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Hokkei
was a Japanese artist best known for his prints in the ukiyo-e style. Hokkei was one of Hokusai's first and best-known students and worked in a variety of styles and genres and produced a large body of work in prints, book illustrations, and paintings. His work also appeared under the art names Aoigazono (), Aoigaoka () and Kyōsai (). Life and career Born Iwakubo Tatsuyuki () in 1780 in Edo (modern Tokyo), Hokkei was at first a fishmonger before studying with , the head of the Kobikichō branch of the Kanō school of painting. Later he became one of ukiyo-e artist Hokusai's first students. Hokkei's earliest known work appeared about 1800 as illustrations for books of ' comic waka poetry, licentious ' novels, and ' storybooks. During his peak period in the 1820s and 1830s he produced a large number of prints and book illustration. Hokkei died in 1850 at age 70. He is buried in Ryūhōji temple in Aoyama. Throughout his life he also used the given names Hatsugorō () ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yashima Gakutei
Yashima Gakutei ( ja, 八島岳亭; 1868) was a Japanese artist and poet who was a pupil of both Totoya Hokkei and Hokusai. Gakutei is best known for his kyōka poetry and surimono works. Biography Gakutei was born in Osaka around 1786, though his exact year of birth is somewhat unclear. He was the illegitimate son of the samurai known as Hirata who served under the Tokugawa shogunate. Gakutei's mother later married into the Yashima clan, explaining the artist's name. For some time, he worked in Osaka, focusing chiefly on privately commissioned woodblock prints called surimono in addition to book illustrations. Most of what is known about Gakutei has been surmised from the subjects and context of his work. Works Gakutei is noted for the quality in his wood printing works and for his general contributions to the body of ukiyo-e artwork. Specifically, critics have noted his technical prowess and precision, his skill in embossing, and that his specialization in surimono ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beauty In A Boat During A Rainstorm LACMA M
Beauty is commonly described as a feature of objects that makes these objects pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, together with art and taste, is the main subject of aesthetics, one of the major branches of philosophy. As a positive aesthetic value, it is contrasted with ugliness as its negative counterpart. Along with truth and goodness it is one of the transcendentals, which are often considered the three fundamental concepts of human understanding. One difficulty in understanding beauty is because it has both objective and subjective aspects: it is seen as a property of things but also as depending on the emotional response of observers. Because of its subjective side, beauty is said to be "in the eye of the beholder". It has been argued that the ability on the side of the subject needed to perceive and judge beauty, sometimes referred to as the "sense of taste", can be trained and that the verdicts of exper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokkeibon
The was a genre and type of early modern Japanese novel. It came into being late in the Edo period during the 19th century. As a genre, it depicted the comical behavior occurring in commoners' daily lives. The ''kokkeibon'' genre is the successor of the ''dangibon'' genre. Jippensha Ikku's ''Tōkaidōchū Hizakurige'' (1802–1822) is identified as the first representative novel. A less strict definition includes the ''dangibon'' as an "early ''kokkeibon''". ''Kokkeibon'' generally consists of dialogue among the main characters and includes illustrations. The genre was most popular between 1804 and 1830, and is most representative by the works of Jippensha Ikku and Shikitei Sanba. See also *''Gesaku is an alternative style, genre, or school of Japanese literature. In the simplest contemporary sense, any literary work of a playful, mocking, joking, silly or frivolous nature may be called gesaku. Unlike predecessors in the literary field, gesak ...'' References * * E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1780 Births
Year 178 ( CLXXVIII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Scipio and Rufus (or, less frequently, year 931 ''Ab urbe condita''). The denomination 178 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Bruttia Crispina marries Commodus, and receives the title of '' Augusta''. * Emperor Marcus Aurelius and his son Commodus arrive at Carnuntum in Pannonia, and travel to the Danube to fight against the Marcomanni. Asia * Last (7th) year of ''Xiping'' era and start of ''Guanghe'' era of the Chinese Han Dynasty. * In India, the decline of the Kushan Empire begins. The Sassanides take over Central Asia. Religion * The Montanist heresy is condemned for the first time. Births * Lü Meng, Chinese general (d. 220) * Pen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikuhitsuga
''Nikuhitsu-ga'' (肉筆画) is a form of Japanese painting in the ''ukiyo-e'' art style. The woodblock prints of this genre have become so famous in the West as to become almost synonymous with the term "ukiyo-e", but most ''ukiyo-e'' artists were painters as well as printmakers, with much the same style and subjects. Some turned to painting at the end of a career in prints, while some, like Miyagawa Chōshun and a number of the artists of the Kaigetsudō school, never made prints and only worked in paintings. Though advances in printing technology advanced over the course of the Edo period The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characteriz ... (1603–1868), allowing for the production of more and more elaborate and colorful prints, the medium of painting always allowed a greater d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijin-ga
is a generic term for pictures of beautiful women () in Japanese art, especially in woodblock printing of the ukiyo-e genre. Definition defines as a picture that simply "emphasizes the beauty of women", and the ''Shincho Encyclopedia of World Art'' defines it as depiction of "the beauty of a woman's appearance". On the other hand, defines as pictures that explore "the inner beauty of women". For this reason, the essence of cannot always be expressed only through the depiction of a , a woman aligning with the beauty image. In fact, in ukiyo-e , it was not considered important that the picture resemble the facial features of the model, and the depiction of women in ukiyo-e is stylized rather than an attempt to create a realistic image; For example, throughout the Edo period (1603-1867), married women had a custom of shaving their eyebrows (), but in , there was a rule to draw the eyebrows for married women. History Ukiyo-e itself is a genre of woodblock prints and pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musha-e
Musha-e () is a type a Japanese art that was developed in the late 18th century. It is a genre of the ukiyo-e woodblock printing technique, and represents images of warriors and samurai from Japanese history and mythology. History Edo Period The earliest examples of musha-e were created in the late 18th century as illustrations for classical stories of Japanese literature. During that period, artists like Masanobu Okumura were prominent. As the ukiyo-e technique thrived during the 19th century, musha-e became more popular. Kuniyoshi, a famous printmaker, specialized in warrior images and produced a series of prints known as the ''108 Heroes of the Suikoden''. During the late Edo period, censorship laws passed by the Tokugawa Shogunate made the creation of musha-e more difficult. Artists and publishers therefore often changed the names of characters or events depicted. Artists from the Utagawa School such as Kunisada or Hiroshige produced many musha-e prints. Meiji Period a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nishiki-e
is a type of Japanese multi-coloured woodblock printing; the technique is used primarily in ukiyo-e. It was invented in the 1760s, and perfected and popularized by the printmaker Suzuki Harunobu, who produced many ''nishiki-e'' prints between 1765 and his death five years later. Previously, most prints had been in black-and-white, coloured by hand, or coloured with the addition of one or two colour ink blocks. A ''nishiki-e'' print is created by carving a separate woodblock for every colour, and using them in a stepwise fashion. An engraver by the name of Kinroku is credited with the technical innovations that allowed so many blocks of separate colours to fit together perfectly on the page, in order to create a single complete image. This style and technique is also known as , referring to Edo, the name for Tokyo before it became the capital. Edo Era Nishiki-e is also known as Edo-e, or azuma-nishiki-e. The technology to produce nishiki-e made printing complex colors and fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoshiwara
was a famous (red-light district) in Edo, present-day Tokyo, Japan. Established in 1617, Yoshiwara was one of three licensed and well-known red-light districts created during the early 17th century by the Tokugawa shogunate, alongside Shimabara in Kyoto in 1640Avery, Anne Louise. ''Flowers of the Floating World: Geisha and Courtesans in Japanese Prints and Photographs, 1772–1926'' xhibition Catalogue(Sanders of Oxford & Mayfield Press: Oxford, 2006) and Shinmachi in Osaka. Created by the shogunate to curtail the tastes of and sequester the nouveau riche (merchant) classes, the entertainment offered in Yoshiwara, alongside other licensed districts, would eventually give rise to the creation of geisha, who would become known as the fashionable companions of the classes and simultaneously cause the demise of , the upper-class courtesans of the red-light districts. History 17th and 18th century The licensed district of Yoshiwara was created in the city of Edo, near to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ishikawa Masamochi
was a Japanese ''kokugaku'' scholar, ''kyōka'' poet and writer of ''yomihon'' of the late Edo period. Biography Ishikawa Masamochi was born Nukaya Shichihē. According to the autobiographical ''Rokujuen Jihitsu Kirekiroku'' (六樹園自筆忌歴録), he was born on the fourteenth day of the twelfth month of Hōreki, Hōreki 3 according to the traditional Japanese calendar (1753/4 in the Gregorian calendar). He was the eighth child of the , Edo innkeeper Nukaya Shichihē, better known as the ''ukiyo-e'' master Ishikawa Toyonobu. His mother was Toyonobu's second wife, the younger sister of his first wife. According to Masamochi's autobiographical ''Towazu-gatari'' (とはずがたり), all of the children of his father's first wife died young. He died on the 24th day of the third month of Bunsei, Bunsei 13 (1830). He was buried in the Kaya-dera (かや寺, official name 正覚寺 ''Shōkaku-ji'') in Asakusa. His grave still exists, but the grave marker was destroyed in a fire. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hokusai Manga
The is a collection of sketches of various subjects by the Japanese artist Hokusai. Subjects of the sketches include landscapes, flora and fauna, everyday life and the supernatural. The word ''manga'' in the title does not refer to the contemporary story-telling ''manga'', as the sketches in the work are not connected to each other. Block-printed in three colours (black, gray and pale flesh), the Manga comprise thousands of images in fifteen volumes, the first published in 1814, when the artist was 55. The final three volumes were published posthumously, two of them assembled by their publisher from previously unpublished material. The final volume was made up of previously published works, some not even by Hokusai, and is not considered authentic by art historians. Publication history The preface to the first volume of the work, written by , a minor artist of Nagoya, suggests that the publication of the work may be aided by Hokusai's pupils. Part of the preface reads: The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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