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Have A Nice Day (Count Basie Album)
''Have a Nice Day'' is a 1971 studio album by Count Basie and his orchestra, with all music composed and arranged by Sammy Nestico. This was Basie's debut recording for Daybreak. Sammy Nestico, a graduate of Duquesne University who worked for the US Air Force Band, primarily the Airmen of Note, in Washington, DC for 12 years after World War II, had at this time been writing for Basie for four years. On this album Basie recorded the song ''Scott's Place'' written for KFI jazz DJ Scott Ellsworth. Like all other cuts on the LP it was composed by Sammy Nestico. This later became the theme music for Ellsworth's night time radio program. The title track of this album was also used as theme music. Radio personality J.P. McCarthy used ''Have a Nice Day'' to open his "Morning Music Hall" on WJR, a powerful Detroit AM radio station, for several years in the early to mid 1970s. McCarthy overlaid the first few bars of the song with the sound of a wind-up alarm clock, first ticking and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Keenan
Norman Dewey Keenan (November 23, 1916 in Union, South Carolina – February 12, 1980 in New York City) was an American jazz double-bassist. Keenan began playing piano before learning bass at age 15. He worked with Tiny Bradshaw (mid-1930s), Lucky Millinder (1939–40), Henry Wells (1940), Earl Bostic, and Cootie Williams, and jammed at Minton's Playhouse around the same time. Following World War II he worked with Williams again and with Eddie Cleanhead Vinson in 1947-49. From 1949 to 1957 he was the bassist in the house trio at the Village Vanguard. After backing Harry Belafonte from 1957 to 1962 and working on the TV show ''Hootenanny'', he began playing jazz again in the 1960s, with Count Basie (1965-74) and Roy Eldridge (1966). Discography As sideman With Count Basie * ''Sinatra at the Sands'' (Reprise, 1966) * ''Basie Meets Bond'' (United Artists, 1966) * ''Arthur Prysock/Count Basie'' (Verve, 1966) * ''Basie's Beatle Bag'' (Verve, 1966) * ''Basie's Beat'' (Verve, 1967) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Green
Frederick William Green (March 31, 1911 – March 1, 1987) was an American swing jazz guitarist who played rhythm guitar with the Count Basie Orchestra for almost fifty years. Early life and education Green was born in Charleston, South Carolina on March 31, 1911. He was exposed to music from an early age, and learned the banjo before picking up the guitar in his early teenage years. A friend of his father by the name of Sam Walker taught a young Freddie to read music, and keenly encouraged him to keep up his guitar playing. Walker gave Freddie what was perhaps his first gig, playing with a local community group of which Walker was an organizer. Another member of the group was William "Cat" Anderson, who went on to become an established trumpeter, working with notable figures such as Duke Ellington. Career It was around this time that Green's parents died, and he moved to New York City to live with his aunt and continue his education. The move opened up a new musical world ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Davis (saxophonist)
Edward, Ed, Eddie or Teddy Davis may refer to: In sports * Edward Davis or Mickey Davis (born 1950), American basketball player * Eddie Davis (boxer) (born 1951), light heavyweight boxer * Eddie Davis (Canadian football) (born 1973), football player * Ed Davis (basketball) (born 1989), American player * Eddie Davis (cricketer) (1922–2011), English cricketer * Peanuts Davis (Edward A. Davis, 1917–1974), American baseball player * Teddy Davis (1923–1966), boxer * T. Edward Davis (1898–1970), American football, basketball, and baseball coach In politics and government * Edward S. Davis (1808–1887), Massachusetts politician * Edward M. Davis (1916–2006), California State Senator and LAPD police chief * Edward B. Davis (1933–2010), American judge * Ed Davis (police commissioner) (born 1956), Commissioner of the Boston Police Department * Ed Davis (politician) (1890–1956), Washington politician * Edward Davis (car dealer) (1911–1999), American car dealer * Admiral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Dixon
Eric "Big Daddy" Dixon (March 28, 1930 – October 19, 1989) was an American jazz tenor saxophonist, flautist, composer, and arranger. Dixon's professional career extended from 1950 until his death in 1989, during which time he was credited on as many as 200 recordings. Career Having played bugle as a child, Dixon took up the tenor saxophone at the age of 12. Following a stint experience a musician in the US Army (1951–3) he played in groups that sometimes included Mal Waldron, with whom he would later record. In 1954, he played with Cootie Williams and the following year with Johnny Hodges. In 1956, he performed and recorded with Bennie Green and also took up the flute. In the late 1950s he spent four years in the house band led by Reuben Phillips at the Apollo Theatre in New York. In 1959, he toured Europe and recorded with the Cooper Brothers.Lambert, Eddie; Barry Kernfel"Dixon, Eric".''Grove Music Online''. Oxford University Press. Retrieved 10 December 2022. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtis Peagler
Curtis Peagler (September 17, 1929 — December 19, 1992) was an American jazz saxophonist who specialized in straight-ahead jazz and hard bop. Early life Peagler was born in Cincinnati, Ohio. He played in the blues genre during the first phase of his career, before joining the U.S. Army for two years from 1953 to 1955. Career Around 1960 Peagler led a band called the Modern Jazz Disciples, which specialized in hard bop. The band included a euphonium and normaphone player, William "Hicky" Kelley, an unusual instrument for jazz musicians to play during the era. The Disciples recorded two albums: the self-titled ''Modern Jazz Disciples'' (1959) and ''Right Down Front'' (1962). Peagler recorded as a member of Lem Winchester's sextet that recorded the album ''Lem's Beat'' in 1960, just a year before the vibraphone player died of a gun accident. Peagler moved to Los Angeles in 1962. After playing with Ray Charles during the late 1960s, he became a member of Count Basie's Band d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Plater
Robert C. Plater (May 13, 1914, Newark, New Jersey - November 20, 1982, Lake Tahoe) was an American jazz alto saxophonist. Plater began playing alto sax at age 12, and played locally in Newark with Donald Lambert and the Savoy Dictators in the 1930s. He played with Tiny Bradshaw from 1940-42 before spending 1942-45 serving in the U.S. military during World War II. After his discharge he worked briefly with Cootie Williams, then played intermittently with Lionel Hampton between 1946 and 1964. He also did arrangements with Hampton, and did some freelance work besides. In 1964 he took Frank Wess's place in the Count Basie Orchestra, where he played until his death in 1982. His only recordings as a leader were four songs for Bullet Records in 1950. Plater was the co-composer of "Jersey Bounce", a popular dance number in the 1940s, recorded by various musicians including Glenn Miller and Ella Fitzgerald. Discography As sideman With Count Basie * ''Pop Goes the Basie'' (Reprise, 1965 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
