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Hipermestra
''Hipermestra'' is an opera in a prologue and 3 acts by Francesco Cavalli - more specifically, it is a '' festa teatrale''. The opera was set to a libretto by G. A. Moniglia, and was first performed at Florence on 12 June 1658. The plot is based upon the ancient tale of Hypermnestra, a story that also later served as a basis for a well-known libretto '' Ipermestra'' by Metastasio. It was staged several times up to 1680. Modern performances The opera was revived by the Early Music festival in Utrecht in 2006 by La Sfera Armoniosa under Mike Fentross. A modern production staged by Graham Vick and conducted by William Christie took place at Glyndebourne Glyndebourne () is an English country house, the site of an opera house that, since 1934, has been the venue for the annual Glyndebourne Festival Opera. The house, located near Lewes in East Sussex, England, is thought to be about six hun ... in 2017 . Roles Recordings *L'Ipermestra La Sfera Armoniosa & Mike Fentross ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Cavalli
Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Republic of Venice, Venetian composer, organist and singer of the early Baroque music, Baroque period. He succeeded his teacher Claudio Monteverdi as the dominant and leading opera composer of the mid 17th-century. A central figure of Venetian musical life, Cavalli wrote more than forty operas, almost all of which premiered in the city's theaters. His best known works include ''Ormindo'' (1644), ''Giasone'' (1649) and ''La Calisto'' (1651). Life Cavalli was born at Crema, Lombardy, Crema, then an Domini di Terraferma, inland province of the Venetian Republic. He became a singer (boy soprano) at St Mark's Basilica in Venice in 1616, where he had the opportunity to work under the tutorship of Claudio Monteverdi. He became second organist in 1639, first organist in 1665, and in 1668 ''Kapellmeister, maestro di cappella''. He took the name "Cavalli" from his patron, Venetian nobleman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypermnestra
Hypermnestra ( grc, Ὑπερμνήστρα, ''Hypermnēstra''), in Greek mythology, was a Libyan princess as one of the 50 Danaids the daughter of King Danaus, son of King Belus of Egypt. Her mother was Elephantis and full sister to Gorgophone. Mythology Hypermnestra's father, Danaus was the twin brother of Aegyptus who demanded the marriage of the Danaids and his 50 sons. But her father Danaus who was unhappy with this kind of arrangement, decided they should flee to Argos where King Pelasgus (Gelanor) ruled. When Aegyptus and his sons arrived to take the Danaides, Danaus gave them to spare the Argives the pain of a battle. However, Danaus instructed Hypermnestra and the other Danaids to kill their husbands on their wedding night. Her forty-nine sisters followed through except her because her husband, Lynceus, honored her wish to remain a virgin. Danaus was angry with this disobedience and threw her to the Argive courts. Aphrodite intervened and saved Hypermnestra. Lynceus later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ipermestra
''Ipermestra'' is an opera libretto by Pietro Metastasio first set by Johann Adolph Hasse 8 January 1744, and in the November of the same year by Christoff Willibald Gluck. Plot The story is based on that of Hypermnestra (Ὑπερμνήστρα) in Greek mythology, the daughter of Danaus and the ancestor of the Danaids. The story had already been the theme of earlier operas including ''Hipermestra'', by Francesco Cavalli 1658, and operas ''Ipermestra'' by Geminiano Giacomelli 1724, Eleanor Selfridge-Field - ''A New Chronology of Venetian Opera and Related Genres, 1660-1760'' 2007 0804744378 "All the daughters obeyed except Hypermnestra (Faustina Bordoni), who spared her cousin, the argonaut Lynceus (Antonio Bemacchi), on account of his kindness. The first Venetian performance of Ipermestra was given on 5 February 1724 " Antonio Vivaldi (1728 lost), Francesco Feo 1736, Giovanni Battista Ferrandini 1741, Rinaldo da Capua 1744. Settings of Metastasio's libretto * ''Ipermestra'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Christie (conductor)
William Lincoln Christie (born December 19, 1944) is an American-born French conductor and harpsichordist. He is a specialist in baroque and classical repertoire and is the founder of the ensemble Les Arts Florissants. Biography Christie studied art history at Harvard University, where he was briefly assistant conductor of the Harvard Glee Club. From 1966, he began studies at Yale University in music, where he was a student of harpsichordist Ralph Kirkpatrick. He was opposed to the Vietnam War, and served in a reserve officers course to avoid the draft. He subsequently taught at Dartmouth College. When his Dartmouth post was not renewed, Christie moved first to the United Kingdom (1970), and in 1971 to France. He was one of a number of young men who left the United States at this time because of disagreement with the Vietnam War, and in order to avoid the draft. In France, he became known for his interpretations of Baroque music, particularly French Baroque music, working ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glyndebourne
Glyndebourne () is an English country house, the site of an opera house that, since 1934, has been the venue for the annual Glyndebourne Festival Opera. The house, located near Lewes in East Sussex, England, is thought to be about six hundred years old and listed at grade II.Kennedy, p. 5 History of the house "There had been a manor house at Glynde Bourne (as it was often spelt) since the fifteenth century", but the exact age of the house is unknown. Some surviving timber framing and pre-Elizabethan panelling makes an early sixteenth-century date the most likely. In 1618, it came into the possession of the Hay family, passing to James Hay Langham in 1824. He inherited his father's baronetcy and estate in Northamptonshire in 1833 which under the terms of his inheritance should have led to him relinquishing Glyndebourne, but as a certified lunatic he was unable to do so. After litigation the estate passed to a relative, Mr Langham Christie, but he later had to pay £50,000 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
