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Hugo Kaun
Hugo Wilhelm Ludwig Kaun (21 March 1863 – 2 April 1932) was a German composer, conductor, and music teacher. Biography Kaun was born in Berlin, Germany and completed his musical training in his native city. In 1886 (or 1887), he left Germany for the United States and settled in Milwaukee, Wisconsin, which was home to a well-established German immigrant community. As the conductor of local choral societies, such as the Milwaukee Liederkranz and the Milwaukee Men's Choir, Kaun quickly acquired an important influence in the city's musical life. He also taught at the conservatory, where his colleagues included Wilhelm Middelschulte. Kaun's eldest son, Bernhard Kaun, later became a composer of film scores in Hollywood. At the turn of the century, Kaun returned to Germany and continued his teaching in Berlin. Although he received numerous lucrative offers of employment from abroad, these inducements could not persuade him to leave Berlin a second time. In 1912, he was appointed to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Kaun
Hugo Wilhelm Ludwig Kaun (21 March 1863 – 2 April 1932) was a German composer, conductor, and music teacher. Biography Kaun was born in Berlin, Germany and completed his musical training in his native city. In 1886 (or 1887), he left Germany for the United States and settled in Milwaukee, Wisconsin, which was home to a well-established German immigrant community. As the conductor of local choral societies, such as the Milwaukee Liederkranz and the Milwaukee Men's Choir, Kaun quickly acquired an important influence in the city's musical life. He also taught at the conservatory, where his colleagues included Wilhelm Middelschulte. Kaun's eldest son, Bernhard Kaun, later became a composer of film scores in Hollywood. At the turn of the century, Kaun returned to Germany and continued his teaching in Berlin. Although he received numerous lucrative offers of employment from abroad, these inducements could not persuade him to leave Berlin a second time. In 1912, he was appointed to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Tauber
Richard Tauber (16 May 1891 – 8 January 1948) was an Austrian tenor and film actor. Early life Richard Tauber was born in Linz, Austria, to Elisabeth Seifferth (née Denemy), a widow and an actress who played soubrette roles at the local theatre, and Richard Anton Tauber, an actor; his parents were not married and his father was reportedly unaware of the birth as he was touring North America at the time. The child was given the name Richard Denemy; he was sometimes known as arlRichard Tauber, and also used his mother's married name, Seiffert; but the claim by the ''Encyclopædia Britannica'' that he was ever known as Ernst Seiffert has no support from any of the 12 published books and monographs about him listed in Daniel O'Hara's comprehensive Richard Tauber Chronology. After he was adopted by his father in 1913, his legal name became Richard Denemy-Tauber. Tauber accompanied his mother on tour to theatres, but she found it increasingly difficult to cope, and left him with fos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Trio
A piano trio is a group of piano and two other instruments, usually a violin and a cello, or a piece of music written for such a group. It is one of the most common forms found in classical chamber music. The term can also refer to a group of musicians who regularly play this repertoire together; for a number of well-known piano trios, see below. The term "piano trio" is also used for jazz trios, where it most commonly designates a pianist accompanied by bass and drums, though guitar or saxophone may figure as well. Form Works titled "Piano Trio" tend to be in the same overall shape as a sonata. Initially this was in the three movement form, though some of Haydn's have two movements. Mozart, in five late works, is generally credited with transforming the accompanied keyboard sonata, in which the essentially optional cello doubles the bass of the keyboard left hand, into the balanced trio which has since been a central form of chamber music. With the early 19th century, particular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octet (music)
In music, an octet is a musical ensemble consisting of eight instruments or voices, or a musical composition written for such an ensemble. Octets in classical music Octets in classical music are one of the largest groupings of chamber music. Although eight-part scoring was fairly common for serenades and divertimenti in the 18th century, the word "octet" only first appeared at the beginning of the 19th century, as the title of a composition by Prince Louis Ferdinand of Prussia, whose Octet Op. 12 (published posthumously in 1808) features the piano, together with clarinet, 2 horns, 2 violins, and 2 cellos. Later octets with piano were written by Ferdinand Ries (Op. 128, 1818, with clarinet, horn, bassoon, violin, viola, cello, and double bass), Anton Rubinstein (Op. 9, 1856, with flute, clarinet, horn, violin, viola, cello, and double bass), and Paul Juon (Chamber Symphony, Op. 27, 1907) . Octets tend to be scored in one of the following arrangements: * String octet – This ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musicians employ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (music)
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/ concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical " overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff
Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays '' Henry IV, Part 1'' and '' Part 2'', where he is a companion to Prince Hal, the future King Henry V of England. Falstaff is also featured as the buffoonish suitor of two married women in '' The Merry Wives of Windsor''. Though primarily a comic figure, Falstaff embodies a depth common to Shakespeare's major characters. A fat, vain, and boastful knight, he spends most of his time drinking at the Boar's Head Inn with petty criminals, living on stolen or borrowed money. Falstaff leads the apparently wayward Prince Hal into trouble, and is ultimately repudiated after Hal becomes king. Falstaff has since appeared in other media, including operas by Giuseppe Verdi, Ralph Vaughan Williams, and Otto Nicolai, and in Orson Welles' 1966 film ''Chimes at Midnight''. The operas focus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramatic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietism
Pietism (), also known as Pietistic Lutheranism, is a movement within Lutheranism that combines its emphasis on biblical doctrine with an emphasis on individual piety and living a holy Christian life, including a social concern for the needy and disadvantaged. It is also related to its non-Lutheran (but largely Lutheran-descended) Radical Pietism offshoot that either diversified or spread into various denominations or traditions, and has also had a contributing influence over the interdenominational Evangelical Christianity movement. Although the movement is aligned exclusively within Lutheranism, it had a tremendous impact on Protestantism worldwide, particularly in North America and Europe. Pietism originated in modern Germany in the late 17th century with the work of Philipp Spener, a Lutheran theologian whose emphasis on personal transformation through spiritual rebirth and renewal, individual devotion, and piety laid the foundations for the movement. Although Spener did not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Myrtle Elvyn
Myrtle Elvyn (born circa 1887 — died February 1975), later Myrtle Elvyn-Bloch, was an American pianist and composer. Early life Myrtle Elvyn was born in Sherman, Texas and raised in Chicago, Illinois, the daughter of Edward Elvyn and Fannie M. Goldsmith Elvyn. Her parents were from Arkansas and Kentucky. Theatrical manager Sid Grauman was her first cousin; their mothers were sisters. She studied music with Carl Wolfsohn in Chicago, and in Europe with Leopold Godowsky. She also studied composition with Hugo Kaun. Career Elvyn made her debut as a pianist in Berlin in 1904, and played in Germany, Austria, Holland, Belgium, and Great Britain from 1905 to 1907. She was described as one of the three great American women pianists in 1908, along with Fannie Bloomfield Zeisler and Julie Rivé-King. "Myrtle Elvyn is wholly unexcelled in power, brilliance and endurance in the playing of strictly 'show pieces'", declared one music writer in 1914. Elvyn toured nationally in the United Stat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fannie Charles Dillon
Fannie Charles Dillon (March 16, 1881February 21, 1947) was an American pianist, music educator and composer. Life Fannie Charles Dillon was born in Denver, Colorado in 1881. She moved with her family to Long Beach, California in 1890. She studied composition with Heinrich Urban, Hugo Kaun and Rubin Goldmark, and piano with Leopold Godowsky in Berlin. Personal life and marriage After completing her studies, Dillon worked as a pianist, teacher, performer and composer in Los Angeles. She taught at Pomona College from 1910 to 1913 and in the Los Angeles high school system from 1918 to 1941. She founded Woodland Theater at Fawnskin, Big Bear Lake, California, in 1924 and served as its general manager from 1926 to 1929. She married Cypriot theater actor James Christo. Dillon died in Altadena, California. Her papers are stored by the UCLA library. As a composer, Dillon was known for adapting bird calls into her scores. While she was teaching at Los Angeles High School in the late 1920 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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