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Hypermodernity
Hypermodernity (supermodernity) is a type, mode, or stage of society that reflects an inversion of modernity. Hypermodernism stipulates a world in which the object has been replaced by its own attributes. The new attribute-driven world is driven by the rise of technology and aspires to a convergence between technology and biology and more importantly information and matter. Hypermodernism finds its validation in emphasis on the value of new technology to overcome natural limitations. It rejects essentialism and instead favours postmodernism. In hypermodernism the function of an object has its reference point in the form of an object rather than function being the reference point for form. In other words, it describes an epoch in which teleological meaning is reversed from the standpoint of functionalism in favor of constructivism. Hypermodernity Hypermodernity emphasizes a hyperbolic separation between past and present due to the fact that: # The past oriented attributes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metamodernism
Metamodernism is a term that refers to a range of developments observed in many areas of art, culture and philosophy, emerging in the aftermath of postmodernism, roughly at the turn of the 21st century. To many, it is characterized as mediations between aspects of modernism and postmodernism; for others the term suggests an integration of those sensibilities with premodern (indigenous and traditional) cultural codes as well. Metamodernism is one of a number of attempts to describe post-postmodernism. History of the term In 1995, Canadian literary theorist Linda Hutcheon stated that a new label for what was coming after postmodernism was necessary. Early usages The term appeared as early as 1975, when scholar Mas'ud Zavarzadeh used it to describe a cluster of aesthetics or attitudes which had been emerging in American literary narratives since the mid-1950s. In 1999, Moyo Okediji utilized the term "metamodern" applying it to contemporary African-American art that issues an "ext ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altermodern
Altermodern, a portmanteau word defined by Nicolas Bourriaud, is an attempt at contextualizing art made in today's global context as a reaction against standardisation and commercialism. It is also the title of the Tate Britain Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in E ...'s fourth Triennial exhibition curated by Bourriaud. Concept In his keynote speech to the 2005 Art Association of Australia & New Zealand Conference, Nicolas Bourriaud explained: Artists are looking for a new modernity that would be based on translation: What matters today is to translate the cultural values of cultural groups and to connect them to the world network. This “reloading process” of modernism according to the twenty-first-century issues could be called altermodernism, a movement connecte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodernism
Postmodernism is an intellectual stance or mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by skepticism toward the "grand narratives" of modernism, opposition to epistemic certainty or stability of meaning, and emphasis on ideology as a means of maintaining political power. Claims to objective fact are dismissed as naïve realism, with attention drawn to the conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-referentiality, epistemological relativism, moral relativism, pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity, hierarchy, and categorization. Initially emerging from a mode of literary criticism, postmodernism developed in the mid-twentieth century as a rejection of modernism and has been observ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heuristic
A heuristic (; ), or heuristic technique, is any approach to problem solving or self-discovery that employs a practical method that is not guaranteed to be optimal, perfect, or rational, but is nevertheless sufficient for reaching an immediate, short-term goal or approximation. Where finding an optimal solution is impossible or impractical, heuristic methods can be used to speed up the process of finding a satisfactory solution. Heuristics can be mental shortcuts that ease the cognitive load of making a decision. Examples that employ heuristics include using trial and error, a rule of thumb or an educated guess. Heuristics are the strategies derived from previous experiences with similar problems. These strategies depend on using readily accessible, though loosely applicable, information to control problem solving in human beings, machines and abstract issues. When an individual applies a heuristic in practice, it generally performs as expected. However it can alternati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypermodernism (chess)
Hypermodernism is a school of chess that emerged after World War I. It featured challenges to the chess ideas of central European masters, including Wilhelm Steinitz's approach to the and the rules established by Siegbert Tarrasch. Overview The Hypermodernists demonstrated their new ideas with games and victories. Aron Nimzowitsch, considered the founder and leading practitioner of hypermodernism, showed that games could be won through indirect control of the centre, breaking with Tarrasch's view that the centre must be occupied by pawns. Nimzowitsch advocated controlling the centre with distant pieces rather than with pawns, thus inviting the opponent to occupy the centre with pawns, which can then become targets of attack. This was part of the hypermodern framework, which Nimzowitsch encapsulated in his seminal book '' My System'', which greatly influenced many chess players. It introduced and formalised concepts of the , , undermining, prophylaxis, restraint, rook on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypermodernism (art)
Hypermodernism is a cultural, artistic, literary and architectural successor to modernism and postmodernism in which the form ( attribute) of an object has no context distinct from its function. Attributes can include shapes, colors, ratios, and even time. Unlike postmodernism and modernism, hypermodernism exists in an era of fault-tolerant technological change and treats extraneous attributes (most conspicuously physical form) as discordant with function. While modernism and post-modernism debate the value of the "box" or absolute reference point, hypermodernism focuses on improvising attributes of the box (reference point now an extraneous value rather than correct or incorrect value) so that all of its attributes are non-extraneous; it also excises attributes that are extraneous. Hypermodernism is not a debate over truth or untruth as per modernism/postmodernism; rather it is a debate over what is and is not an extraneous attribute. Synchrony between previously-clashing object ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Augé
Marc Augé (born September 2, 1935 in Poitiers) is a French anthropologist. In an essay and book of the same title, ''Non-Places: Introduction to an Anthropology of Supermodernity'' (1995), Marc Augé coined the phrase "non-place" to refer to spaces where concerns of relations, history, and identity are erased. Examples of a non-place would be a motorway, a hotel room, an airport or a supermarket. Career Marc Augé’s career can be divided into three stages, reflecting shifts in both his geographical focus and theoretical development: early (African), middle (European) and late (Global). These successive stages do not involve a broadening of interest or focus as such, but rather the development of a theoretical apparatus able to meet the demands of the growing conviction that the local can no longer be understood except as a part of the complicated global whole. First stage Augé’s career began with a series of extended field trips to West Africa, where he researched the All ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terry Eagleton
Terence Francis Eagleton (born 22 February 1943) is an English literary theorist, critic, and public intellectual. He is currently Distinguished Professor of English Literature at Lancaster University. Eagleton has published over forty books, but remains best known for '' Literary Theory: An Introduction'' (1983), which has sold over 750,000 copies. The work elucidated the emerging literary theory of the period, as well as arguing that all literary theory is necessarily political. He has also been a prominent critic of postmodernism, publishing works such as ''The Illusions of Postmodernism'' (1996) and ''After Theory'' (2003). He argues that, influenced by postmodernism, cultural theory has wrongly devalued objectivity and ethics. His thinking is influenced by Marxism and Christianity. Formerly the Thomas Warton Professor of English Literature at the University of Oxford (1992–2001) and John Edward Taylor Professor of Cultural Theory at the University of Manchester (20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tautology (rhetoric)
In literary criticism and rhetoric, a tautology is a statement that repeats an idea, using near-synonymous morphemes, words or phrases, effectively "saying the same thing twice". Tautology and pleonasm are not consistently differentiated in literature. Like pleonasm, tautology is often considered a fault of style when unintentional. Intentional repetition may emphasize a thought or help the listener or reader understand a point. Sometimes logical tautologies like "Boys will be boys" are conflated with language tautologies, but a language tautology is not inherently true, while a logical tautology always is. Etymology The word was coined in Hellenistic Greek from ('the same') plus ('word' or 'idea'), and transmitted through 3rd-century Latin and French . It first appeared in English in the 16th century. The use of the term logical tautology was introduced in English by Wittgenstein in 1919, perhaps following Auguste Comte's usage in 1835. Examples * "Only time will tell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Truth Value
In logic and mathematics, a truth value, sometimes called a logical value, is a value indicating the relation of a proposition to truth, which in classical logic has only two possible values ('' true'' or ''false''). Computing In some programming languages, any expression can be evaluated in a context that expects a Boolean data type. Typically (though this varies by programming language) expressions like the number zero, the empty string, empty lists, and null evaluate to false, and strings with content (like "abc"), other numbers, and objects evaluate to true. Sometimes these classes of expressions are called "truthy" and "falsy" / "false". Classical logic In classical logic, with its intended semantics, the truth values are '' true'' (denoted by ''1'' or the verum ⊤), and '' untrue'' or ''false'' (denoted by ''0'' or the falsum ⊥); that is, classical logic is a two-valued logic. This set of two values is also called the Boolean domain. Corresponding semantic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deconstruction
The term deconstruction refers to approaches to understanding the relationship between text and meaning. It was introduced by the philosopher Jacques Derrida, who defined it as a turn away from Platonism's ideas of "true" forms and essences which take precedence over appearances, instead considering the constantly changing complex function of language, making static and idealist ideas of it inadequate. Deconstruction instead places emphasis on the mere appearance of language in both speech and writing, or suggests at least that essence as it is called is to be found in its appearance, while it itself is "undecidable", and everyday experiences cannot be empirically evaluated to find the actuality of language. Deconstruction argues that language, especially in idealist concepts such as truth and justice, is irreducibly complex, unstable and difficult to determine, making fluid and comprehensive ideas of language more adequate in deconstructive criticism. Since the 1980s, thes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metanarrative
A metanarrative (also meta-narrative and grand narrative; french: métarécit) is a narrative ''about'' narratives of historical meaning, experience, or knowledge, which offers a society legitimation through the anticipated completion of a (as yet unrealized) master idea. Etymology " Meta" is Greek for "beyond"; "narrative" is a story that is characterized by its telling (it is communicated somehow). Although first used earlier in the 20th century, the term was brought into prominence by Jean-François Lyotard in 1979, with his claim that the postmodern was characterised precisely by a mistrust of the "grand narratives" ( Progress, Enlightenment, Emancipation, Marxism) that had formed an essential part of modernity. Skepticism In '' The Postmodern Condition: A Report on Knowledge'' (1979), Lyotard highlights the increasing skepticism of the '' postmodern condition'' toward the totalizing nature of metanarratives and their reliance on some form of "transcendent and universal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
