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Holy Trinity Chapel, Capesthorne
Holy Trinity Chapel is a private chapel adjacent to Capesthorne Hall, near the village of Siddington, Cheshire, England. It is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an Anglican church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Macclesfield. Its benefice is combined with those of St James and St Paul, Marton, Christ Church, Eaton, and All Saints, Siddington. History The chapel was built in 1722 to a design by John Ward in neoclassical style and restored in 1886–88 by Mrs Augusta Bromley Davenport. The restoration led to the interior becoming much more ornate. Architecture Exterior The chapel is constructed in red brick with stone dressings and a slate roof. It consists of a nave with an apsidal chancel. Around the top of the chapel is a moulded stone cornice and a balustrade. The balusters are interspersed with square piers supporting swagged ball ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capesthorne Hall
Capesthorne Hall is a country house near the village of Siddington, Cheshire, England. The house and its private chapel were built in the early 18th century, replacing an earlier hall and chapel nearby. They were built to Neoclassical designs by William Smith and (probably) his son Francis. Later in the 18th century, the house was extended by the addition of an orangery and a drawing room. In the 1830s the house was remodelled by Edward Blore; the work included the addition of an extension and a frontage in Jacobean style, and joining the central block to the service wings. In about 1837 the orangery was replaced by a large conservatory designed by Joseph Paxton. In 1861 the main part of the house was virtually destroyed by fire. It was rebuilt by Anthony Salvin, who generally followed Blore's designs but made modifications to the front, rebuilt the back of the house in Jacobean style, and altered the interior. There were further alterations later in the 19th& ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Restoration
The Victorian restoration was the widespread and extensive refurbishment and rebuilding of Church of England churches and cathedrals that took place in England and Wales during the 19th-century reign of Queen Victoria. It was not the same process as is understood today by the term building restoration. Against a background of poorly maintained church buildings, a reaction against the Puritan ethic manifested in the Gothic Revival, and a shortage of churches where they were needed in cities, the Cambridge Camden Society and the Oxford Movement advocated a return to a more medieval attitude to churchgoing. The change was embraced by the Church of England which saw it as a means of reversing the decline in church attendance. The principle was to "restore" a church to how it might have looked during the " Decorated" style of architecture which existed between 1260 and 1360, and many famous architects such as George Gilbert Scott and Ewan Christian enthusiastically accepted commis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salviati (glassmakers)
A family called Salviati were glass makers and mosaicists in Murano, Venice and also in London, working as the firm Salviati, Jesurum & Co. of 213 Regent Street, London; also as Salviati and Co. and later (after 1866) as the Venice and Murano Glass and Mosaic Company (Today Pauly & C. - Compagnia Venezia Murano). History In World War II, the Salviati building on the Grand Canal in Venice was occupied by the Nazis and used as a Nazi Headquarters. The Camerino family fled the Holocaust to various locations throughout the world including the UK, USA, Israel, and South Africa. In 1898, the company's new London premises at 235 Regent Street (now the Apple Store) incorporated a set of mosaic armorials along the façade, which are still visible today and were restored in 1999. The company was founded by Dr Antonio Salviati, a lawyer from Vicenza in Northern Italy. The company was later acquired in 1999 by the French glassmaker that would later be known as Arc International. Mosa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin ''dorsum''. (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spelling of "rear".) In the 14th and 15th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Box Pew
A box pew is a type of church pew that is encased in panelling and was prevalent in England and other Protestant countries from the 16th to early 19th centuries. History in England Before the rise of Protestantism, seating was not customary in churches and only accorded to the lord of the manor, civic dignitaries and finally churchwardens. After 1569 stools and seating were installed in Protestant churches primarily because the congregation were expected to listen to sermons, and various types of seating were introduced including the box pew. There are records of box pews being installed in Ludlow parish church before 1577. Box pews provided privacy and allowed the family to sit together. In the 17th century they could include windows, curtains, tables and even fireplaces, and were treated as personal property that could be willed to legatees. Sometimes the panelling was so high it was difficult to see out, and the privacy was used as a cover for non-devotional activity. William Hog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finial
A finial (from '' la, finis'', end) or hip-knob is an element marking the top or end of some object, often formed to be a decorative feature. In architecture, it is a small decorative device, employed to emphasize the Apex (geometry), apex of a dome, spire, tower, roof, or gable or any of various distinctive ornaments at the top, end, or corner of a building or structure. A finial is typically carved in stone. Where there are several such elements they may be called pinnacles. The very top of a finial can be a floral or foliated element called a bouquet. Smaller finials in materials such as metal or wood are used as a decorative ornament on the tops or ends of poles or rods such as tent-poles or curtain rods or any object such as a piece of furniture. These are frequently seen on top of bed posts or clocks. Decorative finials are also commonly used to fasten lampshades, and as an ornamental element at the end of the handles of souvenir spoons. The charm at the end of a pull chain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pier (architecture)
A pier, in architecture, is an upright support for a structure or superstructure such as an arch or bridge. Sections of structural walls between openings (bays) can function as piers. External or free-standing walls may have piers at the ends or on corners. Description The simplest cross section of the pier is square, or rectangular, but other shapes are also common. In medieval architecture, massive circular supports called drum piers, cruciform (cross-shaped) piers, and compound piers are common architectural elements. Columns are a similar upright support, but stand on a round base. In buildings with a sequence of bays between piers, each opening (window or door) between two piers is considered a single bay. Bridge piers Single-span bridges have abutments at each end that support the weight of the bridge and serve as retaining walls to resist lateral movement of the earthen fill of the bridge approach. Multi-span bridges require piers to support the ends of spans betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baluster
A baluster is an upright support, often a vertical moulded shaft, square, or lathe-turned form found in stairways, parapets, and other architectural features. In furniture construction it is known as a spindle. Common materials used in its construction are wood, stone, and less frequently metal and ceramic. A group of balusters supporting a handrail, coping, or ornamental detail are known as a balustrade. The term baluster shaft is used to describe forms such as a candlestick, upright furniture support, and the stem of a brass chandelier. The term banister (also bannister) refers to a baluster or to the system of balusters and handrail of a stairway. It may be used to include its supporting structures, such as a supporting newel post. Etymology According to the ''Oxford English Dictionary'', "baluster" is derived through the french: balustre, from it, balaustro, from ''balaustra'', "pomegranate flower" rom a resemblance to the swelling form of the half-open flower (''illust ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projecti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molding (decorative)
Moulding (spelled molding in the United States), or coving (in United Kingdom, Australia), is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster, but may be of plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones. A "plain" moulding has right-angled upper and lower edges. A "sprung" moulding has upper and lower edges that bevel towards its rear, allowing mounting between two non-parallel planes (such as a wall and a ceiling), with an open space behind. Mouldings may be decorated with paterae as long, uninterrupted elements may be boring for eyes. Types Decorative mouldings have been made of wood, stone and cement. Recently mouldings have been made of extruded PVC and Expanded Polystyrene (EPS) as a core with a cement-based protective coating. Synthetic mouldings are a cost-effective alternative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
