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Dunedin Public Art Gallery
The Dunedin Public Art Gallery holds the main public art collection of the city of Dunedin, New Zealand. Located in The Octagon in the heart of the city, it is close to the city's public library, Dunedin Town Hall, and other facilities such as the Regent Theatre. History The gallery was founded by W. M. Hodgkins in 1884 and was the first public art gallery in New Zealand. It originally occupied what is now the maritime gallery in the Otago Museum, was re-located to the Municipal Chambers in the Octagon from 1888–90, and then to an annex to the Otago Museum. It moved to a new purpose-designed building in Queen's Gardens in 1907, to which a structure housing the Otago Settlers Museum was added the following year. In 1927 it was moved to a building constructed for the 1925–26 New Zealand and South Seas International Exhibition in Logan Park, Dunedin North designed by Edmund Anscombe. The building was bought and donated to the city by Sir Percy and Lady Sargood, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Master
In art history, "Old Master" (or "old master")Old Masters Department Christies.com. refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An " old master print" is an original (for example an or etching) made by an artist in the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornelis Janssens Van Ceulen
Cornelius Johnson or Cornelis Janssens van Ceulen (; also Cornelius Jonson van Ceulen, Cornelis Jansz. van Ceulen and many other variants) (bapt. 14 October 1593 – bur. 5 August 1661) was an English painter of portraits of Dutch or Flemish parentage. He was active in England, from at least 1618 to 1643, when he moved to Middelburg in the Netherlands to escape the English Civil War. Between 1646 and 1652 he lived in Amsterdam, before settling in Utrecht, where he died. Johnson painted many portraits of emerging new English gentry. His early portraits were panel paintings with "fictive" oval frames. His works can be found in major collections in the UK and overseas as well as in private collections in stately homes in Britain. He was an accomplished portrait painter, but lacked the flair of a master such as Van Dyck. His style varied considerably over his career, and he was able to assimilate new influences into his own style without any discordant effect. He was particularl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Dobson
William Dobson (4 March 1611 (baptised); 28 October 1646 (buried)) was a portraitist and one of the first significant English painters, praised by his contemporary John Aubrey as "''the most excellent painter that England has yet bred''". He died relatively young and his final years were disrupted by the English Civil War. Biography Dobson was born in London, the son of a lawyer also called William Dobson. He was baptised at St Andrew's Holborn.Biography used for television series Retrieved 10 May 2021. He was apprenticed to William Peake and probably later joined the studio of Francis Cleyn. There is a claim that his father was a de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcus Gheeraerts The Younger
Marcus Gheeraerts (also written as Gerards or Geerards; 1561/62 – 19 January 1636) was a Flemish artist working at the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and van Dyck"Strong 1969, p. 22 He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter. He became a fashionable portraitist in the last decade of the reign of Elizabeth I under the patronage of her champion and pageant-master Sir Henry Lee. He introduced a new aesthetic in English court painting that captured the essence of a sitter through close observation. He became a favorite portraitist of James I's queen Anne of Denmark, but fell out of fashion in the late 1610s. Family Marcus Gheeraerts the Younger (sometimes known as Mark Garrard) was born in Bruges, the son of the artist Marcus Gheeraerts the Elder and his wife Johanna. Hardly anything is known of the paintings of the elder Gheeraerts, althoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pieter De Grebber
Pieter Fransz de Grebber (c.1600–1652/3Between September 24, 1652, and January 29, 1653) was a Dutch Golden Age painter. Life De Grebber was born in Haarlem, the oldest son of Frans Pietersz de Grebber (1573–1643), a painter and embroiderer in Haarlem, and the brother of the painters Maria and Albert.Pieter de Grebber in the RKD He learned to paint from his father and from Hendrick Goltzius. He was descended from a Catholic and artistic family, the s, originally from [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Rottenhammer
Johann Rottenhammer, or Hans Rottenhammer (1564 – 14 August 1625), was a German painter. He specialized in highly finished paintings on a small scale. Biography He was born in Munich, where he studied until 1588 under Hans Donauer the Elder. In 1593-4 (and perhaps earlier) he was in Rome, and he then settled in Venice from 1595-6 to 1606, before returning to Germany and settling in Augsburg, working also in Munich. He died in Augsburg, apparently in some poverty, and according to some sources an alcoholic. Work In Venice he gained a reputation for small highly finished cabinet paintings on copper, of religious and mythological subjects, combining German and Italian elements of style. In particular he combines the landscape tradition of the North with the compositional and figure styles of Tintoretto and Veronese. While in Venice, Rottenhammer made a copy of Albrecht Dürer's painting ''Feast of the Rosary'', until the 19th century in the possession of the Grimani family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Lorraine
Claude Lorrain (; born Claude Gellée , called ''le Lorrain'' in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque era. He spent most of his life in Italy, and is one of the earliest important artists, apart from his contemporaries in Dutch Golden Age painting, to concentrate on landscape painting. His landscapes are usually turned into the more prestigious genre of history paintings by the addition of a few small figures, typically representing a scene from the Bible or classical mythology. By the end of the 1630s he was established as the leading landscapist in Italy, and enjoyed large fees for his work. His landscapes gradually became larger, but with fewer figures, more carefully painted, and produced at a lower rate.Kitson, 6 He was not generally an innovator in landscape painting, except in introducing the sun and streaming sunlight into many paintings, which had been rare befor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvator Rosa
Salvator Rosa (1615 –1673) is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th century. In his lifetime he was among the most famous painters,Jaffé, Hans L. C., editor. 1967. ''20,000 Years of World Painting.'' Harry N. Abrams, Inc., Publishers. New York. 418 pp. age 228/ref> known for his flamboyant personality, and regarded as an accomplished poet, satirist, actor, musician, and printmaker, as well. He was active in Naples, Rome, and Florence, where on occasion he was compelled to move between cities, as his caustic satire earned him enemies in the artistic and intellectual circles of the day. As a history painter, he often selected obscure and esoteric subjects from the Bible, mythology, and the lives of philosophers, that were seldom addressed by other artists. He rarely painted the common religious subjects, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Giordano
Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late- Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain. Early life and training Born in Naples, Giordano was the son of the painter Antonio Giordano. In around 1650 he was apprenticed to Ribera on the recommendation of the viceroy of Naples and his early work was heavily influenced by his teacher. Like Ribera, he painted many half-length figures of philosophers, either imaginary portraits of specific figures, or generic types. He acquired the nickname ''Luca fa presto'', which translates into "Luca paints quickly." His speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two other epithets, "The Thunderbolt" (''Fulmine'') and "The Proteus" of painting. Following a period studying in Rome, Parma and Venice, Gio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Maratta
Carlo Maratta or Maratti (13 May 162515 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta. Biography Born in Camerano (Marche), then part of the Papal States, Maratta went to Rome in 1636, accompanied by, Don Corintio Benicampi, secretary to Taddeo Barberini. He became an apprentice in the studio of Andrea Sacchi. It was at this time that the debate between Sacchi and Pietro da Cortona took place at the Accademia di San Luca, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the developm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ridolfo Ghirlandaio
Ridolfo di Domenico Bigordi, better known as Ridolfo Ghirlandaio (14 February 1483 – 6 June 1561) was an Italian Renaissance painter active mainly in Florence. He was the son of Domenico Ghirlandaio. Biography He was born in Florence. Since he was eleven years old when his father died, Ridolfo was brought up by his uncle Davide Ghirlandaio, also a painter. Vasari states that he received further training under Fra Bartolomeo. His works painted between 1504 and 1508 show a marked influence from Fra Bartolomeo and Raphael, with whom he was friends. Raphael asked Ridolfo to join him in Rome in 1508, but the Florentine painter stayed. In Florence, he became one of the most prominent painters of altarpieces, frescoes, and portraits, many of which survive. He was also the head of a thriving workshop whose pupils included Michele Tosini (also known as Michele di Ridolfo), Domenico Puligo, Bartolomeo Ghetti, Antonio del Ceraiolo, Toto del Nunziata, Mariano Graziadei da Pescia, Carlo P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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