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Hipponax Of Ephesus
Hipponax ( grc, Ἱππῶναξ; ''gen''. Ἱππώνακτος; fl. late 6th century BC), of Ephesus and later Clazomenae, was an Ancient Greek Iambus (genre), iambic Greek lyric, poet who composed verses depicting the vulgar side of life in Ionian society. He was celebrated by ancient authors for his malicious wit (especially for his attacks on some contemporary sculptors, Bupalus and Athenis), and he was reputed to be deformity, physically deformed (a reputation that might have been inspired by the nature of his poetry). Life Ancient authorities record the barest details about his life (sometimes contradicting each other) and his extant poetry is too fragmentary to support autobiographical interpretation (a hazardous exercise even at the best of times). The Marmor Parium, only partially preserved in the relevant place, dates him to 541/40 BC, a date supported by Pliny The Elder in this comment on the theme of sculpture: Archeological corroboration for these dates is found on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hipponax Of Ephesus
Hipponax ( grc, Ἱππῶναξ; ''gen''. Ἱππώνακτος; fl. late 6th century BC), of Ephesus and later Clazomenae, was an Ancient Greek Iambus (genre), iambic Greek lyric, poet who composed verses depicting the vulgar side of life in Ionian society. He was celebrated by ancient authors for his malicious wit (especially for his attacks on some contemporary sculptors, Bupalus and Athenis), and he was reputed to be deformity, physically deformed (a reputation that might have been inspired by the nature of his poetry). Life Ancient authorities record the barest details about his life (sometimes contradicting each other) and his extant poetry is too fragmentary to support autobiographical interpretation (a hazardous exercise even at the best of times). The Marmor Parium, only partially preserved in the relevant place, dates him to 541/40 BC, a date supported by Pliny The Elder in this comment on the theme of sculpture: Archeological corroboration for these dates is found on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epodes (Horace)
The ''Epodes'' ( la, Epodi or ''Epodon liber''; also called ''Iambi'') are a collection of iambic poems written by the Roman poet Horace. They were published in 30 BC and form part of his early work alongside the ''Satires''. Following the model of the Greek poets Archilochus and Hipponax, the ''Epodes'' largely fall into the genre of blame poetry, which seeks to discredit and humiliate its targets. The 17 poems of the ''Epodes'' cover a variety of topics, including politics, magic, eroticism and food. A product of the turbulent final years of the Roman Republic, the collection is known for its striking depiction of Rome's socio-political ills in a time of great upheaval. Due to their recurring coarseness and explicit treatment of sexuality, the ''Epodes'' have traditionally been Horace's least regarded work. However, the last quarter of the 20th century saw a resurgence in scholarly interest in the collection. Names The modern standard name for the collection is ''Epodes' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demetrius Of Phalerum
Demetrius of Phalerum (also Demetrius of Phaleron or Demetrius Phalereus; grc-gre, Δημήτριος ὁ Φαληρεύς; c. 350 – c. 280 BC) was an Athenian orator originally from Phalerum, an ancient port of Athens. A student of Theophrastus, and perhaps of Aristotle, he was one of the first members of the Peripatetic school of philosophy. Demetrius had been a distinguished statesman who was appointed by Cassander, the King of Macedon, to govern Athens, where Demetrius ruled as sole ruler for ten years. During this time, he introduced important reforms of the legal system, while also maintaining pro-Cassander oligarchic rule. Demetrius was exiled by his enemies in 307 BC. He first went to Thebes, and then, after 297 BC, went to the court of Alexandria. He wrote extensively on the subjects of history, rhetoric, and literary criticism. He is not to be confused with his grandson, also called Demetrius of Phaleron, who probably served as regent of Athens between 262 and 255, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlesque
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque" ''Oxford English Dictionary'', Oxford University Press, accessed 16 February 2011 The word derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian burlesque, Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century. It has been applied retrospectively to works of Geoffrey Chaucer, Chaucer and William Shakespeare, Shakespeare and to the Graeco-Roman classics.Baldick, Chris [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochee
In English poetic metre and modern linguistics, a trochee () is a metrical foot consisting of a stressed syllable followed by an unstressed one. But in Latin and Ancient Greek poetic metre, a trochee is a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb. Thus the Latin word "there", because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee. The adjective form is ''trochaic''. The English word ''trochee'' is itself trochaic since it is composed of the stressed syllable followed by the unstressed syllable . Another name formerly used for a trochee was a choree (), or choreus. Etymology ''Trochee'' comes from French , adapted from Latin , originally from the Greek (), 'wheel', from the phrase (), literally 'running foot'; it is connected with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spondee
A spondee (Latin: ) is a metrical foot consisting of two long syllables, as determined by syllable weight in classical meters, or two stressed syllables in modern meters. The word comes from the Greek , , 'libation'. Spondees in Ancient Greek and Latin Libations Sometimes libations were accompanied by hymns in spondaic rhythm, as in the following hymn by the Greek poet Terpander (7th century BC), which consists of 20 long syllables: "Zeus, Beginning of all things, Leader of all things, Zeus, I make a libation to Thee this beginning of (my) hymns." In hexameter poetry However, in most Greek and Latin poetry, the spondee typically does not provide the basis for a metrical line in poetry. Instead, spondees are found as irregular feet in meter based on another type of foot. For example, the epics of Homer and Virgil are written in dactylic hexameter. This term suggests a line of six dactyls, but a spondee can be substituted in most positions. The first line of Virgil's ''Ae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choliamb
Choliambic verse ( grc, χωλίαμβος), also known as limping iambs or scazons or halting iambic,. is a form of meter in poetry. It is found in both Greek and Latin poetry in the classical period. Choliambic verse is sometimes called ''scazon'', or "lame iambic", because it brings the reader down on the wrong "foot" by reversing the stresses of the last few beats. It was originally pioneered by the Greek lyric poet Hipponax, who wrote "lame trochaics" as well as "lame iambics". The basic structure is much like iambic trimeter, except that the last cretic is made heavy by the insertion of a longum instead of a breve. Also, the third anceps of the iambic trimeter line must be short in limping iambs. In other words, the line scans as follows (where — is a long syllable, u is a short syllable, and x is an anceps): :x — u — , x — u — , u — — — As in all classical verse forms, the phenomenon of brevis in longo is observed, so the last syllable can actually be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demeter
In ancient Greek religion and mythology, Demeter (; Attic: ''Dēmḗtēr'' ; Doric: ''Dāmā́tēr'') is the Olympian goddess of the harvest and agriculture, presiding over crops, grains, food, and the fertility of the earth. Although she is mostly known as a grain goddess, she also appeared as a goddess of health, birth, and marriage, and had connections to the Greek Underworld, Underworld. She is also called Deo (). In Greek tradition, Demeter is the second child of the Titans Rhea (mythology), Rhea and Cronus, and sister to Hestia, Hera, Hades, Poseidon, and Zeus. Like her other siblings but Zeus, she was swallowed by her father as an infant and rescued by Zeus. Through her brother Zeus, she became the mother of Persephone, a fertility goddess. One of the most notable Homeric Hymns, the ''Homeric Hymn to Demeter'', tells the story of Persephone's abduction by Hades and Demeter's search for her. When Hades, the King of the Underworld, wished to make Persephone his wife ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tzetzes
John Tzetzes ( grc-gre, Ἰωάννης Τζέτζης, Iōánnēs Tzétzēs; c. 1110, Constantinople – 1180, Constantinople) was a Byzantine poet and grammarian who is known to have lived at Constantinople in the 12th century. He was able to preserve much valuable information from ancient Greek literature and scholarship. Biography Tzetzes described himself as pure Greek on his father's side and part Iberian (Georgian) on his mother's side. In his works, Tzetzes states that his grandmother was a relative of the Georgian Bagratid princess Maria of Alania who came to Constantinople with her and later became the second wife of the ''sebastos'' Constantine Keroularios, ''megas droungarios'' and nephew of the patriarch Michael Keroularios. He worked as a secretary to a provincial governor for a time and later began to earn a living by teaching and writing. He was described as vain, seems to have resented any attempt at rivalry, and violently attacked his fellow grammarians. Owin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fellatio
Fellatio (also known as fellation, and in slang as blowjob, BJ, giving head, or sucking off) is an oral sex act involving a person stimulating the penis of another person by using the mouth, throat, or both. Oral stimulation of the scrotum may also be termed ''fellatio'', or colloquially as ''teabagging.'' If fellatio is performed on oneself, the act is called autofellatio. Fellatio can be sexually arousing for both participants, and may lead to orgasm for the partner being fellated. It may be performed by a sexual partner as foreplay before other sexual activities, such as vaginal or anal intercourse, or as an erotic and physically intimate act of its own. Fellatio creates a risk of contracting sexually transmitted infections (STIs), but the risk is significantly lower than that of vaginal or anal sex, especially for HIV transmission. Most countries do not have laws banning the practice of fellatio, though some cultures may consider it taboo. People may also refrain from e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
