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Hulda (opera)
''Hulda'' is an opera by César Franck to a French libretto by Charles Grandmougin. It is set in 11th-century Norway, and is based on the play ' (1858) by Norwegian writer Bjørnstjerne Bjørnson. The complete opera contains a prologue, three acts and an epilogue, albeit the world premier recording by Naxos has five acts. It was composed between 1879 and 1885. Performance history It was first performed in an incomplete version in Monte Carlo, Monaco, on 8 March 1894. followed by performances in The Hague in March 1895 and Toulouse in April 1895. ''Hulda'' was Franck's first opera to be performed, in Monte Carlo, 1894. The influence of Richard Wagner is clear, both in the writing for brass and also in the love duets which are reminiscent of ''Tristan und Isolde''. Franck's writing shows his seriousness of expression and characteristic chromatic harmony. The third act was performed at the Concerts Colonne with Demellier and Cazeneuve on 16 October 1904 to mark the unveiling of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
César Franck
César-Auguste Jean-Guillaume Hubert Franck (; 10 December 1822 – 8 November 1890) was a French Romantic composer, pianist, organist, and music teacher born in modern-day Belgium. He was born in Liège (which at the time of his birth was part of the United Kingdom of the Netherlands). He gave his first concerts there in 1834 and studied privately in Paris from 1835, where his teachers included Anton Reicha. After a brief return to Belgium, and a disastrous reception of an early oratorio ''Ruth'', he moved to Paris, where he married and embarked on a career as teacher and organist. He gained a reputation as a formidable musical improviser, and travelled widely within France to demonstrate new instruments built by Aristide Cavaillé-Coll. In 1858, he became organist at the Basilica of St. Clotilde, Paris, a position he retained for the rest of his life. He became professor at the Paris Conservatoire in 1872; he took French nationality, a requirement of the appointment. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freiburg Im Breisgau
Freiburg im Breisgau (; abbreviated as Freiburg i. Br. or Freiburg i. B.; Low Alemannic German, Low Alemannic: ''Friburg im Brisgau''), commonly referred to as Freiburg, is an independent city in Baden-Württemberg, Germany. With a population of about 230,000 (as of 31 December 2018), Freiburg is the List of cities in Baden-Württemberg by population, fourth-largest city in Baden-Württemberg after Stuttgart, Mannheim, and Karlsruhe. The population of the Freiburg metropolitan area was 656,753 in 2018. In the Southern Germany, south-west of the country, it straddles the Dreisam river, at the foot of the Schlossberg (Freiburg), Schlossberg. Historically, the city has acted as the hub of the Breisgau region on the western edge of the Black Forest in the Upper Rhine Plain. A famous old German university town, and Roman Catholic Archdiocese of Freiburg, archiepiscopal seat, Freiburg was incorporated in the early twelfth century and developed into a major commercial, intellectual, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Lhérie
Paul Lhérie (Lévy), (born 8 October 1844 in Paris; died 17 October 1937 in Paris) was a French tenor, then baritone, and later a vocal teacher. He was most famous for creating the role of Don José in Bizet's '' Carmen''. Life and career After studying in Paris, Lhérie made his debut at the Opéra-Comique in 1866 as Méhul's ''Joseph''. He created the role of Charles II in Massenet's '' Don César de Bazan'' in 1872, Kornélis in Camille Saint-Saëns's '' La princesse jaune'' in 1872, Benoît in Delibes's ''Le roi l’a dit'' in 1873, and Don José in '' Carmen'' by Bizet in 1875. Bizet and Lhérie became friends during the preparations for ''Carmen''. They would swim together in the Seine during the singer's visits to the composer's house in Bougival. He became a baritone in 1882, singing Posa in the first performance of the Italian revised version of Verdi's ''Don Carlos'' at La Scala, Milan, two years later. He also spent time during the 1880s at Covent Garden in Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blanche Deschamps-Jéhin
Blanche Deschamps-Jéhin (also Marie Blanche Deschamps-Jehin) (18 September 1857, Lyons- June 1923, Paris) was a French operatic contralto who had a prolific career in France from 1879-1905. She possessed a rich-toned and flexible voice that had a wide vocal range. She sang in numerous world premieres throughout her career, most notably originating the title role in Jules Massenet’s ''Hérodiade'' in 1881. Biography Deschamps-Jehin studied singing in Lyons and Paris before making her professional opera début in 1879 in the title role of Ambroise Thomas's ''Mignon'' at La Monnaie in Brussels. She continued to sing at that opera house for the next several years, notably portraying the title role in the world premiere of Jules Massenet’s ''Hérodiade'' in 1881 and Uta in the world premiere of Ernest Reyer’s ''Sigurd'' in 1884. Elizabeth Forbes: "Blanche Deschamps-Jehin", ''Grove Music Online'' ed. L. Macy (Accessed February 28, 2009)(subscription access)/ref> Deschamps-Jehi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léon Jehin
Léon Jehin (17 July 1853 – 14 February 1928) was a conductor and composer, especially associated with the opera house in Monte Carlo.Favre G. ''Histoire Musicale de la Principauté de Monaco du XVIe au XXe siècle.'' Éditions des Archives du Palais Princier, Monaco/Éditions A et J Picard, Paris, 1974. He composed the national anthem of Monaco. Life and career Jehin was born in Spa, Belgium. He studied at the conservatoire in Liege and then in Brussels. He was a violinist at La Monnaie in the Belgian capital and conducted at Anvers, Aix-les-Bains, and the Royal Opera House. In 1889, when he was an assistant conductor in Brussels, he succeeded Arthur Steck as the conductor of the Monte Carlo Opera in Monaco, a position he held until his death. His first performance there was of ''Mireille'' by Charles Gounod.Walsh T J. ''Monte Carlo opera, 1879–1909.'' Gill and Macmillan, Dublin, 1975. In addition to conducting the main repertoire at the Monte Carlo opera, he conducted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibliothèque Nationale De France
The Bibliothèque nationale de France (, 'National Library of France'; BnF) is the national library of France, located in Paris on two main sites known respectively as ''Richelieu'' and ''François-Mitterrand''. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum (formerly known as the ) on the Richelieu site. The National Library of France is a public establishment under the supervision of the Ministry of Culture. Its mission is to constitute collections, especially the copies of works published in France that must, by law, be deposited there, conserve them, and make them available to the public. It produces a reference catalogue, cooperates with other national and international establishments, and participates in research programs. History The National Library of France traces its origin to the royal library founded at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Namur
Namur (; ; nl, Namen ; wa, Nameur) is a city and municipality in Wallonia, Belgium. It is both the capital of the province of Namur and of Wallonia, hosting the Parliament of Wallonia, the Government of Wallonia and its administration. Namur stands at the confluence of the rivers Sambre and Meuse and straddles three different regions – Hesbaye to the north, Condroz to the south-east, and Entre-Sambre-et-Meuse to the south-west. The city of Charleroi is located to the west. The language spoken is French. The municipality consists of the following districts: Beez, Belgrade, Boninne, Bouge, Champion, Cognelée, Daussoulx, Dave, Erpent, Flawinne, Gelbressée, Jambes, Lives-sur-Meuse, Loyers, Malonne, Marche-les-Dames, Naninne, Saint-Servais, Saint-Marc, Suarlée, Temploux, Vedrin, Wépion, and Wierde. History Early history The town began as an important trading settlement in Celtic times, straddling east–west and north–south trade routes across the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Véronique Gens
Véronique Gens (born 19 April 1966) is a French operatic soprano. She has spent much of her career recording and performing Baroque music. Gens was born in Orléans, France, and studied at the Conservatoire de Paris, winning first prize at the school. Her debut in 1986 was with William Christie and his Les Arts Florissants. She has since worked with Marc Minkowski, René Jacobs, Christophe Rousset, Philippe Herreweghe, Martin Gester, and Jean-Claude Malgoire. While she started out as a Baroque specialist, Gens has also come into demand for roles in Mozart operas, and as an interpreter of songs by Berlioz, Debussy (see also Beau Soir), Fauré and others. Her numerous recordings include many works by Mozart and Purcell, as well as Joseph Canteloube's ''Chants d'Auvergne'' and Berlioz's '' Nuits d'été''. Selected discography * Marc-Antoine Charpentier : ''Le Massacre des Innocents'' H.411'', Super flumina Babylonis'' H.170'', Psaumes de David'' H .215'','' H.216, H.220, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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