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Choirbook
A choirbook is a large format manuscript used by choirs in churches or cathedrals during the Middle Ages and Renaissance. The book is large enough for the entire choir to read from one book. Choirbooks were generally put on a stand with the smaller boy sopranos in front and the men in back. As the printing of music became easier and paper replaced vellum, choirbooks fell out of favour, replaced by smaller, cheaper, and easier to handle partbooks and octavos. A choirbook was a major investment. Many of them were stark and utilitarian and show signs of heavy and constant use. At larger cathedrals, choirbooks were sometimes lavishly decorated and illuminated. Since they represent an important expense, they were rarely owned by single people, but rather by families or institutions. Major choirbooks * Eton Choirbook *Caius Choirbook *Lambeth Choirbook *Pepys Choirbook *Leiden choirbooks The Leiden choirbooks are six volumes of polyphonic renaissance music of the Franco-Flemish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eton Choirbook
The Eton Choirbook (Eton College MS. 178) is a richly illuminated manuscript collection of English sacred music composed during the late 15th century. It was one of very few collections of Latin liturgical music to survive the Reformation, and hence is an important source. It originally contained music by 24 different composers; however, many of the pieces are damaged or incomplete. It is one of three large choirbooks surviving from early-Tudor England (the others are the Lambeth Choirbook and the Caius Choirbook). The Choirbook was compiled between approximately 1500 and 1505 for use at Eton College; its present binding dates from the mid 16th century. 126 folios remain of the original 224, including the index. In the original, there were a total of 93 separate compositions; however only 64 remain either complete or in part. Some of the 24 composers are known only because of their inclusion in the Eton Choirbook. John Browne has the most compositions (10), followed by Rich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caius Choirbook
The Caius Choirbook is an illuminated choirbook dating to the early sixteenth century and containing music by Tudor-period composers. The book appears to originate from Arundel in Sussex, and to have been created sometime in the late 1520s; the then Master of Arundel College, Edward Higgons, seems to have presented it to the collegiate chapel of Saint Stephen's in Westminster, where he was a canon beginning in 1518. The choirbook is now housed at Gonville and Caius College, Cambridge. The major contributors to the Caius Choirbook are Robert Fayrfax and Nicholas Ludford; between them they contributed at least eleven of its fifteen pieces. Music by older composers, such as Edmund Stourton and Walter Lambe, may be found in the Lambeth and Eton Choirbooks, but not in the Caius Choirbook. Other composers represented in the Caius Choirbook include William Cornysh, Edmund Turges, and Henry Prentes. There is in addition a Mass by William Pasche, based upon ''Christus resurgens'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lambeth Choirbook
The Lambeth Choirbook – also known as the Arundel Choirbook – is an illuminated choirbook dating to the sixteenth century. It contains music for 7 Masses, 4 Magnificats, and 8 motets. Much of the music is by Tudor-period composers. The major contributors are Robert Fayrfax and Nicholas Ludford; between them they contributed at least ten of its nineteen pieces. Only three of Fayrfax's works have his name attached to them, but five other pieces are known as his; these, along with two by Ludford, are known from concordances in the Caius Choirbook and other manuscripts. Seven anonymous pieces exist in the book: *''Ave Dei Patris filia'' *''Ave mundi spes Maria'' *''Gaude flore virginali'' *''Salve regina'' *two ''Magnificats'' *''Vidi aquam egredientem de templo'' (antiphon at the Aspersion before Mass during Eastertide). No concordances for any of these have been traced, and it seems possible that further works by Fayrfax and Ludford might exist among them. The book also co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leiden Choirbooks
The Leiden choirbooks are six volumes of polyphonic renaissance music of the Franco-Flemish school copied for the Pieterskerk, Leiden and now preserved at the Erfgoed Leiden en Omstreken (formerly Gemeentearchief Leiden). The books were compiled for the Pieterskerk's ''Zeven-Getijdencollege'' (College of the Seven Liturgical Hours), a professional choir employed at the Pieterskerk, as at many large Dutch parish churches during the 15th and 16th Centuries, to celebrate the ''officium divinum'' as well as masses for the dead - or rather those of the dead rich enough to have had left bequests and endowments for masses to be sung for them. Leiden was the first city to acquire a professional college for these services, c.1440. Rotterdam, Delft in both churches, Haarlem, Gouda, Alkmaar, and finally Amsterdam (as late as 1468) also set up dedicated "college" choirs. The Liturgy of the Hours in major Dutch churches in the 15th Century was as follows: * Matins ** including Lauds (one combin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pepys Choirbook
The Pepys Manuscript is a late fifteenth-century English choirbook, in the library of Magdalene College, Cambridge, MS Pepys 1236. Along with the Ritson Manuscript it is much less elaborate than the Eton, Lambeth and Caius Choirbooks; it contains shorter and simpler pieces which appear to have been written for smaller and less able choirs. The book received its name because it was part of the collection owned by Samuel Pepys. He described it as containing "monkish music of Edward IV's time, " but it appears on internal evidence to have been begun a year or two earlier. It was likely completed after 1465, as it contains music ascribed to Sir William Hawte Sir William Hawte (also Haute or Haut) (c. 1430 – 2 July 1497) was a prominent member of a Kentish gentry family of long standing in royal service, which, through its near connections to the Woodville family, became closely and dangerously embroi ... – also referred to as a "Knight" – who was knighted in that year. Refere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan De Carrión
''Juan'' is a given name, the Spanish and Manx versions of ''John''. It is very common in Spain and in other Spanish-speaking communities around the world and in the Philippines, and also (pronounced differently) in the Isle of Man. In Spanish, the diminutive form (equivalent to ''Johnny'') is , with feminine form (comparable to ''Jane'', ''Joan'', or ''Joanna'') , and feminine diminutive (equivalent to ''Janet'', ''Janey'', ''Joanie'', etc.). Chinese terms * ( or 娟, 隽) 'beautiful, graceful' is a common given name for Chinese women. * () The Chinese character 卷, which in Mandarin is almost homophonic with the characters for the female name, is a division of a traditional Chinese manuscript or book and can be translated as 'fascicle', 'scroll', 'chapter', or 'volume'. Notable people * Juan (footballer, born 1979), Brazilian footballer * Juan (footballer, born 1982), Brazilian footballer * Juan (footballer, born March 2002), Brazilian footballer * Juan (footballer, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Introit
The Introit (from Latin: ''introitus'', "entrance") is part of the opening of the liturgical celebration of the Eucharist for many Christian denominations. In its most complete version, it consists of an antiphon, psalm verse and ''Gloria Patri'', which are spoken or sung at the beginning of the celebration. It is part of the Proper of the liturgy: that is, the part that changes over the liturgical year. In the Roman Rite of the Catholic Church it is known as the ''antiphona ad introitum'' (Entrance antiphon), as in the text for each day's Mass, or as the ''cantus ad introitum'' (Entrance chant) as in the General Instruction of the Roman Missal, 47 and the First Roman Ordo (sixth to seventh century).Fortescue, A. (1910)"Introit" ''The Catholic Encyclopedia''. Retrieved 2 May 2009 In pre-1970 editions of the Roman Missal, the word ''Introitus'' was used, distinguished from the normal meaning of the word (entrance) by being capitalized. In Ambrosian chant and Beneventan chant, the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Millán De La Cogolla
San Millán de la Cogolla () is a sparsely populated municipality in La Rioja, (Spain). The village is famous for its twin monasteries, Yuso and Suso (Monasterio de San Millán de Yuso and Monasterio de San Millán de Suso), which were declared a World Heritage Site in 1997. There were 293 inhabitants registered in 2009, the population having fallen significantly during the twentieth century. San Millán has a claim to being the birthplace of the Spanish language. The area is Spanish-speaking but some of the local place-names are of Basque origin, and there is evidence that Basque was spoken locally a thousand years ago (see ''Glosas Emilianenses''). Jews were living here as early as at Nájera, and they suffered greatly in the civil war between Peter of Castile and Henry II of Castile. On October 15, 1369, at the request of the directors of the small aljama of San Millán, whose cause was advocated by "certain Jews who were received at court," Henry II of Castile ordered that " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bavarian State Library
The Bavarian State Library (german: Bayerische Staatsbibliothek, abbreviated BSB, called ''Bibliotheca Regia Monacensis'' before 1919) in Munich is the central " Landesbibliothek", i. e. the state library of the Free State of Bavaria, the biggest universal and research library in Germany and one of Europe's most important universal libraries. With its collections currently comprising around 10.89 million books (as of 2019), it ranks among the best research libraries worldwide. Moreover, its historical stock encompasses one of the most important manuscript collections of the world, the largest collection of incunabula worldwide, as well as numerous further important special collections. Its collection of historical prints before 1850 number almost one million units. The legal deposit law has been in force since 1663, regulating that two copies of every printed work published in Bavaria have to be submitted to the Bayerische Staatsbibliothek. This law is still applicable today. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chigi Codex
The Chigi codex is a music manuscript originating in Flanders. According to Herbert Kellman, it was created sometime between 1498 and 1503, probably at the behest of Philip I of Castile. It is currently housed in the Vatican Library under the call number Chigiana, C. VIII. 234. The Chigi codex is notable not only for its vivid and colorful illuminations, which were probably done in Ghent in the workshop of the Master of the Hortulus Animae, but also for its very clear and legible musical notation. It contains a nearly complete catalogue of the polyphonic masses by Johannes Ockeghem and a collection of five relatively early L'homme armé mass settings, including Ockeghem's. Several folia, comprising eight works, were added to the original codex at some point after the manuscript's original creation. These are indicated as such in the list below. The two coats of arms in the page from ''Missa Ecce ancilla Domini'' refer to the Fernández de Córdoba family. A facsimile of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuscript
A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand – or, once practical typewriters became available, typewritten – as opposed to mechanically printing, printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include ''any'' written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same. Before the arrival of printing, all documents and books were manuscripts. Manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, music notation, explanatory figures, or illustrations. Terminology The study of the writing in surviving manuscripts, the "hand", is termed palaeography (or paleography). The traditional abbreviations are MS for manuscript and MSS for manuscripts, while the forms MS., ms or ms. for singular, and MSS., mss or ms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
