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Hendrik Van Den Keere
Hendrik van den Keere (c. 1540–2 – 1580) was a sixteenth-century punchcutter, or cutter of punches to make metal type, who lived in Ghent in modern Belgium. Career Van den Keere was the son of Ghent printer and schoolmaster Hendrik van den Keere the Elder, and his career has sometimes been confused with that of his father. Both he and his father used the name "Henri du Tour" in French. Van den Keere's grandfather had taken over the type foundry of Joos Lambrecht. In 1566 he took over his father's printing firm, but soon gave up printing and began to specialise in punchcutting. From 1568 he worked particularly for Christophe Plantin of Antwerp, who operated a gigantic printing concern by contemporary standards. Van den Keere stayed living in Ghent, up the River Scheldt from Antwerp. He was Plantin's sole typecaster from 1569 onwards. Over the course of his career he cut around 30 typefaces. Types Van den Keere primarily cut punches in the textura style of blacklet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hendrik Van Den Keere Two Line Double Pica
Hendrik may refer to: * Hendrik (given name) * Hans Hendrik, Greenlandic Arctic traveller and interpreter * Hendrik Island, an island in Greenland * Hendrik-Ido-Ambacht, a municipality in the Netherlands * A character from ''Dragon Quest XI'' See also * Hendrich (other) * Hendrick (other) Hendrick may refer to: People * Hendrick (given name), alternative spelling of the Dutch given name Hendrik * Hendrick (surname) * King Hendrick (other), one of two Mohawk leaders who have often been conflated: ** Hendrick Tejonihokara ... * Henrich {{disambig, surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Plantin-Moretus
The Plantin-Moretus Museum ( nl, Plantin-Moretusmuseum) is a printing museum in Antwerp, Belgium which focuses on the work of the 16th-century printers Christophe Plantin and Jan Moretus. It is located in their former residence and printing establishment, the Plantin Press, at the Vrijdagmarkt (Friday Market) in Antwerp, and has been a UNESCO World Heritage Site since 2005. History The printing company was founded in the 16th century by Christophe Plantin, who obtained type from the leading typefounders of the day in Paris. Plantin was a major figure in contemporary printing with interests in humanism; his eight-volume, multi-language Plantin Polyglot Bible with Hebrew, Aramaic, Greek and Syriac texts was one of the most complex productions of the period. Plantin's is now suspected of being at least connected to members of heretical groups known as the Familists, and this may have led him to spend time in exile in his native France. After Plantin's death it was owned by his so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'choru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choirbook
A choirbook is a large format manuscript used by choirs in churches or cathedrals during the Middle Ages and Renaissance. The book is large enough for the entire choir to read from one book. Choirbooks were generally put on a stand with the smaller boy sopranos in front and the men in back. As the printing of music became easier and paper replaced vellum, choirbooks fell out of favour, replaced by smaller, cheaper, and easier to handle partbooks and octavos. A choirbook was a major investment. Many of them were stark and utilitarian and show signs of heavy and constant use. At larger cathedrals, choirbooks were sometimes lavishly decorated and illuminated. Since they represent an important expense, they were rarely owned by single people, but rather by families or institutions. Major choirbooks * Eton Choirbook * Caius Choirbook * Lambeth Choirbook * Pepys Choirbook * Leiden choirbooks External linksDigitized choirbooks at Spanish National Library Die Chorbücher der BSBintroducti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common (liturgy)
The common or ''common of saints'' (Latin: ''commune sanctorum'') is a part of the Christian liturgy that consists of texts common to an entire category of saints, such as apostles or martyrs. The term is used in contrast to the '' ordinary'', which is that part of the liturgy that is reasonably constant, or at least selected without regard to date, and to the ''proper'', which is the part of the liturgy that varies according to the date, either representing an observance within the liturgical year, or of a particular saint or significant event. Commons contain collects, psalms, readings from scripture, prefaces ''Prefaces'' () is a book by Søren Kierkegaard published under the pseudonym Nicolaus Notabene. The meaning of the pseudonym used for ''Prefaces'', Nicholaus Notabene, was best summed up in his work '' Writing Sampler'', where Kierkegaard said tw ..., and other portions of services that are common to a category of saints.Donald S. Armentrout, Robert Boak Slocum, eds. (200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Body Text
__NOTOC__ The body text or body copy is the text forming the main content of a book, magazine, web page, or any other printed or digital work. This is as a contrast to both additional components such as headings, images, charts, footnotes etc. on each page, and also the pages of front matter that form the introduction to a book. Body text has two slightly different meanings, depending on context. A book designer, concerned with the overall sequence of a book, regards it as those pages that form the majority of a book, containing the ''body of text'' or '' body matter''. A typesetter concerned instead with the layout of text on a page sees 'body text' as being those sections of the main text that are flowed into columns or justified as paragraphs, as distinct from the headings and any pictures that are floated out of the main body. Book design The 'body matter' is the group of pages that contain the body of the text of the book. The front matter comes before it, containing title ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hendrik Vervliet
Hendrik Désiré Louis 'Dis' Vervliet ( Antwerp, 31 December 1923 – August 2020) was a Belgian librarian and historian of books and printing. Life Vervliet was born into a working-class family and received a doctorate in classical philology in 1955. In his career, Vervliet worked as deputy director of the Museum Plantin-Moretus, professor and librarian of the University of Antwerp and as professor of book and library history of the University of Amsterdam. In 1968 he became a member of the Royal Flemish Academy of Belgium for Science and the Arts in the humanities class. His wife was Irma Regemortels (1928-2006), also a librarian. Work In his writing on the history of books, Vervliet was particularly known for his work on printing in the sixteenth century in France, Belgium and the Netherlands, and the work of Robert Granjon. In 2013, Ton Croiset van Uchelen wrote that he "is now generally recognised as ''the'' authority on the sixteenth-century typefaces of Western Euro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Caslon
William Caslon I (1692/1693 – 23 January 1766), also known as William Caslon the Elder,Oxford Dictionary of National Biography was an English typefounder. The distinction and legibility of his type secured him the patronage of the leading printers of the day in England and on the continent. His typefaces transformed English type design and first established an English national typographic style. Luna, 2013, p. 515-516 Life Caslon was born in Cradley, Worcestershire in 1692 or 1693 and trained as an engraver in nearby Birmingham. In 1716, he started business in London as an engraver of gun locks and barrels and as a bookbinder's tool cutter. Having contact with printers, he was induced to fit up a type foundry, largely through the encouragement of William Bowyer. He died on 23 January 1766, and was buried in the churchyard of St Luke Old Street, London, where the family tomb is preserved (bearing his name and others). Typefaces Though his name would come to be identifie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Institute Of English Studies
The Institute of English Studies (abbreviated as IES) is a centre of excellence in the research, promotion and facilitation in the field English Literature and Language. With a specialisation in book history, palaeography and textual scholarship, the IES facilitates the advanced study and research of English Studies in the national and international academic community. The Institute, located in Senate House, London, is one of the nine institutes that together comprise the School of Advanced Study, University of London. History The Institute was founded as the Centre for English Studies in 1991. Institute status was conferred by the University Council on 2 December 1998, and it officially became known as the Institute of English Studies on New Year's Day, 1999. The Institute faced closure in 2014, but a successful campaign in 2014 resulted in the reversal of this decision. Networks The Institute is partner in a number of important research networks and collaborations. In 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Simon Fournier
Pierre-Simon Fournier (15 September 1712 – 8 October 1768) was a French mid-18th century punch-cutter, typefounder and typographic theoretician. He was both a collector and originator of types. Fournier's contributions to printing were his creation of initials and ornaments, his design of letters, and his standardization of type sizes. He worked in the rococo form, and designed typefaces including Fournier and Narcissus. He was known for incorporating ‘decorative typographic ornaments’ into his typefaces. Fournier's main accomplishment is that he ‘created a standardized measuring system that would revolutionize the typography industry forever’. He was also known as Fournier le Jeune ("the younger") to distinguish him from his father Jean Claude, who was also in the typesetting industry. In his early life, Fournier studied watercolour with J. B. G. Colson, and later wood engraving. In 1737, Fournier published his first theoretical work, on the minimum spacing between le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutch Taste
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neaten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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