Heidelberger Frühling
The International Music Festival Heidelberger Frühling is an annual classical music festival held in Heidelberg in March and April since 1997, with over 100 events and 47,000 visitors (2018). In addition to the festival's productions and concert operations with internationally established performers, ensembles and orchestras, the "Heidelberger Frühling", organised as a non-profit limited liability company, conceives and organises other projects such as the Heidelberg String Quartet Festival, the Heidelberg Festival Academy for Lied Singing, Chamber Music, Composition and Music Journalism, and the Heidelberg Music Conference, an annual meeting of major European festivals and concert halls. The managing director is Thorsten Schmidt.''Scholarship holders for ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Music Festival
A music festival is a community event with performances of singing and instrument playing that is often presented with a theme such as musical genre (e.g., rock, blues, folk, jazz, classical music), nationality, locality of musicians, or holiday. Music festivals are generally organized by individuals or organizations within networks of music production, typically music scenes, the music industries, or institutions of music education. The music festival is the largest and one of the most important performance institutions in music life, a place for experiencing where the culture is at. Music festivals are commonly held outdoors, with tents or roofed temporary stages for the performers. Often music festivals host other attractions such as food and merchandise vending, dance, crafts, performance art, and social or cultural activities. Many festivals are annual, or repeat at some other interval, while some are held only once. Some festivals are organized as for-profit concerts ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Matan Porat
Matan Porat ( he, מתן פורת), is an Israeli pianist and composer. He lives in Berlin. Life Porat has a master's degree from the Juilliard School in New York City. He has studied piano under Emanuel Krasovsky, on Bach Cantatas Website and and composition with Ruben Seroussi and George Benjamin. He has performed piano recitals at the [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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SAS Institute
SAS Institute (or SAS, pronounced "sass") is an American multinational developer of analytics software based in Cary, North Carolina. SAS develops and markets a suite of analytics software ( also called SAS), which helps access, manage, analyze and report on data to aid in decision-making. The company is the world's largest privately held software business and its software is used by most of the Fortune 500. SAS Institute started as a project at North Carolina State University to create a statistical analysis system (hence the proper name, Statistical Analysis System) that was originally used primarily by agricultural departments at universities in the late 1960s. It became an independent, private business led by current CEO James Goodnight and three other project leaders from the university in 1976. SAS grew from $10 million in revenues in 1980 to $1.1 billion by 2000. In 1998 a larger proportion of these revenues were spent on research and development than at most other soft ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Andrè Schuen
Andrè Schuen (born 1984 in La Val, South Tyrol) is an Italian baritone in opera, concert and lied. After education at the Mozarteum University Salzburg, he has been an ensemble member of the Graz Opera. Life Education Andrè Schuen comes from a musical family of Ladins, Ladin origins. His sisters Elisabeth and Marlene Schuen are members of the pop trio Ganes (band), Ganes, which is closely linked to their local culture. He studied solo singing with and lied and oratorio with Wolfgang Holzmair at the Mozarteum University Salzburg. He also attended a number of master classes, including with Sir Thomas Allen (baritone), Thomas Allen, Brigitte Fassbaender, Marjana Lipovsek and Olaf Bär. In 2009, Schuen was a prize winner at the Internationale Sommerakademie Mozarteum Salzburg and won first prize in the Walter and Charlotte Hamel Foundation singing competition. In 2010 he graduated with distinction and was awarded the Hanna Ludwig Prize and the Lilli Lehmann Medal. Opera Schuen appe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hanna-Elisabeth Müller
Hanna-Elisabeth Müller (born 3 May 1985 at Mannheim) is a German soprano in opera, concert and recitals. Life Musical education As a child, Müller took violin lessons with Dinu Hartwich and later joined a choir. Since the age of 11, she took vocal lessons with Judith Janzen to sing solo parts. In 1998, she performed the boy soprano in Leonard Bernstein's ''MASS'' during the ''Kultursommer Ludwigshafen''. She continued singing as a hobby during her high school education and earned several prizes in the junior musician's competition Jugend musiziert. Early career Following her high school degree, she studied vocal arts in the soloist class of former opera singer Rudolf Piernay at the Hochschule für Musik und Darstellende Kunst Mannheim. To complete her studies, she attended master classes of Dietrich Fischer-Dieskau, Júlia Várady, Edith Wiens, Elly Ameling, Thomas Hampson and Wolfram Rieger. In the song duo competition 2009 at Enschede, Netherlands, she gained, togeth ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Christoph Prégardien
Christoph Prégardien (born 18 January 1956) is a German lyric tenor whose career is closely associated with the roles in Mozart operas, as well as performances of Lieder, oratorio roles, and Baroque music. He is well known for his performances and recordings of the Evangelist roles in Bach's ''St John Passion'' and ''St Matthew Passion''. Born in Limburg an der Lahn, he began his musical education as a choirboy at the cathedral's boys' choir, the Limburger Domsingknaben. He then studied singing with Martin Gründler and Karlheinz Jarius in Frankfurt at the Hochschule für Musik, with Carla Castellani in Milan, with Alois Treml in Stuttgart, and attended Hartmut Höll's lieder-class. His orchestral and oratorio repertory spans a wide range from the great Baroque, Classical and Romantic Oratorios to 20th-century works by Britten, Killmayer, Rihm, and Stravinsky. Also recognized as an eminent recitalist, he regularly performs at the major recital venues in Paris, London, Bru ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Christian Gerhaher
Christian Gerhaher (born 24 July 1969, in Straubing) is a German baritone and bass singer in opera and concert, particularly known as a Lieder singer. Career Christian Gerhaher studied with Paul Kuën and Raimund Grumbach at the Hochschule für Musik und Theater München, and Lied with Friedemann Berger, already together with his accompanist for decades to come, Gerold Huber. He took master classes with Dietrich Fischer-Dieskau (whose voice Gerhaher's remarkably resembles), Elisabeth Schwarzkopf and Inge Borkh.Christian Gerhaher on Bach Cantatas website He was a member of the opera in from 1998 to 2000, performing in [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Christine Schäfer
Christine Schäfer (born 3 March 1965) is a German operatic soprano. Biography Schäfer was born in Frankfurt. She studied from 1984 until 1991 at the Hochschule der Künste Berlin, where her teachers were Ingrid Figur, Aribert Reimann and Dietrich Fischer-Dieskau. She also took master classes with Arleen Augér and Sena Jurinac. After finishing her studies in 1992, Schäfer began singing at the opera house in Innsbruck. The next year she made her debut in the United States, singing Sophie in ''Der Rosenkavalier'' in San Francisco. In 1995, she performed to great acclaim during the Salzburg Festival as the title role in Berg's ''Lulu'', a part she would later sing at the Metropolitan Opera and at Glyndebourne. Other notable opera roles were ''Alcina'' at the Drottningholm Palace Theatre, Donna Anna in a production of ''Don Giovanni'' in the Palais Garnier, directed by Michael Haneke and Gilda in a 2000 BBC production of Rigoletto at Covent Garden. In June 2007, she interpre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jonas Kaufmann
Jonas Kaufmann (born 10 July 1969) is a German operatic tenor. He is best known for the versatility of his repertoire, performing a variety of opera roles in multiple languages in recitalTommasini, Anthony (21 February 2014)"A Tenor Finds Energy for Intense, Lyrical Pain" ''The New York Times''. Retrieved 26 December 2014. and concert each season. Some of his standout roles include Don José in ''Carmen'', Cavaradossi in ''Tosca'', Maurizio in ''Adriana Lecouvreur'', Don Alvaro in ''La forza del destino'', Siegmund in ''Die Walküre'', and the title roles in ''Parsifal'', ''Werther'', ''Don Carlos'', and ''Lohengrin''. In 2014 ''The New York Times'' described Kaufmann as "a box-office draw, and... the most important, versatile tenor of his generation." Early life and education Kaufmann was born in Munich. His father worked for an insurance company, and his mother was a kindergarten teacher. He had one older sister. He started studying piano when he was eight, and he sang in his el ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Annette Dasch
Annette Dasch (born 24 March 1976) is a German soprano. She performs in operas and concerts. Biography Born in West Berlin, Annette Dasch studied voice at the Hochschule für Musik und Theater München with Josef Loibl. She made her debut at the Bavarian State Opera as the Gänsemagd (Goose girl) in Humperdinck's ''Königskinder'', at La Scala as Elvira in Mozart's ''Don Giovanni'', at the Salzburg Festival 2006 as Aminta in his ''Il re pastore'', staged and conducted by Thomas Hengelbrock, and at the Paris Opera as Antonia in Offenbach's ''The Tales of Hoffmann''.Annette Dasch on Bach Cantatas website Her performance of Schumann's '''' at the [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Artistic Director
An artistic director is the executive of an arts organization, particularly in a theatre or dance company, who handles the organization's artistic direction. They are generally a producer and director, but not in the sense of a mogul, since the organization is generally a non-profit organization. The artistic director of a theatre company is the individual with the overarching artistic control of the theatre's production choices, directorial choices, and overall artistic vision. In smaller theatres, the artistic director may be the founder of the theatre and the primary director of its plays. In larger non-profit theatres (often known in Canada and the United States as regional theatres), the artistic director may be appointed by the board of directors. Overview The artistic director of a performing dance company is similar to the musical director of an orchestra, the primary person responsible for planning a company's season. The artistic director's responsibilities can in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Art Song
An art song is a Western vocal music composition, usually written for one voice with piano accompaniment, and usually in the classical art music tradition. By extension, the term "art song" is used to refer to the collective genre of such songs (e.g., the "art song repertoire").Meister, ''An Introduction to the Art Song'', pp. 11–17. An art song is most often a musical setting of an independent poem or text, "intended for the concert repertory" "as part of a recital or other relatively formal social occasion". While many pieces of vocal music are easily recognized as art songs, others are more difficult to categorize. For example, a wordless vocalise written by a classical composer is sometimes considered an art song and sometimes not. Other factors help define art songs: *Songs that are part of a staged work (such as an aria from an opera or a song from a musical) are not usually considered art songs.Kimball, p. xiv However, some Baroque arias that "appear with great frequ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |