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Horn Concertos (Mozart)
The four Horn Concertos by Wolfgang Amadeus Mozart were written for his friend Joseph Leutgeb whom he had known since childhood. Leutgeb was a skilled player, as the works are difficult to perform on the natural horn of the period, requiring lip trills, much hand-stopping, and rapid tonguing. __NOTOC__ Concertos * Horn Concerto No. 1 in D major, K. 412 (1791, unfinished at Mozart's death) * Horn Concerto No. 2 in E-flat major, K. 417 (1783) * Horn Concerto No. 3 in E-flat major, K. 447 (c. 1784–87) * Horn Concerto No. 4 in E-flat major, K. 495 (1786) Fragmentary and incomplete works In addition to the four works listed above, there are two incomplete concerto movements, K. 370b and the Concert Rondo, K. 371, both from 1781 and both in E-flat major, and a 91-bar fragment of the first movement for a concerto in E major (K. 494a), written in 1785 or 1786. Discography Given the duration of the concertos (no more than 20 minutes each) it is quite common to find these horn con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Leutgeb
Joseph Leutgeb (or Leitgeb; October 6, 1732 – February 27, 1811) was an outstanding horn player of the classical era, a friend and musical inspiration for Wolfgang Amadeus Mozart. Life Leutgeb was born in Neulerchenfeld, but little is known of his early years. The composer Carl Ditters von Dittersdorf stated that Leutgeb performed in Vienna in the early 1750s for Prince Hildburghausen. During the early 1760s, Leutgeb's career flourished; according to Daniel Heartz, he "was the most prominent horn soloist in Vienna, and evidently one of the best received players on any solo instrument.". It is recorded that during the period 21 November 1761 to 28 January 1763 he performed horn concertos by Leopold Hofmann, Michael Haydn and Dittersdorf at the Burgtheater. left, Joseph Haydn Heartz suggests that at this time (1762) Joseph Haydn wrote his Concerto in D, Hob. VIId/3D, for Leutgeb. The two were likely friends, as on 3 July 1763 Haydn's wife served as godmother for Leutgeb's c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth century the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. It consists of a mouthpiece, long coiled tubing, and a large flared bell. This instrument was used extensively until the emergence of the valved horn in the early 19th century. Hand stopping technique The natural horn has several gaps in its harmonic range. To play chromatically, in addition to crooking the instrument into the right key, two additional techniques are required: ''bending'' and '' hand-stopping''. Bending a note is achieved by modifying the embouchure to raise or lower the pitch fractionally, and compensates for the slightly out-of-pitch "wolf tones" which all brass instruments have. Hand-stopping is a technique whereby the player can modify the pitch of a note by up t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lip Trill
The trill (or shake, as it was known from the 16th until the early 20th century) is a musical ornament consisting of a rapid alternation between two adjacent notes, usually a semitone or tone apart, which can be identified with the context of the trillTaylor, Eric. ''The AB Guide to Music Theory: Part I'', p. 92. (compare mordent and tremolo). It is sometimes referred to by the German Triller, the Italian trillo, the French trille or the Spanish trino. A cadential trill is a trill associated with each cadence. A trill provides rhythmic interest, melodic interest, and—through dissonance—harmonic interest. Sometimes it is expected that the trill will end with a turn (by sounding the note below rather than the note above the principal note, immediately before the last sounding of the principal note), or some other variation. Such variations are often marked with a few appoggiaturas following the note bearing the trill indication. Notation In most modern musical notation, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
