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House Of Loreius Tiburtinus
The House of Loreius Tiburtinus (more correctly the House of Octavius Quartio after its true owner) is renowned for well-preserved art, mainly in wall-paintings as well as its large gardens. It is in the Roman city of Pompeii and with the rest of Pompeii was preserved by the volcanic eruption of Mount Vesuvius in or after October 79 AD. Location Its Pompeian street address is II, 2, 2-5 and it is located on the Via dell'Abbondanza (or street of abundance), one of the most prosperous streets in Pompeii, and conveniently situated for both the palaestra and the amphitheatre. The section of Via dell'Abbondanza it occupied was closed off to cart traffic in ancient times. Name The naming of this houseTronchin, Francesca C. "An Eclectic Locus Artis: the Casa Di Octavius Quartio At Pompeii." Diss. Boston Univ., 2006 was wrongly derived from electoral graffiti etched in the outer façade, some saying "Vote for Loreius" and others "Vote for Tiburtinus." In fact, the last known owner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pompeii
Pompeii (, ) was an ancient city located in what is now the ''comune'' of Pompei near Naples in the Campania region of Italy. Pompeii, along with Herculaneum and many villas in the surrounding area (e.g. at Boscoreale, Stabiae), was buried under of volcanic ash and pumice in the Eruption of Mount Vesuvius in 79 AD. Largely preserved under the ash, the excavated city offered a unique snapshot of Roman life, frozen at the moment it was buried, although much of the detailed evidence of the everyday life of its inhabitants was lost in the excavations. It was a wealthy town, with a population of ca. 11,000 in AD 79, enjoying many fine public buildings and luxurious private houses with lavish decorations, furnishings and works of art which were the main attractions for the early excavators. Organic remains, including wooden objects and human bodies, were interred in the ash. Over time, they decayed, leaving voids that archaeologists found could be used as moulds to make plaste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impluvium
The ''impluvium'' (pl. ''impluvia'') is a water-catchment pool system meant to capture rain-water flowing from the ''compluvium'', or slanted roof. Often placed "inside", instead of "outside", a building, it is a notable feature in many architectural traditions. Greco-Roman impluvium In Greco-Roman architectural studies, the ''impluvium'' refers to the sunken part of the atrium in a Greek or Roman house (''domus''), designed to carry away the rainwater falling from the ''compluvium'' of the roof. It is usually made of marble and placed about 30 cm below the floor of the atrium, and emptied into a subfloor cistern. Construction and use Inspection (without excavation) of ''impluvia'' in Paestum, Pompeii and Rome indicated that the pavement surface in the ''impluvia'' was porous, or that the non-porous stone tiles were separated by gaps significant enough to allow a substantial quantity of water caught in the basin of the ''impluvium'' to filter through the cracks and, beyo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biga (chariot)
The ''biga'' (Latin, plural ''bigae'') is the two-horse chariot as used in ancient Rome for sport, transportation, and ceremonies. Other animals may replace horses in art and occasionally for actual ceremonies. The term ''biga'' is also used by modern scholars for the similar chariots of other Indo-European cultures, particularly the two-horse chariot of the ancient Greeks and Celts. The driver of a ''biga'' is a ''bigarius''. Other Latin words that distinguish chariots by the number of animals yoked as a team are ''quadriga'', a four-horse chariot used for racing and associated with the Roman triumph; ''triga'', or three-horse chariot, probably driven for ceremonies more often than racing (see Trigarium); and ''seiugis'' or ''seiuga'', the six-horse chariot, more rarely raced and requiring a high degree of skill from the driver. The ''biga'' and ''quadriga'' are the most common types. Two-horse chariots are a common icon on Roman coins; see ''bigatus'', a type of denarius so cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sistrum
A sistrum (plural: sistra or Latin sistra; from the Greek ''seistron'' of the same meaning; literally "that which is being shaken", from ''seiein'', "to shake") is a musical instrument of the percussion family, chiefly associated with ancient Egypt. It consists of a handle and a U-shaped metal frame, made of brass or bronze and between 30 and 76 cm in width. When shaken, the small rings or loops of thin metal on its movable crossbars produce a sound that can be from a soft clank to a loud jangling. Its name in the ancient Egyptian language was sekhem ''(sḫm)'' and sesheshet ''(sššt).'' Sekhem is the simpler, hoop-like sistrum, while sesheshet (an onomatopoeic word) is the naos-shaped one. The modern day West African disc rattle instrument is also called a sistrum. Egyptian sistrum The sistrum was a sacred instrument in ancient Egypt. Perhaps originating in the worship of Bat, it was used in dances and religious ceremonies, particularly in the worship of the goddes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isis
Isis (; ''Ēse''; ; Meroitic: ''Wos'' 'a''or ''Wusa''; Phoenician: 𐤀𐤎, romanized: ʾs) was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom () as one of the main characters of the Osiris myth, in which she resurrects her slain brother and husband, the divine king Osiris, and produces and protects his heir, Horus. She was believed to help the dead enter the afterlife as she had helped Osiris, and she was considered the divine mother of the pharaoh, who was likened to Horus. Her maternal aid was invoked in healing Spell (paranormal), spells to benefit ordinary people. Originally, she played a limited role in royal rituals and temple rites, although she was more prominent in funerary practices and magical texts. She was usually portrayed in art as a human woman wearing a throne-like hieroglyph on her head. During the New Kingdom (), as she took on traits that originally belo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thyrsus
A thyrsus /ˈθɜːrsəs/ or thyrsos /ˈθɜːrˌsɒs/ (Ancient Greek: θύρσος) was a wand or staff of giant fennel (''Ferula communis'') covered with ivy vines and leaves, sometimes wound with taeniae and topped with a pine cone, artichoke, or by a bunch of vine-leaves and grapes or ivy-leaves and berries, carried during Hellenic festivals and religious ceremonies. The thyrsus is typically associated with the Greek god Dionysus, and represents a symbol of prosperity, fertility, and hedonism similarly to Dionysus. Religious/Ceremonial use In Greek religion, the staff was carried by the votaries of Dionysus. Euripides wrote that honey dripped from the thyrsos staves that the Bacchic maenads carried. The thyrsus was a sacred instrument at religious rituals and fêtes. The fabulous history of Bacchus relates that he converted the thyrsi carried by himself and his followers into dangerous weapons, by concealing an iron point in the head of leaves. Hence his thyrsus is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bacchus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oecus
''Oecus'' is the Latinized form of Greek ''oikos'', used by Vitruvius for the principal hall or salon in a Roman house, which was used occasionally as a triclinium for banquets. When of great size it became necessary to support its ceiling with columns; thus, according to Vitruvius, the tetrastyle ''oecus'' had four columns; in the Corinthian ''oecus'' there was a row of columns on each side, virtually therefore dividing the room into nave and aisles, the former being covered over with a barrel vault. The Egyptian ''oecus'' had a similar plan, but the aisles were of less height, so that clerestory windows were introduced to light the room, which, as Vitruvius states, presents more the appearance of a basilica than of a triclinium. Vitruvius distinguishes four types of oecus: # Tetrastylos: with four columns; # Corinthian: with a row of columns supporting an architrave topped with a cornice and a vaulted ceiling; # Egyptian: particularly magnificent form of the ''oecus'', with col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pompeji Casa Di Octavio Quartio Wall
Pompeii (, ) was an ancient city located in what is now the ''comune'' of Pompei near Naples in the Campania region of Italy. Pompeii, along with Herculaneum and many villas in the surrounding area (e.g. at Boscoreale, Stabiae), was buried under of volcanic ash and pumice in the Eruption of Mount Vesuvius in 79 AD. Largely preserved under the ash, the excavated city offered a unique snapshot of Roman life, frozen at the moment it was buried, although much of the detailed evidence of the everyday life of its inhabitants was lost in the excavations. It was a wealthy town, with a population of ca. 11,000 in AD 79, enjoying many fine public buildings and luxurious private houses with lavish decorations, furnishings and works of art which were the main attractions for the early excavators. Organic remains, including wooden objects and human bodies, were interred in the ash. Over time, they decayed, leaving voids that archaeologists found could be used as moulds to make plaster c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
