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Heruka Buddhist Painting
:''Heruka is also a name for the deity of the Cakrasaṃvara Tantra.'' ''Heruka'' (Sanskrit; Tibetan: ), is the name of a category of wrathful deities, enlightened beings in Vajrayana Buddhism that adopt a fierce countenance to benefit sentient beings. In East Asia, these are called Wisdom Kings. ''Herukas'' represent the embodiment of indivisible bliss and emptiness. They appear as '' Iṣṭha-devatā'' (Tibetan: ) or meditational deities for tantric sādhanā, usually placed in a ''mandala'' and often appearing in '' Yab-Yum''. Derivation and meaning of the term Heruka represents wrathful imagery with indivisible emptiness (śūnyatā), bliss, peace, wisdom, compassion (bodhicitta), and love. Herukas represent unified consciousness, with emptiness being a reflection of "non-phenomena" or emptiness which is "all love," or removal of imagery to reach universal love, mercy, and compassion-mind. Interpretation of Heruka is similar to the female ḍākiṇī or buddha Vajrayogini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cakrasaṃvara Tantra
The ''Cakrasaṃvara Tantra'' (, ''khorlo demchok,'' The "Binding of the Wheels" Tantra) is an influential Buddhist Tantra. It is roughly dated to the late eight or early ninth century by David B. Gray (with a ''terminus ante quem'' in the late tenth century). The full title in the Sanskrit manuscript used by Gray's translation is: ''Great King of Yoginī Tantras called the Śrī Cakrasaṃvara'' (''Śrīcakrasaṃvara-nāma-mahayoginī-tantra-rāja''). The text is also called the ''Discourse of Śrī Heruka'' (''Śrīherukābhidhāna'') and the ''Samvara Light'' (''Laghusaṃvara''). "Cakrasaṃvara" may also refer to the main deity in this tantra as well as to a collection of texts or "cycle" associated with the root Cakrasaṃvara tantra. Tsunehiko Sugiki writes that this "Cakrasaṃvara cycle", "is one of the largest collections of Buddhist Yoginītantra literature from the early medieval South Asian world."Sugiki, Tsunehiko. Review of ''David B. Gray, The Cakrasamvara Tantra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standard Tibetan
Lhasa Tibetan (), or Standard Tibetan, is the Tibetan dialect spoken by educated people of Lhasa, the capital of the Tibetan Autonomous Region of China. It is an official language of the Tibet Autonomous Region. In the traditional "three-branched" classification of Tibetic languages, the Lhasa dialect belongs to the Central Tibetan branch (the other two being Khams Tibetan and Amdo Tibetan). In terms of mutual intelligibility, speakers of Khams Tibetan are able to communicate at a basic level with Lhasa Tibetan, while Amdo speakers cannot. Both Lhasa Tibetan and Khams Tibetan evolved to become Tone (linguistics), tonal and do not preserve the word-initial consonant clusters, which makes them very far from Classical Tibetan, especially when compared to the more Linguistic conservatism, conservative Amdo Tibetan. Registers Like many languages, Lhasa Tibetan has a variety of Register (sociolinguistics), language registers: * (Wylie transliteration, Wylie: , literally "wikt:demot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrasattva
Vajrasattva ( sa, वज्रसत्त्व, Tibetan: རྡོ་རྗེ་སེམས་དཔའ། ''Dorje Sempa'', short form is རྡོར་སེམས། ''Dorsem'', Монгол: Доржсэмбэ) is a bodhisattva in the Mahayana, Mantrayana/Vajrayana Buddhist traditions. In Chinese Buddhism and the Japanese Shingon tradition, Vajrasatva is the esoteric aspect of the bodhisattva Samantabhadra and is commonly associated with the student practitioner who through the master's teachings, attains an ever-enriching subtle and rarefied grounding in their esoteric practice. In Tibetan Buddhism Vajrasatva is associated with the sambhogakāya and purification practice. Vajrasatva appears principally in two Buddhists texts: the ''Mahavairocana Sutra'' and the ''Vajrasekhara Sutra''. In the Diamond Realm Mandala, Vajrasatva sits to the East near Akshobhya Buddha. In some esoteric lineages, Nagarjuna was said to have met Vajrasatva in an iron tower in South India, and wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrakilaya
In Tibetan Buddhism, Vajrakilaya (Skt. ''Vajrakīlaya''; Tib. རྡོ་རྗེ་ཕུར་པ་, ''Dorje Phurba'', Wyl. ''rdo rje phur pa'') or Vajrakumara (Skt. ''Vajrakumāra''; Tib. རྡོ་རྗེ་གཞོན་ནུ་, ''Dorje Shönnu''; Wyl. ''rdo rje gzhon nu'') is a wrathful heruka yidam deity who embodies the enlightened activity of all the Buddhas. His practice is known for being the most powerful for removing obstacles and destroying the forces hostile to compassion. Vajrakilaya is one of the eight deities of Kagyé. Vajrakilaya is a wrathful form of the Buddha Vajrasattva. His distinctive iconographic trait is that he holds the dagger called ''phurba'' or '' kīla''. Vajrakilaya is commonly represented with three faces of different colors in a crown of skulls. The central face is blue, the left is red and the right is white. He also has six arms: two holds the ''phurba'', two hold one ''vajra'' each, one holds a flaming snare, and one a trident. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samantabhadra (Bodhisattva)
Samantabhadra (lit. "Universal Worthy", "All Good") is a great bodhisattva in Buddhism associated with practice and meditation. Together with Shakyamuni Buddha and the bodhisattva Mañjuśrī, he forms the Shakyamuni Triad in Mahayana Buddhism. He is the patron of the ''Lotus Sutra'' and, according to the '' Avatamsaka Sutra'', made the ten great vows which are the basis of a bodhisattva. In Chinese Buddhism, Samantabhadra is known as Pǔxián and is associated with action, whereas Mañjuśrī is associated with '' prajñā'' (transcendent wisdom). In Japan, this bodhisattva is known as Fugen, and is often venerated in Tendai and Shingon Buddhism. In the Nyingma school of Tibetan Buddhism, Samantabhadra is also the name of the Adi-Buddha, often portrayed in indivisible union ('' yab-yum'') with his consort, Samantabhadrī. In wrathful form he is one of the Eight Herukas of the Nyingma Mahayoga and he is known as Vajramrtra, But this Samantabhadra buddha and Samantabhadra bodhisa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrapani
(Sanskrit; Pali: Vajirapāṇi, meaning, "Vajra in ishand") is one of the earliest-appearing bodhisattvas in Mahayana Buddhism. He is the protector and guide of Gautama Buddha and rose to symbolize the Buddha's power. Vajrapāni is also called Chana Dorji and Chador and extensively represented in Buddhist iconography as one of the earliest three protective deities or bodhisattvas surrounding the Buddha. Each of them symbolizes one of the Buddha's virtues: Manjushri manifests all the Buddhas' wisdom, Avalokiteśvara manifests all the Buddhas' immense compassion, and Vajrapāni protects Buddha and manifests all the Buddhas' power as well as the power of all five tathāgatas (Buddhahood of the rank of Buddha). Vajrapāni is one of the earliest Dharmapalas of Mahayana Buddhism and also appears as a deity in the Pali Canon of the Theravada school. He is worshiped in the Shaolin Monastery, in Tibetan Buddhism and in Pure Land Buddhism (where he is known as Mahasthamaprapta a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avalokiteśvara
In Buddhism, Avalokiteśvara (Sanskrit: अवलोकितेश्वर, IPA: ) is a bodhisattva who embodies the compassion of all Buddhas. He has 108 avatars, one notable avatar being Padmapāṇi (lotus bearer). He is variably depicted, described, and portrayed in different cultures as either male or female. In East Asian Buddhism, he has evolved into a female form called Guanyin. Etymology The name ''Avalokiteśvara'' combines the verbal prefix ''ava'' "down", ''lokita'', a past participle of the verb ''lok'' "to notice, behold, observe", here used in an active sense; and finally '' īśvara'', "lord", "ruler", "sovereign" or "master". In accordance with sandhi (Sanskrit rules of sound combination), ''a''+''īśvara'' becomes ''eśvara''. Combined, the parts mean "lord who gazes down (at the world)". The word ''loka'' ("world") is absent from the name, but the phrase is implied. It does appear in the Cambodian form of the name, ''Lokesvarak''. The earliest translation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hayagriva (Buddhism)
In Chinese, Tibetan and Japanese Buddhism, Hayagrīva ("having the neck of a horse") is an important deity who originated as a yaksha attendant of Avalokiteśvara ''or'' Guanyin Bodhisattva in India. Appearing in the Vedas as two separate deities, he was assimilated into the ritual worship of early Buddhism and eventually was identified as a Wisdom King in Vajrayana Buddhism. In Tibet In Tibet, Hayagriva was promoted especially by Buddhist teacher Atiśa and appeared as a worldly dharmapala. His special ability is to cure diseases, especially skin diseases even as serious as leprosy, which is said to be caused by nāgas. According to the myth, Hayagriva is the wrathful form of Vajrasattva, who assumes the form Avalokiteshvara and turns into Hayagriva in order to defeat the powerful demon Rudra, who has submitted the gods. He is accompanied by Vajrapani, who assumes the power of Tara and then becomes the wrathful Vajravārāhī. The two are cosmically related to Rudra, as in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manjushri
Mañjuśrī (Sanskrit: मञ्जुश्री) is a ''bodhisattva'' associated with '' prajñā'' (wisdom) in Mahāyāna Buddhism. His name means "Gentle Glory" in Sanskrit. Mañjuśrī is also known by the fuller name of Mañjuśrīkumārabhūta (),Keown, Damien (editor) with Hodge, Stephen; Jones, Charles; Tinti, Paola (2003). ''A Dictionary of Buddhism.'' Oxford, UK: Oxford University Press. p.172. literally "Mañjuśrī, Still a Youth" or, less literally, "Prince Mañjuśrī". Another name of Mañjuśrī is Mañjughoṣa. It is claimed that Nurhaci, the founder of what would become the Qing dynasty of China, named his tribe Man (满) after Manjushri. In Mahāyāna Buddhism Scholars have identified Mañjuśrī as the oldest and most significant bodhisattva in Mahāyāna literature. Mañjuśrī is first referred to in early Mahāyāna sūtras such as the Prajñāpāramitā ''sūtra''s and through this association, very early in the tradition he came to symbolize the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamantaka
Yamāntaka ( sa, यमान्तक Yamāntaka) or Vajrabhairava (; ; ko, 대위덕명왕 ''Daewideok-myeongwang''; ja, 大威徳明王 ''Daiitoku-myōō''; mn, Эрлэгийн Жаргагчи ''Erlig-jin Jarghagchi'') is the "destroyer of death" deity of Vajrayana Buddhism. Sometimes he is conceptualized as "conqueror of the lord of death". Of the several deities in the Buddhist pantheon named 'Yamāntaka', the most well known, also called as 'Vajrabhairava' belongs to the Anuttarayoga Tantra class of deities popular within the Gelug school of Tibetan Buddhism. Etymology ''Yamāntaka'' is a Sanskrit name that can be broken down into two primary elements: ''Yama (यम)'', –the god of death; and ''antaka'' (अन्तक) –destroyer. Thus, Yamāntaka means “Destroyer of Death” or "Conqueror of Death". While Yamāntaka is therefore Yama's nemesis, his representation mirrors Yama in many ways: he too often rides a buffalo and often depicted with a buffalo's head. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vimalamitra
Vimalamitra () was an 8th-century Indian Buddhist monk. His teachers were Buddhaguhya, Jñānasūtra and Śrī Siṃha. He was supposed to have vowed to take rebirth every hundred years, with the most notable figures being Rigzin Jigme Lingpa, Khenchen Ngagchung, Kyabje Drubwang Penor Rinpoche and Kyabje Yangthang Rinpoche. He was one of the eight teachers of the great Indian adept Guru Padmasambhava. Centuries later, terma and various works were attributed to him. Chatral Sangye Dorji (1913-2016) was said to have received a mala rosary from a man who was at the time dressed as an Indian Sadhu. It was only later that Rinpoche told his attendants that he received a mala on that day from Vimalamitra in reality. The attendants were curious and returned to the place where they had met a sadhu only to be left dumbstruck. The sadhu was not to be found anywhere. One scholar remarked that the historical Vimalamitra "would have been astonished to find himself the focus of such a tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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