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History Of Drum And Bass
Drum and bass (commonly abbreviated to DnB, D&B, Drum n Bass and Drum & Bass) is an electronic music genre that originated in the UK rave scene having developed from breakbeat hardcore (and its derivatives of darkcore, and hardcore jungle). The genre would go on to become one of the most popular genres of electronic dance music, becoming international and spawning multiple different derivatives and subgenres. United Kingdom Drum and bass began as a musical paradigm shift of the United Kingdom breakbeat hardcore and rave scene of the mid 1990s; and over the first decade and a half of its existence there have been many permutations in its style, incorporating elements from dancehall, electro, funk, hip hop, house, jazz, pop-created fusion of hardcore, house and techno (also including new beat). This scene existed briefly from approximately 1989-1993, a period of cross-pollination in the UK hardcore sound. This sound did survive in various forms in its mother countries - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Techno
Industrial techno is a subgenre of techno and industrial dance music that originated in the 1990s. Characteristically, it incorporates influences from the bleak, noisy sound and aesthetics of early industrial music acts, particularly Cabaret Voltaire and Throbbing Gristle. American industrial music label Wax Trax! also had a profound influence over the genre's development. The genre has seen a resurgence in the 2010s, spearheaded by acts such as Adam X, Orphx, and Ancient Methods, and others later like Blawan and Karenn. As a result, it has gained a significant fanbase from the post-dubstep audience. It is not to be mistaken with Techno Industrial, which is in essence similar to the power noise/rhythmic noise subgenre. The different terminology is used depending if one is coming from a techno perspective or industrial perspective, with Industrial Techno having more techno-inspired rhythmic section with many reverb and wall-of-noise or sci-fi effects, while Techno Industrial is close ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genaside II
Genaside II was a British electronic group active in the 1990s and early 2000s. Their music started as rave, developing into jungle, breakbeat and big beat. Its main member was Kris Ogden, though some other members went on to form the band Archive. Their 1991 song "Narra Mine" provided a sample for The Prodigy 1996 track '' Firestarter''. Several years before, another The Prodigy track, ''Jericho Jericho ( ; ar, أريحا ; he, יְרִיחוֹ ) is a Palestinian city in the West Bank. It is located in the Jordan Valley, with the Jordan River to the east and Jerusalem to the west. It is the administrative seat of the Jericho Gove ...'', was remixed by Genaside II. Albums *''New Life 4 The Hunted'' (1996) *''Ad Finité'' (1999) *''Return Of The Redline Evangelist'' (2002) References External linksKris Ogden's Myspace page {{Authority control British electronic music groups ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nightmares On Wax . Later, he was fascinated by the hip hop tracks such as "Rapper's Delight" and "Buffalo Gals (Malcolm McLaren song), Buffalo Gals".
George Evelyn (born 15 January 1970), better known by his stage name Nightmares on Wax or DJ E.A.S.E., is an English DJ and record producer from Leeds. His music has been released by Warp Records. He is based in Ibiza. Nightmares on Wax were originally a group consisting of Evelyn and John Halnon, and then later with Kevin Harper. Early life George Evelyn was born in Leeds. His father and sister introduced him to the soul music of Quincy Jones and Curtis Mayfield Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) was an American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music. Career Nightmares on Wax was originally formed in 1988 ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebel MC
Michael Alec Anthony West (born 27 August 1964 in Islington, London, England), better known as Rebel MC and Congo Natty, is a British jungle producer and toaster. He has also gone by aliases including Conquering Lion, Blackstar, Tribe of Issachar, Lion of Judah, X Project and Ras Project. Biography In the late 1980s, West formed the group Double Trouble with Michael Menson, Karl Brown (more commonly known as the UK garage DJ Karl 'Tuff Enuff' Brown) and Leigh Guest. This would lead to two hip house records reaching the UK Top 40 in 1989 - "Just Keep Rockin'" followed by " Street Tuff". The latter reached number 3 in the UK Singles Chart. These would appear shortly after on his debut album '' Rebel Music''. In 1991, West released his second album, ''Black Meaning Good'', which combined his former hip house and pop-rap influences with a stronger reggae and breakbeat edge. The album featured notable reggae and dancehall artists such as Barrington Levy, Tenor Fly and Dennis B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragga Twins
The Ragga Twins, also known as RTC, are an English ragga and jungle MC duo of Deman Rocker (David Destouche) and Flinty Badman (Trevor Destouche). Originating from Hackney, England, they started out on London's Unity sound system, and are regarded as pioneers of the scene. AllMusic called them "crucial cogs in the development of U.K. dance music." History The Ragga Twins originated as part of London's Unity sound system, operating under the name in 1989. They first came to prominence with a number of groundbreaking singles in the early 1990s including "Spliffhead", "Wipe the Needle", "Hooligan 69" and "Mixed Truth", with production by Shut Up & Dance. This was followed by album '' Reggae Owes Me Money'' in 1991. They resurfaced in 1995 on Positiva, and continued to release tracks intermittently into the 2000s. The Ragga Twins longest musical relationship is with Aquasky, a partnership that was first cemented in 2001 when the tracks "All in Check" feat. CoGee and "Loko" we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shut Up And Dance (band)
Shut Up and Dance are an English duo that fused hip hop, house and hardcore. They are acknowledged as one of the pioneers of breakbeat hardcore and jungle music. Career The group was formed in 1988 in Stoke Newington, London, by Philip 'PJ' Johnson and Carlton 'Smiley' Hyman. In 1990, they made the lower end of the UK chart with two singles, "£20 to Get In" and "Lamborghini", both released on their own record label, Shut Up and Dance Records. At this time, they also worked with the Ragga Twins for the first time and produced their first releases. In 1992, they reached No. 43 with their double A-side single "Autobiography of a Crackhead / The Green Man", before hitting the headlines in May of that year when they released "Raving I'm Raving", based on Marc Cohn's hit single "Walking in Memphis". Upon its release, Cohn obtained an injunction to stop production of further copies of the single due to the lack of clearance. A court order was also sought to prevent the sale of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Guy Called Gerald
Gerald Rydel Simpson (born 16 February 1967), better known as A Guy Called Gerald, is a British record producer and musician. He was an early member of the electronic group 808 State, contributing to their debut LP '' Newbuild'' (1988) and hit single " Pacific State" (1989). He also achieved solo success with his 1988 hit single " Voodoo Ray", which became a touchstone of Manchester's acid house scene and reached No. 12 in the UK charts. He embraced breakbeat production in the 1990s, with his 1995 album '' Black Secret Technology'' becoming a "much-touted candidate for 'best jungle album ever.'" He also ran the London-based independent record label Juice Box Records from 1991 to 1998. Early life and influences Simpson was influenced by his Jamaican roots; his father's blue beat, ska and Trojan reggae record collection, his mother's Pentecostal church sessions and the Jamaican sound system parties in Manchester's Moss Side area where he grew up. He absorbed jazz fusion and ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top Buzz
Top Buzz are a British breakbeat hardcore and jungle DJ/ MC duo. History Top Buzz were originally formed in 1988 by MC Patrick Jarrett ("Mad P"), DJ Mikee B and DJ Jason Kaye. All originate from areas in north London, Tottenham and Enfield respectively. They were one of the first to popularise the darker sounds of jungle techno as it began to emerge from the hardcore rave sounds from 1991. The band released the ''Livin' in Darkness'' EP on Basement Records in 1992, which encapsulates much of the flavour of the era. They were headline performers at Amnesia House, Fantazia, Universe, Dreamscape and Obsession events, amongst many others. A distinct feature was the ragga MCing of MC Patrick, strongly influenced by Jamaican dancehall. Patrick often referred to the team as "Two Blacks and a Bubble", a reference to their ethnic origins, with 'bubble' referring to Bubble and Squeak, the Cockney rhyming slang for Greek (Jason K is of Greek Cypriot descent). Mad P went on to be sampl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Prodigy
The Prodigy are an English electronic dance music band formed in Braintree, Essex, in 1990 by producer, keyboard player and songwriter Liam Howlett. The original line-up also featured dancer and singer Keith Flint and dancer and occasional live keyboard player Leeroy Thornhill, dancer Sharky and MC and vocalist Maxim. They were pioneers of the breakbeat-influenced genre big beat, and achieved mainstream popularity in the 1990s. Howlett's rock-inspired drum rhythms infused with electronic rave music beats/breaks were combined with Maxim's omnipresent mystique, Thornhill's shuffle dancing style, and Flint's later modern punk appearance. The Prodigy describe their style as electronic punk. The band emerged during the underground rave scene and achieved early success in 1991 with their debut singles "Charly" and "Everybody in the Place", which reached the UK top five. After their debut album ''Experience'' (1992), the band moved from their rave roots and incorporated techno, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakbeat Hardcore
Breakbeat hardcore (also referred to as hardcore rave or oldskool hardcore) is a music genre of the very early 1990s that spawned from the UK rave scene. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals. History Early 1990s: origins The rave scene expanded rapidly in the very early 1990s, both at clubs up and down the country including Labrynth, Shelley's Laserdome, The Eclipse, and Sanctuary Music Arena, and large raves in Warehouses and in the open air attracting 20–50,000 whether put on legally from promoters such as Fantazia and Raindance, or unlicensed by free party sound systems such as Spiral Tribe. Breakbeat hardcore drew its melting pot of sound from a vast array of influences – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four To The Floor
Four-on-the-floor (or four-to-the-floor) is a rhythm pattern used primarily in dance genres such as disco and electronic dance music. It is a steady, uniformly accented beat in time in which the bass drum is hit on every beat (1, 2, 3, 4)."The Dance Music Manual: Tools, Toys and Techniques," Rick Snoman (2004) This was popularized in the disco music of the 1970s and the term ''four-on-the-floor'' was widely used in that era, since the beat was played with the pedal-operated, drum-kit bass drum. Four on the floor was common in jazz drumming until bebop styles expanded rhythmic roles beyond the basics in the 1940s. Garage rock bands of the 1960s such as the Troggs and the Seeds used four-on-the-floor on some of their hits. Earl Young is seen as the inventor of the disco style of rock drumming (in Harold Melvin & the Blue Notes's "The Love I Lost" from 1973), as he was the first to make extensive and distinctive use of the hi-hat cymbal throughout the playing time of an R&B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
