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Hoplite Formation In Art
The hoplites were soldiers from Ancient Greece who were usually free citizens. They had a very uniform and distinct appearance; specifically they were armed with a spear (''dory'') in their right hand and a heavy round shield in their left. Hoplite soldiers were organized in battle into the phalanx formation. The goal of this formation was to create uniformity and a powerful military force in order to maximize the effectiveness as the army as a whole, rather than use people as individual fighters. With the hoplite formation everyone was the same in battle. The phalanx formation appeared during the 7th and 8th centuries BC. The representation of hoplites in art show historians how the Greeks used this formation in battle as well as how the soldiers were dressed and what their armor looked like. The hoplite formation is shown in different styles of pottery such as white ground and black-figure and also on many different types of pottery such an '' olpe'', ''krater,'' ''alabastron'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoplite
Hoplites ( ) ( grc, ὁπλίτης : hoplítēs) were citizen-soldiers of Ancient Greece, Ancient Greek Polis, city-states who were primarily armed with spears and shields. Hoplite soldiers used the phalanx formation to be effective in war with fewer soldiers. The formation discouraged the soldiers from acting alone, for this would compromise the formation and minimize its strengths. The hoplites were primarily represented by free citizens – propertied farmers and artisans – who were able to afford a Linothorax, linen armour or a bronze armour suit and weapons (estimated at a third to a half of its able-bodied adult male population). Most hoplites were not professional soldiers and often lacked sufficient military training. Some states maintained a small elite professional unit, known as the ''wikt:επιλέγω, epilektoi'' ("chosen") since they were picked from the regular citizen infantry. These existed at times in Athens, Argos, Peloponnese, Argos, Thebes, Greec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phalanx Formation
The phalanx ( grc, φάλαγξ; plural phalanxes or phalanges, , ) was a rectangular mass military formation, usually composed entirely of heavy infantry armed with spears, pikes, sarissas, or similar pole weapons. The term is particularly used to describe the use of this formation in ancient Greek warfare, although the ancient Greek writers used it to also describe any massed infantry formation, regardless of its equipment. Arrian uses the term in his ''Array against the Alans'' when he refers to his legions. In Greek texts, the phalanx may be deployed for battle, on the march, or even camped, thus describing the mass of infantry or cavalry that would deploy in line during battle. They marched forward as one entity. The term itself, as used today, does not refer to a distinctive military unit or division (e.g., the Roman legion or the contemporary Western-type battalion), but to the type of formation of an army's troops. Therefore, this term does not indicate a standard comb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exekias
Exekias ( grc, Ἐξηκίας, ''Exēkías'') was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision. Exekias is regarded by art historians as an artistic visionary whose masterful use of incision and psychologically sensitive compositions mark him as one of the greatest of all Attic vase painters. The Andokides painter and the Lysippides Painter are thought to have been students of Exekias. Background The works of Exekias are distinguished by their innovative compositions, precise draughtsmanship, and subtle psychological characterization, all of which transcend the inherent challenges of the black-figure technique. John Boardman, the eminent historian of Greek art, described Exekias' style as follows: "The hallmark of his style is a near statuesque dignit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farsala
Farsala ( el, Φάρσαλα), known in Antiquity as Pharsalos ( grc, Φάρσαλος, la, Pharsalus), is a city in southern Thessaly, in Greece. Farsala is located in the southern part of Larissa regional unit, and is one of its largest towns. Farsala is an economic and agricultural centre of the region. Cotton and livestock are the main agricultural products, and many inhabitants are employed in the production of textile. The area is mostly famous for being the birthplace of Achilles, a mythical ancient Greek hero and the sight of a major battle between Roman generals Gaius Julius Caesar and Gnaeus Pompeius in 48 BC. Geography Farsala lies at the southern edge of the Thessalian Plain, 4 km south of the river Enipeas. The Greek National Road 3 (Larissa - Lamia) and the Greek National Road 30 (Karditsa - Volos) pass through the town. The Palaiofarsalos railway station (litt. "''Ancient Pharsalus''"), on the line from Athens to Thessaloniki and head of the branch line to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krater
A krater or crater ( grc-gre, , ''kratēr'', literally "mixing vessel") was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a ''kyathos'' (pl. ''kyathoi''), an ''amphora'' (pl. ''amphorai''), or a ''kylix'' (pl. ''kylikes''). In fact, Homer's ''Odyssey'' describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, ''krasi'' ( κρασί), originates from the ''krasis'' (''κράσις'', i.e., mixing) of wine and water in kraters. Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding wate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoplite Fight From Athens Museum
Hoplites ( ) ( grc, ὁπλίτης : hoplítēs) were citizen-soldiers of Ancient Greek city-states who were primarily armed with spears and shields. Hoplite soldiers used the phalanx formation to be effective in war with fewer soldiers. The formation discouraged the soldiers from acting alone, for this would compromise the formation and minimize its strengths. The hoplites were primarily represented by free citizens – propertied farmers and artisans – who were able to afford a linen armour or a bronze armour suit and weapons (estimated at a third to a half of its able-bodied adult male population). Most hoplites were not professional soldiers and often lacked sufficient military training. Some states maintained a small elite professional unit, known as the '' epilektoi'' ("chosen") since they were picked from the regular citizen infantry. These existed at times in Athens, Argos, Thebes, and Syracuse, among other places. Hoplite soldiers made up the bulk of ancient ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symposium
In ancient Greece, the symposium ( grc-gre, συμπόσιον ''symposion'' or ''symposio'', from συμπίνειν ''sympinein'', "to drink together") was a part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation.Peter Garnsey, ''Food and Society in Classical Antiquity'' (Cambridge University Press, 1999), p. 13online Sara Elise Phang, ''Roman Military Service: Ideologies of Discipline in the Late Republic and Early Principate'' (Cambridge University Press, 2008), pp. 263–264. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's '' Symposium'' and Xenophon's '' Symposium'', as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes. In modern usage, it has come to mean an academic conference or meeting such as a scientific conference. The equivalent of a Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hephaestus
Hephaestus (; eight spellings; grc-gre, Ἥφαιστος, Hḗphaistos) is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire (compare, however, with Hestia), and volcanoes.Walter Burkert, ''Greek Religion'' 1985: III.2.ii; see coverage of Lemnos-based traditions and legends at Mythic Lemnos Hephaestus's Roman counterpart is Vulcan. In Greek mythology, Hephaestus was either the son of Zeus and Hera or he was Hera's parthenogenous child. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall rather than the reason for it). As a smithing god, Hephaestus made all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centres of Greece, particularly Athen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troilus
Troilus ( or ; grc, Τρωΐλος, Troïlos; la, Troilus) is a legendary character associated with the story of the Trojan War. The first surviving reference to him is in Homer's ''Iliad,'' composed in the late 8th century BCE. In Greek mythology, Troilus is a young Trojan prince, one of the sons of King Priam (or Apollo) and Hecuba. Prophecies link Troilus' fate to that of Troy and so he is ambushed and murdered by Achilles. Sophocles was one of the writers to tell this tale. It was also a popular theme among artists of the time. Ancient writers treated Troilus as the epitome of a dead child mourned by his parents. He was also regarded as a paragon of youthful male beauty. In Western European medieval and Renaissance versions of the legend, Troilus is the youngest of Priam's five legitimate sons by Hecuba. Despite his youth he is one of the main Trojan war leaders. He dies in battle at Achilles' hands. In a popular addition to the story, originating in the 12th century, Troi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terracotta
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based ceramic glaze, unglazed or glazed ceramic where the pottery firing, fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including bowl (vessel), vessels (notably flower pots), water and waste water pipes, tile, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural Terra cotta (color), brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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