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Henry Liverseege
Henry Liverseege (4 September 1802 – 13 January 1832) was an English genre painter of literary and folklore subjects. Life and work Early years Henry Liverseege was born in Manchester, the son of Edmund Liverseege, a joiner. He was a weakly child who suffered from asthma and following his death in 1832 it was discovered that one of his lungs had failed to develop. He also had a spinal deformity which caused his left shoulder to be noticeably lower than the right. Even when in his twenties, he was reported to weigh as little as 70-75 lbs. Perhaps as a consequence of his infirmities, his father rejected him and he was brought up by his uncle John Green, a Manchester cotton mill owner. He was educated in a small Manchester school but did not progress to university. He showed an early interest in the arts, became involved in amateur theatricals for a while and demonstrated a talent for drawing. Early career The financially comfortable circumstances of Liverseege's uncle, al ...
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William Bradley (painter)
William Bradley (1801–1857) was an English portrait artist. Biography Bradley was born in Manchester, England. He was left an orphan when only three years of age. He started life as an errand boy, but his taste for drawing prevailed and at sixteen years of age he began practice as an artist. He took portraits at one shilling each and advertising himself as "portrait, miniature, and animal painter, and teacher of drawing". He had a few lessons himself from Mather Brown, then in high repute at Manchester; and at the age of twenty-one went to London, where he was fortunate enough to obtain an introduction to Sir Thomas Lawrence, who gave him encouragement. After remaining some years in the metropolis, in the course of which time he paid occasional visits to Manchester, he finally, in 1847, settled down in the latter town; where, as in London, he enjoyed a large share of patronage. Amongst the portraits painted by him are those of Lords Beresford, Sandon, Denbigh, Bagot, and ...
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The Monastery
''The Monastery: a Romance'' (1820) is a historical novel by Walter Scott, one of the Waverley novels. Set in the Scottish Borders in the 1550s on the eve of the Reformation, it is centred on Melrose Abbey. Composition and sources Scott had been contemplating ''The Monastery'' before August 1819, and it seems likely that he started writing it in that month while the production of ''Ivanhoe'' was at a standstill because of shortage of paper. He had determined on the title by the middle of the month. It also seems likely that he took up composition again shortly after finishing ''Ivanhoe'' in early November. He made good progress, and the third and final volume was at the press by the end of February 1820. Originally the story was intended to include Mary Queen of Scots, but a decision to reserve the later material for a second novel (''The Abbot'') was probably made before composition resumed in November. Scott was intimately familiar with the history and topography of the Border ...
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David Wilkie (artist)
Sir David Wilkie (18 November 1785 – 1 June 1841) was a Scottish painter, especially known for his genre scenes. He painted successfully in a wide variety of genres, including historical scenes, portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter". He was Principal Painter in Ordinary to King William IV of the United Kingdom, William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably ''Chelsea Pensioners reading the Waterloo Dispatch (painting), The Chelsea Pensioners reading the Waterloo Dispatch'' of 1822 in Apsley House. Early life David Wilkie was born in Pitlessie Fife in Scotland on 18 November 1785. He was the son of the parish minister (Christianity), minister of Cults, Fife, Cults, Fife. Caroline Ch ...
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Manchester Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main newspr ...
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Chorlton-on-Medlock
Chorlton-on-Medlock or Chorlton-upon-Medlock is an inner city area of Manchester, England. Historically in Lancashire, Chorlton-on-Medlock is bordered to the north by the River Medlock, which runs immediately south of Manchester city centre. Its other borders roughly correspond to Stockport Road, Hathersage Road, Moss Lane East and Boundary Lane. Neighbouring districts are Hulme to the west, Ardwick to the east and Victoria Park, Rusholme and Moss Side to the south. A large portion of the district along Oxford Road is occupied by the campuses of the University of Manchester, Manchester Metropolitan University, and the Royal Northern College of Music. To the south of the university's Oxford Road campus a considerable area is occupied by a group of contiguous hospitals including Manchester Royal Infirmary, to the west of which is Whitworth Park. History In medieval times, the district was known as Chorlton Row and was a township of the ancient parish of Manchester in the Sal ...
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Captain Macheath
Captain Macheath is a fictional character who appears both in John Gay's ''The Beggar's Opera'' (1728), its sequel ''Polly'' (1777), and roughly 150 years later in Bertolt Brecht's ''The Threepenny Opera'' (1928). Origins Macheath made his first appearance in John Gay's ''The Beggar's Opera'' as a chivalrous highwayman. He then appeared as a pirate in Gay's sequel. He was probably inspired in part by Jack Sheppard who, like Macheath, escaped from prison and enjoyed the affections of a prostitute, and despised violence. His nemesis is Peachum who, in John Gay's original work, keeps an account book of unproductive thieves (something that Macheath himself does in Brecht's work). Both characters can be understood as satires of Robert Walpole and Jonathan Wild. In popular culture Captain Macheath is the chief protagonist of the 1841 Victorian penny dreadful ''Captain Macheath'' by Pierce Egan the Younger. In Charles Dickens' novel, ''Little Dorrit ''Little Dorrit'' is a no ...
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The Bride Of Lammermoor
''The Bride of Lammermoor'' is a historical novel by Sir Walter Scott, published in 1819, one of the Waverley novels. The novel is set in the Lammermuir Hills of south-east Scotland, shortly before the Act of Union of 1707 (in the first edition), or shortly after the Act (in the 'Magnum' edition of 1830). It tells of a tragic love affair between young Lucy Ashton and her family's enemy Edgar Ravenswood. Scott indicated the plot was based on an actual incident. ''The Bride of Lammermoor'' and ''A Legend of Montrose'' were published together anonymously as the third of Scott's ''Tales of My Landlord'' series. The story is the basis for Donizetti's 1835 opera ''Lucia di Lammermoor''. Composition and sources It is not known exactly when Scott contracted to write ''Tales of my Landlord (Third Series)'', but he began composition at the beginning of September 1818, some two months after completing ''The Heart of Midlothian'' and finished it in late April or early May the following ...
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Little Red Riding Hood
"Little Red Riding Hood" is a European fairy tale about a young girl and a sly wolf. Its origins can be traced back to several pre-17th century European folk tales. The two best known versions were written by Charles Perrault and the Brothers Grimm. The story has been changed considerably in various retellings and subjected to numerous modern adaptations and readings. Other names for the story are: "Little Red Cap" or simply "Red Riding Hood". It is number 333 in the Aarne–Thompson classification system for folktales. Tale The story revolves around a girl called Little Red Riding Hood. In Perrault's versions of the tale, she is named after her red hooded cape/cloak that she wears. The girl walks through the woods to deliver food to her sickly grandmother (wine and cake depending on the translation). In the Grimms' version, her mother had ordered her to stay strictly on the path. A stalking wolf wants to eat the girl and the food in the basket. He asks her where she is ...
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Friar Tuck
Friar Tuck is one of the legendary Merry Men, the band of heroic outlaws in the folklore of Robin Hood. History The figure of the jovial friar was common in the May Games festivals of England and Scotland during the 15th through 17th centuries. He appears as a character in the fragment of a Robin Hood play from 1475, sometimes called ''Robin Hood and the Knight'' or ''Robin Hood and the Sheriff'', and a play for the May games published in 1560 which tells a story similar to "Robin Hood and the Curtal Friar" (the oldest surviving copy of this ballad is from the 17th century). The character entered the tradition through these folk plays, and he was originally partnered with Maid Marian: "She is a trul of trust, to serue a frier at his lust/a prycker a prauncer a terer of shetes/a wagger of ballockes when other men slepes." His appearance in "Robin Hood and the Sheriff" means that he was already part of the legend around the time when the earliest surviving copies of the Robin H ...
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Black Dwarf (personage)
David Ritchie (1740–1811), also known as David of Manor Water, Bow'd Davie, Crooked David, and most notably the Black Dwarf, was a dwarf, the son of a quarryman at the slate quarries of Stobo. He was the inspiration for Sir Walter Scott's novel, ''The Black Dwarf''. Scott visited him in 1797. C.J.S. Thompson, "The Mystery and Lore of Monsters", pgs. 227-228 He was brought up as a brushmaker in Edinburgh, but was disliked because of his appearance. He eventually settled in a stone cottage on the banks of Manor Water near the town of Peebles, Scotland. The door of the cottage was about 3 feet and 6 inches high, and the ceiling was just high enough for him to stand inside. The superstitious locals feared he could cast the evil eye on them, blamed him for any problems with their livestock, and generally avoided him. He never wore shoes, which would not fit on his misshapen feet. Instead, he wrapped his legs and feet in cloth. He walked with the help of a staff consid ...
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Bardolph (Shakespeare Character)
Bardolph is a fictional character who appears in four plays by William Shakespeare. He is a thief who forms part of the entourage of Sir John Falstaff. His grossly inflamed nose and constantly flushed, carbuncle-covered face is a repeated subject for Falstaff's and Prince Hal's comic insults and word-play. Though his role in each play is minor, he often adds comic relief, and helps illustrate the personality change in Henry from Prince to King. In early published versions of ''Henry IV, Part 1'', the character is called Rossill or Sir John Russel. Shakespeare renamed the character to avoid suggestions that he was ridiculing the then-prominent Russell family, which included the Earls of Bedford. Bardolph is thought to be named after Thomas Bardolf, 5th Baron Bardolf (d. 1408), one of the rebels affiliated with the insurrection of Henry Percy, 1st Earl of Northumberland. In ''Henry V'', Bardolph participates in the war (the Hundred Years' War) and is good friends with Pistol and ...
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Falstaff
Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays '' Henry IV, Part 1'' and '' Part 2'', where he is a companion to Prince Hal, the future King Henry V of England. Falstaff is also featured as the buffoonish suitor of two married women in '' The Merry Wives of Windsor''. Though primarily a comic figure, Falstaff embodies a depth common to Shakespeare's major characters. A fat, vain, and boastful knight, he spends most of his time drinking at the Boar's Head Inn with petty criminals, living on stolen or borrowed money. Falstaff leads the apparently wayward Prince Hal into trouble, and is ultimately repudiated after Hal becomes king. Falstaff has since appeared in other media, including operas by Giuseppe Verdi, Ralph Vaughan Williams, and Otto Nicolai, and in Orson Welles' 1966 film ''Chimes at Midnight''. The operas focus ...
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