Hope (Burne-Jones)
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Hope (Burne-Jones)
__NOTOC__ ''Hope'' is a late oil painting by the Pre-Raphaelite artist Edward Burne-Jones. It was painted on commission for Mrs. George Marston Whitin of Whitinsville, Massachusetts in 1896. Mrs. Whitin originally requested a painting of a dancing figure, but Burne-Jones, devastated by the recent death of his long-time friend and partner William Morris, struggled with the work and wrote to ask if a painting of Hope would be an acceptable alternative. The result was an allegory in the Renaissance fashion, with the bound personification of Hope reaching skyward despite her bars and the chain around her ankle.Wildman (1998), pp. 327–328 In her hand she holds a sprig of apple blossom that symbolised hope. The painting is based on an 1871 watercolour by Burne-Jones. The watercolour is likely painted over the original cartoon for one of a set of stained glass designs of the Christian virtues Faith, Hope, and Charity created by Burne-Jones for Morris, Marshall, Faulknor and Compa ...
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Edward Burne-Jones
Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August, 183317 June, 1898) was a British painter and designer associated with the Pre-Raphaelite Brotherhood which included Dante Gabriel Rossetti, John Millais, Ford Madox Brown and Holman Hunt. Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts. Burne-Jones's early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included ''The Beguiling of Merlin''. The timing was right and Burne-Jones was taken up as a herald and star of the new Aesthetic Movement. In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the pr ...
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Christ Church Cathedral, Oxford
Christ Church Cathedral is the cathedral of the Anglican diocese of Oxford, which consists of the counties of Oxfordshire, Buckinghamshire and Berkshire. It is also the chapel of Christ Church, a college of the University of Oxford. This dual role as cathedral and college chapel is unique in the Church of England. History The cathedral was originally the church of St Frideswide's Priory. The site was historically presumed to be the location of the nunnery founded by St Frideswide, the patron saint of Oxford, and the shrine is now in the Latin Chapel; originally containing relics translated at the rebuilding in 1180, it was the focus of pilgrimage from at least the 12th until the early 16th century. In 1522, the priory was surrendered to Cardinal Thomas Wolsey, who had selected it as the site for his proposed college. However, in 1529 the foundation was taken over by Henry VIII. Work stopped, but in June 1532 the college was refounded by the King. In 1546, Henry VIII transferr ...
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1896 Paintings
Events January–March * January 2 – The Jameson Raid comes to an end, as Jameson surrenders to the Boers. * January 4 – Utah is admitted as the 45th U.S. state. * January 5 – An Austrian newspaper reports that Wilhelm Röntgen has discovered a type of radiation (later known as X-rays). * January 6 – Cecil Rhodes is forced to resign as Prime Minister of the Cape of Good Hope, for his involvement in the Jameson Raid. * January 7 – American culinary expert Fannie Farmer publishes her first cookbook. * January 12 – H. L. Smith takes the first X-ray photograph. * January 17 – Fourth Anglo-Ashanti War: British redcoats enter the Ashanti capital, Kumasi, and Asantehene Agyeman Prempeh I is deposed. * January 18 – The X-ray machine is exhibited for the first time. * January 28 – Walter Arnold, of East Peckham, Kent, England, is fined 1 shilling for speeding at (exceeding the contemporary speed limit of , the fir ...
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Paintings By Edward Burne-Jones
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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George Frederic Watts
George Frederic Watts (23 February 1817, in London – 1 July 1904) was a British painter and sculptor associated with the Symbolist movement. He said "I paint ideas, not things." Watts became famous in his lifetime for his allegorical works, such as ''Hope'' and ''Love and Life''. These paintings were intended to form part of an epic symbolic cycle called the "House of Life", in which the emotions and aspirations of life would all be represented in a universal symbolic language. Early life and education Watts was born in Marylebone in central London on the birthday of George Frederic Handel (after whom he was named), to the second wife of a poor piano-maker. Delicate in health and with his mother dying while he was still young, he was home-schooled by his father in a conservative interpretation of Christianity as well as via the classics such as the ''Iliad.'' The former put him off conventional religion for life, while the latter was a continual influence on his art. He s ...
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Hope (Watts)
''Hope'' is a Symbolism (arts), Symbolist oil painting by the English painter George Frederic Watts, who completed the first two versions in 1886. Radically different from previous treatments of the subject, it shows a lone blindfolded female figure sitting on a globe, playing a lyre that has only a single string remaining. The background is almost blank, its only visible feature a single star. Watts intentionally used symbolism not traditionally associated with hope to make the painting's meaning ambiguous. While his use of colour in ''Hope'' was greatly admired, at the time of its exhibition many critics disliked the painting. ''Hope'' proved popular with the Aesthetic Movement, who considered beauty the primary purpose of art and were unconcerned by the ambiguity of its message. Reproductions in platinotype, and later cheap carbon prints, soon began to be sold. Although Watts received many offers to buy the painting, he had agreed to donate his most important works to the na ...
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List Of Paintings By Edward Burne-Jones
This is a list of the paintings of the British Pre-Raphaelite artist Edward Burne-Jones. 1850s 1860s *'' Girls in a Meadow'' (1860), private collection. *'' Sidonia von Bork 1560'' (1860), Tate Britain, London. *'' Clara von Bork 1560'' (1860), Tate Britain, London. *'' Merlin and Nimue from 'Morte d'Arthur''' (1861), Victoria and Albert Museum, London. Listed at Bridgeman Art Library. *'' The Goldfish Pool'' or ''Girl and Goldfish'' (1861), Tullie House Museum, Carlisle. *'' Clerk Saunders'' (1861), Tate Britain, London. *'' The Annunciation and the Adoration of the Magi'' (1861), Tate Britain, London. *'' The Backgammon Players'' (1861–62), Birmingham Museum & Art Gallery, Birmingham. *''Morgan le Fay'' (1862), Cecil French Bequest, London Borough of Hammersmith and Fulham. *'' The Madness Of Sir Tristram'' (1862), private collection. *'' King Mark and La Belle Iseult'' (1862), Birmingham Museum & Art Gallery, Birmingham. *'' Fair Rosamund and Queen Eleanor'' (1862), Tate ...
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Dunedin Public Art Gallery
The Dunedin Public Art Gallery holds the main public art collection of the city of Dunedin, New Zealand. Located in The Octagon in the heart of the city, it is close to the city's public library, Dunedin Town Hall, and other facilities such as the Regent Theatre. History The gallery was founded by W. M. Hodgkins in 1884 and was the first public art gallery in New Zealand. It originally occupied what is now the maritime gallery in the Otago Museum, was re-located to the Municipal Chambers in the Octagon from 1888–90, and then to an annex to the Otago Museum. It moved to a new purpose-designed building in Queen's Gardens in 1907, to which a structure housing the Otago Settlers Museum was added the following year. In 1927 it was moved to a building constructed for the 1925–26 New Zealand and South Seas International Exhibition in Logan Park, Dunedin North designed by Edmund Anscombe. The building was bought and donated to the city by Sir Percy and Lady Sargood, as a ...
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Museum Of Fine Arts, Boston
The Museum of Fine Arts (often abbreviated as MFA Boston or MFA) is an art museum in Boston, Massachusetts. It is the 20th-largest art museum in the world, measured by public gallery area. It contains 8,161 paintings and more than 450,000 works of art, making it one of the most comprehensive collections in the Americas. With more than 1.2 million visitors a year, it is the 52nd–most visited art museum in the world . Founded in 1870 in Copley Square, the museum moved to its current Fenway location in 1909. It is affiliated with the School of the Museum of Fine Arts at Tufts. History 1870–1907 The Museum of Fine Arts was founded in 1870 and was initially located on the top floor of the Boston Athenaeum. Most of its initial collection came from the Athenæum's Art Gallery. Francis Davis Millet, a local artist, was instrumental in starting the art school affiliated with the museum, and in appointing Emil Otto Grundmann as its first director. In 1876, the museum moved to a h ...
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St Martin's Church, Brampton
St Martin's Church is in Front Street, Brampton, Cumbria, England. It is an active Anglican parish church in the deanery of Brampton, the archdeaconry of Carlisle and the diocese of Carlisle. It is recorded in the National Heritage List for England as a designated Grade I listed building and is the only church designed by the Pre-Raphaelite architect Philip Webb. The architectural historian Nikolaus Pevsner described it as "a very remarkable building". History The church was built on the site of a former late 17th-century hospital that had been converted into a chapel in 1789. It was built for George Howard, who later became the 9th Earl of Carlisle, together with other contributors, and was constructed between 1874 and 1878; the tower was added in 1906. The architect was Philip Webb who was closely connected with the Pre-Raphaelite Brotherhood; it is the only church designed by Webb. It was the successor to Brampton Old Church, situated about to the west of the ...
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Hopton-on-Sea
Hopton-on-Sea is a village, civil parish and seaside resort on the coast of East Anglia in the county of Norfolk. The village is south of Great Yarmouth, north-west of Lowestoft and near the UK's most easterly point, Lowestoft Ness. The village has many amenities for tourists with amusement arcades and food outlets. It is also home to Potters Resort, the first permanent, mixed-use holiday camp in the UK, founded in 1920. This employs approximately 560 permanent staff making it the largest private sector employer in the area. Every January, Hopton-on-Sea hosts the World Indoor Bowls Championships at Potters Resort with players, spectators, the BBC and many others staying in the village for what is regarded as the biggest event in the bowls calendar. History The villages name means 'Farm/settlement in enclosed spot'. Here perhaps it's referring to the promontory jutting into marsh. The earliest human activity in the parish dates to the Palaeolithic era with the discover ...
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St Margaret's Church, Hopton
St Margaret's Church is the parish church of Hopton-on-Sea in the English county of Norfolk. It is dedicated to St Margaret of Antioch. St Margaret is also the dedication of the former church, which was destroyed by fire in 1865. The ruins of the former church remain standing, and are still consecrated. Both the old and new churches are Grade II* listed. Until 1974, Hopton-on-Sea was called Hopton (although the former railway station had changed its name in 1932); the formal name for the benefice remains Hopton. The church is in the Diocese of Norwich, and is within the deanery of Lothingland and archdeaconry of Norfolk. Old St Margaret's The old church () had a simple Early English nave, and a square west tower. The architecture of the church suggests it was built between 1189 and 1250. The north aisle (to both nave and chancel) was built later, around 1350, with Decorated windows. By tradition, the north aisle was built from stone salvaged from St Mary's, Newton when it col ...
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