Hippolyte Le Roux
Hippolyte Le Roux (Paris 1 July 1801 – Paris, 1 July 1860) was a 19th-century French actor and playwright. As an actor, he appeared in '' le Festin de pierre'' at the Théâtre-Français (1847) and in ''La Vieillesse de Richelieu'' (Fronsac) by Octave Feuillet and Pierre-François Bocage at the Comédie-Française in 1848. His plays were presented on the most prestigious Parisian stages of the 19th century including the Théâtre des Folies-Dramatiques, Théâtre du Palais-Royal, Théâtre des Variétés, and the Théâtre du Vaudeville. Works *1827: ''Le Jaloux'', comédie en vaudeville in 1 act *1827: ''Une soirée à la mode'', comédie-vaudeville in 1 act, with Antoine-François Varner and Jean-François-Alfred Bayard *1829: ''Les Mendiants'', vaudeville in 3 tableaux, with Henry Monnier *1829: ''Le Petit Tambour'', tableau in 1 act *1829: ''Le Vieux Pensionnaire'', comédie-vaudeville in 1 act, with Bayard *1829: ''La Maîtresse'', comédie-vaudeville in 2 acts, wit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mélesville
Baron Anne-Honoré-Joseph Duveyrier, pen-name Mélesville (13 December 1787 in Paris – 7 November 1865 in Marly-le-Roi) was a French dramatist. The playwright Mélesville fils was his son. Life The son of Honoré-Nicolas-Marie Duveyrier, Mélesville initially had success at the bar and as a magistrate. He left the legal profession in 1814 to dedicate himself to the theatre, though he had first gained praise in that area in 1811 for his comedy ''l'Oncle rival''. Out of consideration for his father's position, he wrote under the pseudonym Mélesville, by which he is still known. He wrote in all genres - dramas, melodramas, comedies, vaudevilles, opera librettos - and is the sole or collaborative author of more than 340 plays. His collaborators included Eugène Scribe and Delestre-Poirson, with the collective pseudonym of Amédée de Saint-Marc. He collaborated with the more famous authors Brazier, Carmouche, Bayard, Scribe, Léon Laya on over 500 plays, some of which enjoy ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eugène Labiche
Eugene is a common male given name that comes from the Greek εὐγενής (''eugenēs''), "noble", literally "well-born", from εὖ (''eu''), "well" and γένος (''genos''), "race, stock, kin". Henry George Liddell, Robert Scott, ''A Greek-English Lexicon'', on Perseus Gene is a common shortened form. The feminine variant is or Eugenie. , a common given name in parts of central and northern Europe, is also a variant of Eugene / Eugine. Other male foreign-language variants in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Frères Cogniard
The Cogniard brothers were two French brothers who worked as playwrights and theatre directors, producing an incalculable number of vaudevilles, reviews, féeries and operettas. The elder of the two was Charles-Théodore or Théodore Cogniard (30 April 1806 - 13 May 1872) and the younger was Jean-Hippolyte or Hippolyte Cogniard (28 November 1807 – 6 February 1882) Both brothers were born and died in Paris. Career Nicknamed "les jumeaux siamois du vaudeville" (the Siamese twins of vaudeville),Huart (1839) they headed the théâtre de la Porte-Saint-Martin from 1840 to 1845. In 1845 Hippolyte took sole charge of the Théâtre du Vaudeville, then of the Théâtre des Variétés from 1854 to 1869, where he instituted a repertoire solely consisting of operettas. It was under Hippolyte's leadership that Jacques Offenbach created his best known works : ''La Belle Hélène'', '' Barbe-Bleue'', ''La Grande-Duchesse de Gérolstein'' and ''La Périchole''. In 1869, on behalf of his son L ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Prologue
A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek ''prólogos'' included the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the ''Rudens'', Plautus rises to the height of his genius in his adroit and romantic prolo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Clairville (Louis-François Nicolaïe)
Louis-François-Marie Nicolaïe (28 January 1811 – 8 February 1879), better known as Clairville, was a 19th-century French comedian, poet, chansonnier, goguettier and playwright. Biography Son of the Lyonese playwright and stage manager Alexandre-Henri Nicolaïe dit Clairville (died 1832), he began in 1821 in Paris at the Luxembourg Theater as actor with Madame Saqui, then as stage manager and finally, from 1837, exclusively as playwright. He later joined the Théâtre de l'Ambigu-Comique, playing small roles and developed his craft as a playwright, finding that to be his true vocation. He first conceived a revue titled ''1836 dans la lune'', the success of which would launch his career. His plays included comedies, serious plays, revues, féeries, satires and parodies. He is credited with at least 230 miscellaneous pieces of which 50 have reached one hundred representations followed. He was particularly known for his comédies en vaudeville. He was assisted, from the b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Augustin-Théodore De Lauzanne De Vauroussel
Augustin-Théodore de Lauzanne, chevalier de Vaux-Roussel (4 November 1805 – 15 October 1877) was a 19th-century French playwright. Biography Aged 13, Lauzanne came to Paris where he grew up and developed an interest in literature and especially theater. One day, a friend gave him a letter of recommendation to the playwright Félix-Auguste Duvert, who already had some theatre plays given on stage. "I once knew in a boarding house a Mr Lauzanne, who loved me very much, and made me jump on his lap, Duvert said the young man. - He was my father, answered the other." From this day were born relationships that were soon to change into true friendship. The knots of this affection were further strengthened by the marriage of Lauzanne with Duvert's only daughter. Lauzanne made his debut in theatre with a parody in burlesques verse of the drama '' Hernani'': ''Harnali, ou la Contrainte par cor'' (23 March 1830), interpreted by Étienne Arnal which ran many times on stage. Lauzanne th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Félix-Auguste Duvert
Félix-Auguste Duvert (12 January 1795 – 19 October 1876) was a 19th-century French playwright and vaudevillist. Biography Félix-Auguste Duvert was first a soldier. A volunteer in 1811 among the riflemen of the young guard, he then was part of a regiment of dragoons that he left only after the dismissal of the Armée de la Loire. In 1823, he made his debut as a playwright at the Théâtre du Gymnase dramatique with ''Les Frères de lait'', a one-act comédie en vaudeville cowritten with Édouard Nicole. He would afterwards collaborate primarily with Paul Duport, Saintine, Étienne Arago, Charles Dupeuty and Charles Varin. But from 1830, his name was inseparably linked to that of his son in law, Augustin de Lauzanne. The latter's share in the development of their works was the backbone of the plot, the outlining of the characters and imagination of the '' quiproquos''. The duo would produce a very great number of successful "follies" for over forty years. Duvert also wr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charles Desnoyer
Charles-Louis-François Desnoyer, or Desnoyers, (6 April 1806 – 6 February 1858) was a 19th-century French actor, playwright and theatre manager. He also wrote under the pen name Anatole de Beaulieu. Short biography He made his debut as actor and author in 1827 with a comédie en vaudeville, ''Je serai comédien''. He wrote many plays, comedies, dramas and melodramas for theaters on the boulevard du Crime in collaboration with other authors such as Eugène Nus, Léon Beauvallet or Adolphe d'Ennery. General manager of the Théâtre du Gymnase then at the Comédie-Française from 1841 to 1847, he became directing manager of the Théâtre de l'Ambigu-Comique in May 1852Gustave Vapereau, ''Dictionnaire universel des contemporains'', op.cit. When he died, '' La Presse'' read: Works Theatre *1825: ''L’Amour et la Guerre'', vaudeville in 1 act by Charles Varin, Étienne Arago and Desnoyer, Théâtre du Vaudeville (22 August) *1826: ''Je serai comédien'', comedy in 1 ac ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dumanoir
Philippe François Pinel, known as Dumanoir (31 July 1806 – 16 November 1865), was a French playwright and librettist. Biography Dumanoir was born in Capesterre-Belle-Eau, Guadeloupe. He was the son of Mrs. Pinel-Dumanoir, whose family planted the palm trees lining the ''Allée Dumanoir'' in Guadeloupe. He left Guadeloupe in 1816. Dumanoir wrote in the theatrical genre of Comédie en vaudevilles. He was director of the Théâtre des Variétés from 1837 to 1839. In 1844, he wrote in collaboration with Adolphe d'Ennery, an eponymous drama about Don César de Bazan, one of the characters in ''Ruy Blas'' by Victor Hugo. He died in Pau. List of major works Plays * 1842: ''Le Chevalier d'Éon'', comedy in 3 acts, (with Jean-François Bayard), Théâtre des Variétés * 1839: ''Les Premières Armes de Richelieu'' (with Jean-François Bayard), Théâtre du Palais Royal * 1840: ''Indiana et Charlemagne'' (with Jean-François Bayard), Théâtre du Palais Royal * 1842: ''Ma ma ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ferdinand De Villeneuve
Ferdinand de Villeneuve (5 June 1801 – 27 September 1858) was a 19th-century French playwright. Short biography He made his debut in the theatre at the age of 21 by partnering with Charles Dupeuty, and began to be successful from 1823 onwards. In 1825, he founded the newspaper ''La Nouveauté'' with Dupeuty, Amable de Saint-Hilaire and Musnier Desclozeaux, a publication which became a daily. Co-director of the Théâtre de la Porte-Saint-Martin with Anténor Joly from December 1835, he then directed, still with Joly, the Théâtre de la Renaissance in 1838 with its own funds. His plays were presented on several 19th-century Parisian stages, including the Théâtre des Folies-Dramatiques, the Théâtre du Palais-Royal, the Théâtre du Vaudeville, and the Théâtre des Variétés. The painter and photographer Julien Vallou de Villeneuve was his brother. Works *1822: ''L'Arracheur de dents'', one-act folie-parade, mingled with couplets, with Charles Dupeuty *1822: ''Fi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alexandre Pierre Joseph Doche
Alexandre Pierre Joseph Doche (Paris, 1799 – Saint Petersburg, 31 July 1849) was a French violinist and composer, conductor at the Théâtre du Vaudeville from 1828 to 1848. The son of Joseph-Denis Doche, he studied at the Conservatoire de Paris and succeeded his father as composer and conductor at the Théâtre du Vaudeville. In January 1839, he married th Belgian actress Marie-Charlotte-Eugénie de Plunkett. In 1848 he appeared at the theatre of Saint-Petersburg but suddenly died of cholera in 1849. Works Theatre *1838: ''A trente ans, ou une femme raisonnable'', comedy in 3 acts mingled with couplets, with Joseph-Bernard Rosier *1840: ''Bonaventure'', comédie-vaudeville in 3 acts and 4 tableaux, with Frédéric de Courcy and Charles Dupeuty *1841: ''La Journée d'une jolie femme'', vaudeville, lyrics by Adolphe d'Ennery and Eugène Cormon *1843: ''L'Extase'', comedy in 3 acts, mingled with song, with Auguste Arnould and Lockroy *1844: ''La Polka'', vaudeville, with Al ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |