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Genaside II
Genaside II was a British electronic group active in the 1990s and early 2000s. Their music started as rave, developing into jungle, breakbeat and big beat. Its main member was Kris Ogden, though some other members went on to form the band Archive. Their 1991 song "Narra Mine" provided a sample for The Prodigy 1996 track '' Firestarter''. Several years before, another The Prodigy track, ''Jericho Jericho ( ; ar, أريحا ; he, יְרִיחוֹ ) is a Palestinian city in the West Bank. It is located in the Jordan Valley, with the Jordan River to the east and Jerusalem to the west. It is the administrative seat of the Jericho Gove ...'', was remixed by Genaside II. Albums *''New Life 4 The Hunted'' (1996) *''Ad Finité'' (1999) *''Return Of The Redline Evangelist'' (2002) References External linksKris Ogden's Myspace page {{Authority control British electronic music groups ...
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Rave
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events ...
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Oldschool Jungle
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the " Amen break" or other breakbeats from funk and jazz recordings.Archived aGhostarchiveand thWayback Machine Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origin The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992/1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial s ...
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Breakbeat
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep). Etymology The origin of the word "breakbeat" is the fact that the drum loops that were sampled occurred during a "break" in the music - for example the '' Amen break'' (a drum solo from " Amen, Brother" by The Winstons) or the '' Think Break'' (from "Think (About It)" by Lyn Collins). History 1970s—1980s: Classic breaks and hip hop production Beginning in 1973 and continuing through the late 1970s and early 1980s, hip hop turntablists, such as DJ Kool Herc began using several funk breaks in a row, using drum breaks from jazz-funk tracks such as James Brown's "Funky Drummer" and The Winstons' "Amen Brother", to form the rhythmic base for hip hop songs. DJ Kool Herc's breaks st ...
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Big Beat
Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns – common to acid house/techno. The term has been used by the British music industry to describe music by artists such as the Prodigy, the Chemical Brothers, Fatboy Slim, the Crystal Method, Propellerheads, Basement Jaxx and Groove Armada. Big beat achieved mainstream success during the 1990s, and achieved its critical and commercial peak between 1995 and 1999, with releases such The Chemical Brothers’ Dig Your Own Hole, Prodigy’s Fat of the Land, and Fatboy Slim’s You've Come a Long Way, Baby, before quickly declining from 2000 onwards. Style Big beat features heavy and distorted drum beats at tempos between 100 and 140 beats per minute, Roland TB-303 synthesizer lines resembling those of acid house, and heavy loops from 1960s and 1970s funk, soul, jazz, and rock songs. They are often punctuated with punk-style vocals or rappers and driven by in ...
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Archive (band)
Archive are a musical group based in London, England, whose music spans electronic, trip hop, avant-garde, post-rock and progressive rock. Over their 28-year history, the band has released twelve studio albums and enjoyed established success throughout Europe. History ''Londinium'' & ''Take My Head'' (1994–1999) Archive was formed in 1994 as a trip-hop band when Darius Keeler and Danny Griffiths formed up with Roya Arab and rapper Rosko John. After releasing a few singles on their own label, they broke up in early 1996 following a dispute. A few months later, the group reformed with new personnel and began recording their debut album. ''Londinium'' was released on Island Records in September 1996. The album featured a mix of dark trip hop, electronica, string arrangements and classically influenced songwriting. However, creative differences on the follow up resulted in the band once again breaking up. In 1997, Keeler and Griffiths regrouped and continued Archive with ano ...
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The Prodigy
The Prodigy are an English electronic dance music band formed in Braintree, Essex, in 1990 by producer, keyboard player and songwriter Liam Howlett. The original line-up also featured dancer and singer Keith Flint and dancer and occasional live keyboard player Leeroy Thornhill, dancer Sharky and MC and vocalist Maxim. They were pioneers of the breakbeat-influenced genre big beat, and achieved mainstream popularity in the 1990s. Howlett's rock-inspired drum rhythms infused with electronic rave music beats/breaks were combined with Maxim's omnipresent mystique, Thornhill's shuffle dancing style, and Flint's later modern punk appearance. The Prodigy describe their style as electronic punk. The band emerged during the underground rave scene and achieved early success in 1991 with their debut singles "Charly" and "Everybody in the Place", which reached the UK top five. After their debut album ''Experience'' (1992), the band moved from their rave roots and incorporated techno, ...
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Firestarter (The Prodigy Song)
"Firestarter" is a song by British band the Prodigy, released on 18 March 1996 as the first single from their third album, ''The Fat of the Land'' (1997). It was their tenth single overall and is the group's first number-one single on the UK Singles Chart, staying on top for three weeks, and their first big international hit, topping the charts in the Czech Republic, Finland, Hungary, and Norway. In 2020, British newspaper ''The Guardian'' ranked the song number eight on their list of ''The 100 Greatest UK No 1 Singles''. Composition The songwriting credits include Kim Deal of alternative rock group the Breeders, as the looped wah-wah guitar riff in "Firestarter" was sampled from the Breeders' track "S.O.S." from the album ''Last Splash''. The drums are sampled from a remix of the song "Devotion" of the group Ten City. The "hey" sample is from the 1984 song "Close (to the Edit)" by Art of Noise. Then-members Anne Dudley, Trevor Horn, J. J. Jeczalik, Gary Langan and Paul Morley al ...
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Fire/Jericho
"Fire" and "Jericho" are two songs recorded by English electronica/rave act the Prodigy (both were later released under the name "Fire/Jericho", the band's third single on 14 September 1992). It peaked at number eleven on the UK Singles Chart. The single was sub-titled "Strangely Limited Edition" due to the 12-inch vinyl record being deleted after two weeks. This was to move the focus over to the release of the debut album, ''Experience'', following a few weeks later. Even when the single was re-released, the subtitle was still standing. "Fire" "Fire" uses the sample "I am the god of Hell fire, and I bring you (fire)" from The Crazy World of Arthur Brown's 1968 single of the same name. The "fire" vocal sample following "...I bring you" is taken from Daddy Freddy's "Live Jam". It samples the vocal "When I was a youth I used to burn collie weed in a Rizla" from the track " Hard Times" by Pablo Gad. Liam Howlett commented at the time that in contrast to most rave music being as ...
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