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Housebook
Master of the Housebook and Master of the Amsterdam Cabinet are two names used for an engraver and painter working in South Germany in the last quarter of the 15th century. He is apparently the first artist to use drypoint, a form of engraving, for all of his prints (other than woodcuts he may have designed). The first name derives from his book of drawings with watercolour, called the Medieval Housebook, which belonged to the German noble family of Waldburg-Wolfegg from the 17th century until 2008, when they were reported to have sold it for €20 million to a Swiss buyer; however, the legality of its sale for export has been challenged and, for the moment, it remains with the family. In 1999, the book was lent to the National Gallery of Art in Washington, D.C., for an exhibitionThe majority of his surviving prints are in the print room at the Rijksmuseum in Amsterdam, hence his second name. Most, but not all, art historians still agree that the Housebook and the prints are by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hausbuch Wolfegg 35r Bergwerk
Master of the Housebook and Master of the Amsterdam Cabinet are two names used for an engraver and painter working in South Germany in the last quarter of the 15th century. He is apparently the first artist to use drypoint, a form of engraving, for all of his prints (other than woodcuts he may have designed). The first name derives from his book of drawings with watercolour, called the Medieval Housebook, which belonged to the German noble family of Waldburg-Wolfegg from the 17th century until 2008, when they were reported to have sold it for €20 million to a Swiss buyer; however, the legality of its sale for export has been challenged and, for the moment, it remains with the family. In 1999, the book was lent to the National Gallery of Art in Washington, D.C., for an exhibitionThe majority of his surviving prints are in the print room at the Rijksmuseum in Amsterdam, hence his second name. Most, but not all, art historians still agree that the Housebook and the prints are by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hausbuch Wolfegg 14r Sol
Master of the Housebook and Master of the Amsterdam Cabinet are two names used for an engraver and painter working in South Germany in the last quarter of the 15th century. He is apparently the first artist to use drypoint, a form of engraving, for all of his prints (other than woodcuts he may have designed). The first name derives from his book of drawings with watercolour, called the Medieval Housebook, which belonged to the German noble family of Waldburg-Wolfegg from the 17th century until 2008, when they were reported to have sold it for €20 million to a Swiss buyer; however, the legality of its sale for export has been challenged and, for the moment, it remains with the family. In 1999, the book was lent to the National Gallery of Art in Washington, D.C., for an exhibitionThe majority of his surviving prints are in the print room at the Rijksmuseum in Amsterdam, hence his second name. Most, but not all, art historians still agree that the Housebook and the prints are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Housebook
The Medieval Housebook of Wolfegg Castle (''Mittelalterliches Hausbuch von Schloss Wolfegg'') is a handwritten compendium on various topics of practical knowledge useful for a nobleman written about 1480 by several authors. The Housebook is especially famous for its lively pictures by the so-called Master of the Housebook, which provide a vivid insight into everyday life at the transition from the late Middle Ages to the Renaissance. A housebook is a manuscript commissioned by the noble elite or wealthy citizens with a pedagogic content. A distinction is made between three different types of texts collected in the housebooks: how to manage a household, descriptions of weapons (as for example the Housebook of Wolfegg Castle), and spiritual texts for home use. In addition, they may also contain a client's biography or description of a special event. Housebooks are invaluable for historical studies because they are unique sources of information about late medieval life. They beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erhard Reuwich
Erhard Reuwich ( nl, Reeuwijk) was a Dutch artist, as a designer of woodcuts, and a printer, who came from Utrecht but then worked in Mainz. His dates and places of birth and death are unknown, but he was active in the 1480s. He came from a family of painters in Utrecht, and his father may have been Hildebrand Reuwich, who was Dean of the painters' guild there in 1470. He traveled on a pilgrimage to Jerusalem, which gave rise to his most famous work. It has been suggested that he was the Master of the Housebook, but this has not been generally accepted. Perhaps more likely is his identification as an engraver known as the ''Master of the Book of Reason''. ''Peregrinatio in Terram Sanctam'' The ''Peregrinatio in Terram Sanctam'' or ''Sanctae Peregrinationes'', an incunabulum account of a pilgrimage to Jerusalem, by Bernhard von Breydenbach, was published in 1486, with the illustrations drawn by Reuwich. Breydenbach was a wealthy canon of Mainz Cathedral who made the pilgrimage i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Master Print
An old master print is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are often combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, old master prints are printed on paper. This article is concerned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augustiner Museum
The Augustiner Museum is a museum in Freiburg im Breisgau, Germany located in the former Augustinian Monastery building. It is undergoing an extensive renovation and expansion, the first phase of which ended in 2010.Augustinermuseum in Freiburg: Eine schöne Maschine Volker Bauermeister, '''', 24 March 2010. Retrieved 24 September 2010. The museum The museum is located in a former monastery which was rebuilt between 191 ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drypoint
Drypoint is a printmaking technique of the intaglio (printmaking), intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The difference is in the use of tools, and that the raised ridge along the furrow is not scraped or filed away as in engraving. Traditionally the plate was copper, but now cellulose acetate, acetate, zinc, or plexiglas are also commonly used. Like etching, drypoint is easier to master than engraving for an artist trained in drawing because the technique of using the needle is closer to using a pencil than the Burin (engraving), engraver's burin. The term is also used for inkless scratched inscriptions, such as glosses in manuscripts. Lines and burrs The lines produced by printing a drypoint are formed by the Burr (metal), burr thrown up at the edge of the incised lines, in addition to the depressions formed in the sur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israhel Van Meckenem
Israhel van Meckenem (c.1445 – 10 November 1503), also known as Israhel van Meckenem the Younger, was a German printmaker and goldsmith, perhaps of a Dutch family origin. He was the most prolific engraver of the fifteenth century and an important figure in the early history of old master prints. In total, he produced over 620 engravings, most of which were copies of other prints; they represent about 20% of print production by all Northern European artists in the period of his working life. His career lasted long enough for him to copy Dürer prints. He was active from 1465 until his death, and continued to work as a goldsmith; there are some surviving pieces, and many documented commissions from the city of Bocholt. He probably trained in engraving with Master E. S. in South Germany, and may well have been with him at his death c. 1467, since he acquired and reworked forty-one of the master's plates. Another two hundred of van Meckenem's "own" prints were also copies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germanisches Nationalmuseum
The Germanisches National Museum is a museum in Nuremberg, Germany. Founded in 1852, it houses a large collection of items relating to German culture and art extending from prehistoric times through to the present day. The Germanisches National Museum is Germany's largest museum of cultural history. Out of its total holding of some 1.3 million objects (including the holdings of the library and the Department of Prints and Drawings), approximately 25,000 are exhibited. The museum is situated in the south of the historic city center between Kornmarkt and Frauentormauer along the medieval city wall. Its entrance hall is situated on Kartäusergasse which was transformed by the Israeli sculptor Dani Karavan to the Way of Human Rights (german: Straße der Menschenrechte). Name, establishment, guiding principles The Germanisches Museum, as it was named initially, was founded by a group of individuals led by the Franconian baron Hans von und zu Aufsess, whose goal was to assemble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freiburg Im Breisgau
Freiburg im Breisgau (; abbreviated as Freiburg i. Br. or Freiburg i. B.; Low Alemannic German, Low Alemannic: ''Friburg im Brisgau''), commonly referred to as Freiburg, is an independent city in Baden-Württemberg, Germany. With a population of about 230,000 (as of 31 December 2018), Freiburg is the List of cities in Baden-Württemberg by population, fourth-largest city in Baden-Württemberg after Stuttgart, Mannheim, and Karlsruhe. The population of the Freiburg metropolitan area was 656,753 in 2018. In the Southern Germany, south-west of the country, it straddles the Dreisam river, at the foot of the Schlossberg (Freiburg), Schlossberg. Historically, the city has acted as the hub of the Breisgau region on the western edge of the Black Forest in the Upper Rhine Plain. A famous old German university town, and Roman Catholic Archdiocese of Freiburg, archiepiscopal seat, Freiburg was incorporated in the early twelfth century and developed into a major commercial, intellectual, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Städel
The Städel, officially the ''Städelsches Kunstinstitut und Städtische Galerie'', is an art museum in Frankfurt, with one of the most important collections in Germany. The Städel Museum owns 3,100 paintings, 660 sculptures, more than 4,600 photographs and more than 100,000 drawings and prints. It has around 4,000 m2 of display and a library of 115,000 books. The Städel was honoured as "Museum of the Year 2012" by the German art critics association AICA. In the same year the museum recorded the highest attendance figures in its history, of 447,395 visitors. In 2020 the museum had 318,732 visitors, down 45 percent from 2019, due to the COVID-19 pandemic. It ranked 71st on the list of most-visited art museums in 2020. History The Städel was founded in 1817, and is one of the oldest museums in Frankfurt's Museumsufer, or museum embankment. The founding followed a bequest by the Frankfurt banker and art patron Johann Friedrich Städel (1728–1816), who left his house, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
%2C_Portrait_of_Artist's_Wife%2C_drypoint%2C_ca_1905%2C_11.5x7.7_cm.jpg "Click for more on -> Drypoint")
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