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Hill-country (hieroglyph)
The ancient Egyptian Hill-country or "Foreign land" hieroglyph (𓈉) is a member of the sky, earth, and water hieroglyphs. A form of the hieroglyph in color, has a ''green line''-(banding) at the base of the hieroglyph. The hieroglyph refers to the hills, and mountains, on both sides of the Nile River, and thus the green references the verdant black farming land adjacent to the river proper. It is coded N25 in Gardiner's sign list, and U+13209 in Unicode. It is determinative hieroglyph, simply conveying a meaning, and has no phonetic value. Various colors, and patterning, may adorn the rest of the hieroglyph when the bottom is green. Three major uses The ancient language hilly land hieroglyph has three major uses: :1 – hill country, or hills :2 – a reference to arid, ''desert land'' :3 – Determinative, for foreign lands The language meaning of the hieroglyph is as an ideogram or a determinative in the word ''khast'' (khaset), and is often translated as h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parthia
Parthia ( peo, 𐎱𐎼𐎰𐎺 ''Parθava''; xpr, 𐭐𐭓𐭕𐭅 ''Parθaw''; pal, 𐭯𐭫𐭮𐭥𐭡𐭥 ''Pahlaw'') is a historical region located in northeastern Greater Iran. It was conquered and subjugated by the empire of the Medes during the 7th century BC, was incorporated into the subsequent Achaemenid Empire under Cyrus the Great in the 6th century BC, and formed part of the Hellenistic Seleucid Empire following the 4th-century-BC conquests of Alexander the Great. The region later served as the political and cultural base of the Eastern Iranian Parni people and Arsacid dynasty, rulers of the Parthian Empire (247 BC – 224 AD). The Sasanian Empire, the last state of pre-Islamic Iran, also held the region and maintained the seven Parthian clans as part of their feudal aristocracy. Name The name "Parthia" is a continuation from Latin ', from Old Persian ', which was the Parthian language self-designator signifying "of the Parthians" who were an Iranian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gardiner's Sign List
Gardiner's Sign List is a list of common Egyptian hieroglyphs compiled by Sir Alan Gardiner. It is considered a standard reference in the study of ancient Egyptian hieroglyphs. Gardiner lists only the common forms of Egyptian hieroglyphs, but he includes extensive subcategories, and also both vertical and horizontal forms for many hieroglyphs. He includes size-variation forms to aid with the reading of hieroglyphs in running blocks of text. In contrast, for example, the Budge Reference has about 1,000 hieroglyphs listed in 50 pages, but with no size variations. Gardiner does not cross-index signs; once put on the list, other significant uses may be overlooked. One example of this is G16, nbtỉ, the ideogram for the Two Ladies, goddesses Wadjet as the cobra and Nekhbet as the white vulture. These are the protective and patron goddesses of the separate Egyptian kingdoms that joined into ancient Egypt, who were both then displayed on the uraeus of Wadjet when the unification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divine Adoratrice Of Amun
The Divine Adoratrice of Amun (Egyptian: '' dwꜣt nṯr n jmn'') was a second title – after God's Wife of Amun – created for the chief priestess of the ancient Egyptian deity Amun. During the first millennium BCE, when the holder of this office exercised her largest measure of influence, her position was an important appointment facilitating the transfer of power from one pharaoh to the next, when his daughter was adopted to fill it by the incumbent office holder. The Divine Adoratrice ruled over the extensive temple duties and domains, controlling a significant part of the ancient Egyptian economy. History God's Wife of Amun, a title for a similar office of the high priestess, originated as a title held by a daughter of the High Priest of Amun during the reign of Hatshepsut and continued as an important office while the capital of Egypt remained in Thebes. Later, the added title Divine Adoratrice of Amun can be seen to accompany a resurgence of the title God's Wife of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ankhnesneferibre
Ankhnesneferibre was an ancient Egyptian princess and priestess during the 26th Dynasty, daughter of pharaoh Psamtik II and his queen Takhuit. She held the positions of Divine Adoratrice of Amun and later God's Wife of Amun between 595 and 525 BC, during the reigns of Psamtik II, Apries, Amasis II and Psamtik III, until the Achaemenid conquest of Egypt., pp. 245-46 Biography In 595 BC, Ankhnesneferibre was dispatched to Thebes to be adopted by the God's Wife of Amun Nitocris I, as a stela from Karnak records. Ankhnesneferibre held the position of Divine Adoratrice until Nitocris' death in pharaoh Apries' regnal Year 4 (586 BC), after which she became the new God's Wife. She governed at Thebes for several decades until 525 BC, when the Persian emperor Cambyses II defeated Psamtik III and conquered Egypt, putting an end to the 26th Dynasty and the positions of Divine Adoratrice of Amun and God's Wife of Amun. After this date, Ankhnesneferibre disappeared from history as the la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarcophagus
A sarcophagus (plural sarcophagi or sarcophaguses) is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek σάρξ ' meaning "flesh", and φαγεῖν ' meaning "to eat"; hence ''sarcophagus'' means "flesh-eating", from the phrase ''lithos sarkophagos'' ( λίθος σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself. History of the sarcophagus Sarcophagi were most often designed to remain above ground. The earliest stone sarcophagi were used by Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 B.C. The Hagia Triada sarcophagus is a stone sarcophagus elaborately painted in fresco; one style of later A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man-prisoner (hieroglyph)
The ancient Egyptian Man-prisoner is one of the oldest hieroglyphs from Ancient Egypt. An iconographic portrayal from predynastic Egypt eventually led to its incorporation into the writing system of the Egyptian language. Not only rebels from towns or districts, but foreigners from battle were being portrayed. The nine bows concept of internal ancient Egyptian rebels, as well as 'foreign' rebels, began with actual bows, for example under Pharaoh Djoser's feet on his seated statue, 3rd Dynasty; (his feet rest upon 9 bows). The more prolonged use of the 'prisoner' hieroglyph in language and iconography continued into New Kingdom, and Ptolemaic times with the prisoner hieroglyph, as a ''"foreign rebel people"'' presented and named inside of a "cartouche". The 'cartouche' was often identified on its perimeter ring with the ''fortifying blocks'' of a city fortification, representing either the people, or their city-state location. Example from the Hierakonpolis Palette One of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cartouche
In Egyptian hieroglyphs, a cartouche is an oval with a line at one end tangent to it, indicating that the text enclosed is a royal name. The first examples of the cartouche are associated with pharaohs at the end of the Third Dynasty, but the feature did not come into common use until the beginning of the Fourth Dynasty under Pharaoh Sneferu. While the cartouche is usually vertical with a horizontal line, if it makes the name fit better it can be horizontal, with a vertical line at the end (in the direction of reading). The ancient Egyptian word for cartouche was , and the cartouche was essentially an expanded shen ring. Demotic script reduced the cartouche to a pair of brackets and a vertical line. Of the five royal titularies it was the ''prenomen'' (the throne name), and the "Son of Ra" titulary (the so-called '' nomen'' name given at birth), which were enclosed by a cartouche. At times amulets took the form of a cartouche displaying the name of a king and placed in tombs. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Heinrich Sethe
Kurt Heinrich Sethe (30 September 1869 – 6 July 1934) was a noted German Egyptologist and philologist from Berlin. He was a student of Adolf Erman. Sethe collected numerous texts from Egypt during his visits there and edited the '' Urkunden des ægyptischen Altertums'' which is a standard catalogue of Ancient Egyptian literature and text. Among Sethe's many contributions to Egyptology, two are singled out by Gardiner (p. 433): "...the pronunciation of Middle Egyptian... The chief authorities to be consulted are Sethe's great work on the Egyptian verb, and a much later brilliant article entitled ''Die Vokalisation des Ägyptischen'' in ''Zeitschrift der deutschen morgenländischen Gesellschaft''"" (1923). Actually, Sethe was the first one to put forth a systematic theory of the Egyptian verb; it was no easy accomplishment, since the inflection of the Egyptian verb was done mainly by changing the vowels, and the Egyptians only wrote consonants. Among Sethe's students wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nine Bows
The Nine Bows is a visual representation in Ancient Egyptian art of foreigners or others. Besides the nine bows, there were no other generic representations of foreigners. Due to its ability to stand in for any nine enemies to Ancient Egypt, the peoples covered by this term changed over time as enemies changed, and there is no true list of the nine bows. Alternatively, the nine bows may have had a separate or complementary meaning. In Egyptian hieroglyphs, the word 'Nine Bows' is spelled out as a bow and three sets of three vertical lines. The bow, holding the phonic value "pḏ," means "stretch, (be) wide," and the three sets of lines makes the word plural. The number nine was used metaphorically to express totality. Using this more literal translation of the hieroglyphs, the nine bows could also refer to endless, innumerable foreign lands or the totality of foreign lands. It is important to note that Ancient Egyptians believed in dualism or that two cosmic forces, order and ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindush
Hindush (Old Persian cuneiform: 𐏃𐎡𐎯𐎢𐏁, , transcribed as since the nasal "n" before consonants was omitted in the Old Persian script, and simplified as ) was a province of the Achaemenid Empire in lower Indus Valley established after the Achaemenid conquest circa 500 BC. According to the ancient Greek historian Herodotus, it was the "easternmost province" of the empire. It is believed to have continued as a province until the invasion of the empire by Alexander the Great circa 326 BC. Name Hindush was written in Achaemenid inscriptions as (Old Persian cuneiform: , ). It is also transliterated as since the nasal "n" before consonants was omitted in the Old Persian script, and simplified as ).Some sounds are omitted in the writing of Old Persian, and are shown with a raised letteOld Persian p.164https://archive.org/stream/OldPersian#page/n23/mode/2up/ Old Persian p.13]. In particular Old Persian nasals such as "n" were omitted in writing before consonantOld P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandhara
Gandhāra is the name of an ancient region located in the northwestern region of the Indian subcontinent, more precisely in present-day north-west Pakistan and parts of south-east Afghanistan. The region centered around the Peshawar Valley and Swat river valley, though the cultural influence of "Greater Gandhara" extended across the Indus river to the Taxila region in Potohar Plateau and westwards into the Kabul Valley in Afghanistan, and northwards up to the Karakoram range. Gandhara has a deep rooted history of Hinduism mentioned in Indian scripts and epics including Rig Veda, Ramayana and Mahabharata. Famed for its unique Gandharan style of art which is influenced by the classical Hellenistic styles, Gandhara attained its height from the 1st century to the 5th century CE under the Kushan Empire, who had their capital at Peshawar (''Puruṣapura''). Gandhara "flourished at the crossroads of India, Central Asia, and the Middle East," connecting trade routes and absor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
