "Wedding March"), the '' Italian Symphony'', the '' Scottish Symphony'', the oratorio ''St. Paul'', the oratorio ''Elijah'', the overture ''The Hebrides'', the mature Violin Concerto and the Octet (Mendelssohn), String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's ''Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jew, Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
