Hyewon
Shin Yun-bok, better known by his pen name Hyewon (1758–1813), was a Korean painter of the Joseon Dynasty. Like his contemporaries Danwon and Geungjae, he is known for his realistic depictions of daily life in his time. His genre paintings are distinctly more erotic than Danwon's, a fact which contributed to his expulsion from the royal painting institute, Dohwaseo. Painting was frequently a hereditary occupation in the Joseon period, and Hyewon's father and grandfather had both been court painters. Together with Danwon and the later painter Owon, Hyewon is remembered today as one of the "Three Wons" of Joseon-period painting. Biography Not much is known about Shin Yun-bok's life. He was the son of royal court painter Hanpyeong (한평; 漢枰), who had participated in painting the royal portraits of Yeongjo and Jeongjo. Hyewon reached the official rank of ''cheomjeoljesa'' (첨절제사; 僉節制使) at the Dohwaseo and was adept at different styles of painting; genre, lands ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hyewon Pungsokdo
Hyewon pungsokdo is an album of the genre paintings (''pungsokhwa'' or ''pungsokdo'') drawn by the Korean painter Shin Yunbok during the late Joseon dynasty. It was named after Shin's pen name, Hyewon, and comprises 30 paintings in total. In 1930, Jeon Hyeopil (전형필:全鎣弼), later the founder of the Gansong Art Museum, purchased it from an antique dealer in Osaka, Japan and newly mounted the album. Oh Sechang (오세창), who was a journalist and pro-independence activist, wrote the subtitles and postface for the album. ''Hyewon pungsokdo'' is designated as the 135th National treasures of South Korea, National Treasure of South Korea and is held in the collection of the Gansong Art Museum located in Seongbuk-gu, Seoul, South Korea. Gallery Entertainment (7) Gibang (5) Daily life (6) Meeting (5) Lovers (5) Lust (2) See also *Danwon pungsokdo cheop *Korean painting *List of Korean painters *Geumgangjeondo *Inwangjesaekdo External links *Brief information about ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Painter Of The Wind
''Painter of the Wind'' () is a 2008 South Korean historical television series starring Moon Geun-young and Park Shin-yang. Based on the bestselling historical fiction novel by Lee Jung-myung that took artistic license with the premise that perhaps the Joseon painter Shin Yun-bok had really been a woman, it centers on Yun-bok, a talented young painter who disguises herself as a boy to search for her father's murderer. She meets Kim Hong-do, a master painter who guides her into becoming a great artist, and they develop a strong friendship of mentor and disciple. Produced for SBS by JoongAng Media Network's Drama House, the series aired on SBS TV and its regional affiliates from September 24 to December 4, 2008. It had 20 episodes. The drama has won numerous awards, including the Asian TV Series Special Award at the 2010 Shanghai Television Festival, while actress Moon Geun-young received the grand prize at the 2008 SBS Drama Awards, as well as Best TV Actress at the 2009 Baeks ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Portrait Of A Beauty
''Portrait of a Beauty'' () is a 2008 South Korean film directed by Jeon Yun-su. Adapted from the bestselling novel ''Painter of the Wind'' () by Lee Jung-myung, the film portrays Joseon-era painter Sin Yun-bok (better known by his pen name, Hyewon) as being a woman disguised as a man. ''Portrait of a Beauty'' opened in South Korean theaters on 13 November 2008. It was the 8th most attended domestic film of 2008 with 2,364,482 tickets sold. Plot Retired court painter Sin Han-pyeong seeks to settle an old score with the most sought-after painter of that time, Kim Hong-do (Kim Young-ho). Sin raises his son to surpass Kim Hong-do, but his son commits suicide over his lack of talent. The father then pushes his daughter Yun-jeong to disguise herself as her brother and enter the world of court painters. The grown-up Yun-jeong ( Kim Gyu-ri), now known under the pen name "Hyewon," finally enters the court and learns to paint under the guidance of Kim Hong-do, who is trusted by King Je ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gisaeng
Kisaeng (Hangul: 기생, Hanja: 妓生, RR: ''Gisaeng''), also called ginyeo (Hangul: 기녀, Hanja: 妓女), were women from outcast or slave families who were trained to be courtesans, providing artistic entertainment and conversation to men of upper class. First appearing in Goryeo, were the government's legal entertainers, required to perform various functions for the state. Many were employed at court, but they were also spread throughout the country. They were carefully trained and frequently accomplished in the fine arts, poetry, and prose, and although they were of low social class, they were respected as educated artists. Aside from entertainment, their roles included medical care and needlework. play an important role in Korean conceptions of the traditional culture of the Joseon. Although the names of most real have been forgotten, a few are remembered for an outstanding attribute, such as skill or loyalty. The most famous of these is the 16th century Hwang Jini. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kim Hong-do
Gim Hongdo (김홍도, born 1745, died 1806?-1814?), also known as Kim Hong-do, most often styled Danwon (단원), was a full-time painter of the Joseon period of Korea. He was together a pillar of the establishment and a key figure of the new trends of his time, the 'true view painting'. Gim Hong-do was an exceptional artist in every field of traditional painting, even if he is mostly remembered nowadays for his depictions of the everyday life of ordinary people, in a manner analogous to the Dutch Masters. Biography Danwon was a member of the Gimhae Gim clan. He grew up in present-day Ansan, South Korea. At the age of 7, Gim Hong-do studied under the renowned master Pyoam Kang Se-hwang, who was then living in seclusion in Ansan. In 1766, at the age of 21, on the recommendation of Kang Sehwang, he entered the royal service as a member (hwawon) of the Dohwaseo, the official painters of the Joseon court. In 1771, he painted the portrait of the Royal Heir (the future King Jeong ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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National Treasure Of South Korea
A National Treasure () is a tangible treasure, artifact, site, or building which is recognized by the South Korean government as having exceptional artistic, cultural and historical value to the country. The title is one of the eight State-designated heritage classifications assigned by the administrator of the Cultural Heritage Administration (CHA) in accordance with the Cultural Heritage Protection Act after deliberation by the Cultural Heritage Committee. Many of the national treasures are popular tourist destinations such as Jongmyo royal ancestral shrine, Bulguksa, Seokguram, and Tripitaka Koreana at Haeinsa. As of May 2020, there are 327 distinct entries on the list, some composed of a large number of sub-entries. The treasures are numbered according to the order in which they were designated, not according to their individual value. The National Treasures are designated within the heritage preservation system of the country. History The first list of Korean cultural tre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Danwon
Gim Hongdo (김홍도, born 1745, died 1806?-1814?), also known as Kim Hong-do, most often styled Danwon (단원), was a full-time painter of the Joseon Dynasty, Joseon period of Korea. He was together a pillar of the establishment and a key figure of the new trends of his time, the 'true view painting'. Gim Hong-do was an exceptional artist in every field of traditional painting, even if he is mostly remembered nowadays for his depictions of the everyday life of ordinary people, in a manner analogous to the Dutch Masters. Biography Danwon was a member of the Gimhae Kim (Korean name), Gim clan. He grew up in present-day Ansan, Ansan, South Korea. At the age of 7, Gim Hong-do studied under the renowned master Pyoam Kang Se-hwang, who was then living in seclusion in Ansan. In 1766, at the age of 21, on the recommendation of Kang Sehwang, he entered the royal service as a member (hwawon) of the Dohwaseo, the official painters of the Joseon court. In 1771, he painted the portrait o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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List Of Korean Painters ...
This page lists notable Korean painters beginning from the Joseon Dynasty, including any born in Korea or identifying themselves as Korean. Joseon period 20th century Contemporary painters See also *Korean painting *Korean art Notes References *{{in lang, ko}Information about Korean famous paintersat empas/EncyKorea Painters Painters Korea Korea ( ko, 한국, or , ) is a peninsular region in East Asia. Since 1945, it has been divided at or near the 38th parallel, with North Korea (Democratic People's Republic of Korea) comprising its northern half and South Korea (Republic o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Owon
Jang Seung-eop (1843 – 1897) (commonly known by his pen name Owon) was a painter of the late Joseon Dynasty in Korea. His life was dramatized in the award-winning 2002 film ''Chi-hwa-seon'' directed by Im Kwon-taek. He was one of the few painters to hold a position of rank in the Joseon court. Biography Growing up as an orphan, Owon learned painting while staying at another family's house. He first had the opportunity to paint extensively when he was taken into the household of aristocrat Yi Ung-heon in his 20s. Later, his talent became widely known, and he painted extensively in all genres of the time, including landscapes, flower paintings, and paintings of daily life. Together with the earlier painters Danwon and Hyewon, Owon is remembered today as one of the "Three Wons" of Joseon-period painting. Gallery Image:Owon-Samin.munnyeondo.jpg, ''Samin munnyeondo'' Image:Owon-Hochwido.jpg, ''Hochwido'' Image:Owoncat.gif, Painting of a cat by Owon Image:Owon-Sansu.inmuldo.jpg ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hanbok
The (; term used in South Korean standard language, South Korea), also called () n North Korean standard language, North Korea and China, is an Hyponymy and hypernymy, umbrella term which is used to refer to traditional ethnic Koreans, Korean clothes, including the traditional clothing of the (Korean Chinese), an officially recognized Ethnic minorities in China, ethnic minority in China. The term literally means "Korean clothing". Due to the isolation from each other for about 50 years, the styles of in South Korea, North Korea, and China, worn by the Korean ethnics from these three countries have developed separately from each other. Since the 1990s, the South Korean-style and the North Korean-style have been looking more and more similar to each other. Similarly, since the Chinese economic reform of China, there have been more exchanges with both Koreas leading to both the development and changes in Korean-Chinese-style in China; some of designs of the Korean-Chinese-sty ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Korean Painting
Korean painting includes paintings made in Korea or by overseas Koreans on all surfaces. The earliest surviving Korean paintings are murals in the Goguryeo tombs, of which considerable numbers survive, the oldest from some 2,000 years ago (mostly now in North Korea), with varied scenes including dancers, hunting and spirits. It has been hypothesized the Takamatsuzuka Tomb in Japan, from the 7th-century end of the Goguryeo period, has paintings with Goguryeo influence, either done by Goguryeo artists, or Japanese one trained by Goguryeo people. Since a lot of influences came into the Korean peninsula from China during the Three Kingdoms period. Until the Joseon dynasty the primary influence was Chinese painting though done with Korean landscapes, facial features, Buddhist topics, and an emphasis on celestial observation in keeping with the rapid development of Korean astronomy. Painting in the Goryeo period (918–1392) was dominated by Buddhist scroll paintings, adapting Ch ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joseon
Joseon (; ; Middle Korean: 됴ᇢ〯션〮 Dyǒw syéon or 됴ᇢ〯션〯 Dyǒw syěon), officially the Great Joseon (; ), was the last dynastic kingdom of Korea, lasting just over 500 years. It was founded by Yi Seong-gye in July 1392 and replaced by the Korean Empire in October 1897. The kingdom was founded following the aftermath of the overthrow of Goryeo in what is today the city of Kaesong. Early on, Korea was retitled and the capital was relocated to modern-day Seoul. The kingdom's northernmost borders were expanded to the natural boundaries at the rivers of Amrok and Tuman through the subjugation of the Jurchens. During its 500-year duration, Joseon encouraged the entrenchment of Confucian ideals and doctrines in Korean society. Neo-Confucianism was installed as the new state's ideology. Buddhism was accordingly discouraged, and occasionally the practitioners faced persecutions. Joseon consolidated its effective rule over the territory of current Korea and saw the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |