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Hôtel Du Vieux-Raisin
The Hôtel du Vieux Raisin in Toulouse, France is a Renaissance ''hôtel particulier'' (palace) of the 16th century. This townhouse is surely one of the most beautiful private mansions of the time. It was built for Berenger Maynier, professor of law, lord of Canac and Gallice and capitoul in 1515–1516; The style chosen was that of this period, strongly influenced by Italian Renaissance architecture. History Hôtel du Vieux Raisin is based on a fifteenth-century building, which stood on the huge plot of the neighbouring Hôtel Dahus and was later partially demolished to make way for Rue Ozenne. Dating from this period are the embrasures and gargoyles in the upper part of the façade that looks over Rue José Félix.Explanatory comments of ''Toulouse Renaissance'' exhibition (2018), Colin Debuiche. In 1515, lawyer Béringuier Maynier purchased the house and undertook building restoration. A new house was added to the original building, to separate the courtyard from the garden, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel Du Vieux-Raisin
The Hôtel du Vieux Raisin in Toulouse, France is a Renaissance ''hôtel particulier'' (palace) of the 16th century. This townhouse is surely one of the most beautiful private mansions of the time. It was built for Berenger Maynier, professor of law, lord of Canac and Gallice and capitoul in 1515–1516; The style chosen was that of this period, strongly influenced by Italian Renaissance architecture. History Hôtel du Vieux Raisin is based on a fifteenth-century building, which stood on the huge plot of the neighbouring Hôtel Dahus and was later partially demolished to make way for Rue Ozenne. Dating from this period are the embrasures and gargoyles in the upper part of the façade that looks over Rue José Félix.Explanatory comments of ''Toulouse Renaissance'' exhibition (2018), Colin Debuiche. In 1515, lawyer Béringuier Maynier purchased the house and undertook building restoration. A new house was added to the original building, to separate the courtyard from the garden, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Toulouse
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Houses Completed In The 16th Century
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture Of Toulouse
In the 16th century, the Renaissance, which called for a return to the models of Roman antiquity, spread throughout Europe from Italy, notably through treatises and engravings referring to the treatise ''De architectura'' by Vitruvius (90–20 BC), Roman theorist of ancient architecture. Each center of culture and creation reinterpreted these new references according to its local traditions.Sarah Muñoz and Colin Debuiche, «Toulouse le caractère d'une ville» ("Toulouse, the character of a city"). La revue des Vieilles Maisons Françaises (VMF), (march 2010). At the beginning of the 16th century Toulouse was experiencing a prosperous period. It was the third largest city in France, a rich and powerful provincial capital that the woad trade was providing with merchants of international stature. The city was also the seat of the first French provincial parliament, whose jurisdiction extended from the Rhône to Gascony, of a university renowned even beyond the borders (mainly in l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Putto
A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of North Carolina Press, Chapel Hill and London, 2001. the putto came to represent the sacred cherub (plural cherubim), and in Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti). Etymology The more commonly found form ''putti'' is the plural of the Italian word ''putto''. The Italian word comes from the Latin word ''putus'', meaning "boy" or "child". Today, in Italian, ''putto'' means either toddler winged angel or, rarely, toddler boy. It may have been derived from the same Indo-European root as the Sanskrit word "putra" (meaning "boy child", as opposed to "son"), Avestan ''puθra''-, Old Persian ''puça''-, Pahlavi (Middle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benvenuto Cellini
Benvenuto Cellini (, ; 3 November 150013 February 1571) was an Italian goldsmith, sculptor, and author. His best-known extant works include the ''Cellini Salt Cellar'', the sculpture of ''Perseus with the Head of Medusa'', and his autobiography, which has been described as "one of the most important documents of the 16th century." Biography Youth Benvenuto Cellini was born in Florence, in present-day Italy. His parents were Giovanni Cellini and Maria Lisabetta Granacci. They were married for 18 years before the birth of their first child. Benvenuto was the second child of the family. The son of a musician and builder of musical instruments, Cellini was pushed towards music, but when he was fifteen, his father reluctantly agreed to apprentice him to a goldsmith, Antonio di Sandro, nicknamed Marcone. At the age of 16, Benvenuto had already attracted attention in Florence by taking part in an affray with youthful companions. He was banished for six months and lived in Siena, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace Of Fontainebleau
Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence for the French monarchs from Louis VII to Napoleon III. Francis I and Napoleon were the monarchs who had the most influence on the palace as it stands today. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance. History Medieval palace (12th century) The earliest record of a fortified castle at Fontainebleau dates to 1137. It became a favorite residence and hunting lodge of the Kings of France because of the abundant game and many springs in the surrounding forest. It took its name from one of the springs, the fountain de Bliaud, located now in the English garden, next to the wing of Louis XV. It was used by King Louis VII, for whom Thomas B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Bachelier
Nicolas Bachelier (1485–1557) was a French surveyor, architect, and sculptor who particularly worked in Toulouse. Bachelier is famous in Toulouse for having been the architect, proven or presumed, of several '' hôtels particuliers'' of the Renaissance, as well as for his religious sculptures. He was particularly renowned for his great scholarly culture. In 1539, Bachelier and his colleague Arnaud Casanove, who described themselves as ''expert levelers'', proposed a survey for a canal from Toulouse to Carcassonne to Francis I. Francis I had previously discussed the possibility of such a canal with Leonardo da Vinci. They also proposed that barges could either float down the Garonne River to Bordeaux or could traverse a canal parallel to the river. Francis I approved their plans which included a lock-free canal of variable depth. These plans proved to be inaccurate and could not be executed. In 1598, Henri IV re-examined the plans, but nothing was done until Pierre Paul R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parliament Of Toulouse
The Parliament of Toulouse (french: Parlement de Toulouse) was one of the ''parlements'' of the Kingdom of France, established in the city of Toulouse. It was modelled on the Parliament of Paris. It was first created in 1420, but definitely established by edicts in 1437 and 1443 by Charles VII as an appellate court of justice on civil, criminal and ecclesiastic affairs for the Languedoc region, including Quercy, the County of Foix and Armagnac. It was the first provincial ''parlement'', intended to administer the Occitan-speaking south of France, and it gained in prestige both by its distance from Paris and from the differences between southern France's legal system (based on Roman law) and northern France's. After the Parliament of Paris, the Parliament of Toulouse had the largest jurisdiction in France. Its purview extended from the Rhône to the Atlantic Ocean and from the Pyrénées to the Massif Central, but the creation of the Parliament of Bordeaux in 1462 removed from i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
