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Hashem Muhammad Al-Baghdadi
Hashem Muhammad al-Baghdadi (1917–1973) was an Iraqi master calligrapher, noted for his lettering which exhibited a steadiness of hand and fluidity of movement. In his later life, he was acknowledged as the "imam of calligraphy" across the Arab world, and would be the last of the classical calligraphers. He also authored several important texts on the art of calligraphy. Life and career Born Abu Rakeem Hashim Muhammad al-Hajj Derbas al-Qaisi, he became known as "al Baghdadi", occasionally by his nickname "al Khattat" and sometimes simply called "Hashem the calligrapher". He was born in the Khun Land district of Baghdad in 1917 into a poor but respected family. He was attracted to calligraphy from an early age, drawing his inspiration from reading scripture and observing the calligraphy that decorated local mosques As a youth, he studied briefly with Mullah Aref al-Shaikhli in Baghdad, at the Al-Ahmadiyya School, which was owned by Al-Shaikhli. From the outset, he showed an ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamid Aytaç
Hamid Aytaç (pronounced Aytach) (b. 1891, Diyarbakır - d. 18 May 1982) was an Islamic calligrapher born during Ottoman times. In his later life, he was acknowledged as the Islamic world's leading calligrapher and was one of the last of the classical calligraphers. Life and career Born Sheikh Musa Azmi, in 1891 in Diyarbakır, his paternal great-grandfather was the calligrapher Adem-i Amidi. In international circles, he is also known as Hamid Al Amidi. Some of his works may be found to be signed as Azmi. He is known by the pseudonym Hamid."Hamid Aytac zmi, Musa; al-Amidi, Hamid(1891-1982)", ''Journal of Ottoman Calligraphy''Hamid Aytac (Azmi, Musa; al-Amidi, Hamid) (1891-1982)/ref> Hamid learned the jali-thuluth ( Turkish: celi-sülüs) style from Mehmed Nazif (1846–1913), the naskh and thuluth styles from Kamil Akdik (1862–1941) and the ta'liq style from Mehmed Hulusi (1869–1940). He was one of the final links in the strict master-student system that had been i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thuluth
''Thuluth'' ( ar, ثُلُث, ' or ar, خَطُّ الثُّلُثِ, '; fa, ثلث, ''Sols''; Turkish: ''Sülüs'', from ' "one-third") is a script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new script by curved and oblique lines. In ''Thuluth'', one-third of each letter slopes, from which the name (meaning "a third" in Arabic) comes. An alternative theory to the meaning is that the smallest width of the letter is one third of the widest part. It is an elegant, cursive script, used in medieval times on mosque decorations. Various calligraphic styles evolved from ''Thuluth'' through slight changes of form. History The greatest contributions to the evolution of the ''Thuluth'' script occurred in the Ottoman Empire in three successive steps that Ottoman art historians call "calligraphical revolutions": *The first revolution occurred in the 15th century and was initiated by the master calligrapher Sheikh Hamdullah. *The second revolutio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Calligraphy
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy.Chapman, Caroline (2012). ''Encyclopedia of Islamic Art and Architecture'', It is known in Arabic as ''khatt Arabi'' (), which translates into Arabic line, design, or construction. The development of Islamic calligraphy is strongly tied to the Qur'an; chapters and excerpts from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people and animals are not explicitly forbidden by the Qur'an, pictures have traditionally been limited in Islamic books in order to avoid idolatry. Although some scholars dispute this, Kufic script was supposedly developed around the end of the 7th century in Kufa, Iraq, from which it takes its name. The style later developed into several varieties, including floral, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohammad Hosni
Mohammad Hosni, also known as Muhammad Kamal Hosny Al Baba ( ar, محمد حسني البابا), was a Syrian master calligrapher, at the Royal Institute of Calligraphy in Cairo. He was one of the last of the classical calligraphers, who is noted for making a number of improvements to the lettering. He excelled in the “Thuluth” school of calligraphy. Early life Born in 1894 in Damascus, Ottoman Syria into the Al Baba clan, his brother was Syrian artist Anwar al-Baba, known as "Umm Kamel". He was fond of calligraphy from his early childhood. Mohammad Hosni received his initial formal training with the Turkish master, Istanbul-based Yousef Rasa (d. 1915) who had renovated the Umayyad Mosque in Damascus at the turn of the twentieth century. Yousef Rasa was commissioned by the Ottoman Caliph, Abdul Hameed to prepare the calligraphy of the Umayyad Mosque in Damascus during its restoration, which is how Hosni and Rasa met. Hosni later studied with Mohammad Shawqi (also known as Meh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Dimension Group
The One Dimension Group ( ''Al Bu'd al Wahad'') was a modern art collective founded in Iraq, by Shakir Hassan Al Said in 1971 which attempted to combine medieval Sufi traditions with contemporary, abstract art. Although the One Dimension Group was founded in Iraq, its members originated from across Arab nations, and its influence was felt across the Arab art world. Background One Dimension is one of a number of art groups that formed in 20th-century Iraq. During the first world war, a small group of European officers and artists settled in Iraq, exposing young artists to Western art traditions and techniques. While local artists and middle classes developed an appreciation for European art, the arts community searched for ways of synthesising indigenous art with international trends. In effect, these groups were seeking to forge an Arabic art aesthetic and to use art to help their nations reassert a sense of national identity. Between the 1930s and the early 1970s, more than s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quran
The Quran (, ; Standard Arabic: , Classical Arabic, Quranic Arabic: , , 'the recitation'), also romanized Qur'an or Koran, is the central religious text of Islam, believed by Muslims to be a revelation in Islam, revelation from God in Islam, God. It is organized in 114 surah, chapters (pl.: , sing.: ), which consist of āyah, verses (pl.: , sing.: , construct case, cons.: ). In addition to its religious significance, it is widely regarded as the finest work in Arabic literature, and has significantly influenced the Arabic language. Muslims believe that the Quran was orally revealed by God to the Khatam an-Nabiyyin, final prophet, Muhammad in Islam, Muhammad, through the archangel Gabriel incrementally over a period of some 23 years, beginning in the month of Ramadan, when Muhammad was 40; and concluding in 632, the year of his death. Muslims regard the Quran as Muhammad's most important miracle; a proof of his prophethood; and the culmination of a series of divine message ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baghdad School
The Baghdad School, also known as the Arab school, was a relatively short-lived yet influential school of Islamic art developed during the late 12th century in the capital Baghdad of the ruling Abbasid Caliphate. The movement had largely died out by the early 14th century, five decades following the invasion of the Mongols in 1258 and the downfall of the Abbasids' rule, and would eventually be replaced by stylistic movements from the Mongol tradition. The Baghdad School is particularly noted for its distinctive approach to manuscript illustration. The faces depicted in illustrations were individualized and expressive, with the scenes often highlighting realistic features of everyday life from the period. This stylistic movement used strong, bright colors, and employed a balanced sense of design and a decorative quality, with illustrations often lacking traditional frames and appearing between lines of text on manuscript pages.Encyclopædia Britannica Online, s. v. "Baghdad sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iraqi Art
Iraqi art is one of the richest art heritages in world and refers to all works of visual art originating from the geographical region of what is present day Iraq since ancient Mesopotamian periods. For centuries, the capital, Baghdad was the Medieval centre of the literary and artistic Arab world during the Abbasid Caliphate, in which Baghdad was the capital, but its artistic traditions suffered at the hands of the Mongol invaders in the 13th century. During other periods it has flourished, such as during the reign of Pir Budaq, or under Ottoman rule in the 16th century when Baghdad was known for its Ottoman miniature painting. In the 20th century, an art revival, which combined both tradition and modern techniques, produced many notable poets, painters and sculptors who contributed to the inventory of public artworks, especially in Baghdad. These artists are highly regarded in the Middle East, and some have earned international recognition. The Iraqi modern art movement had a pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Iraqi Artists
The following is a list of important artists, including visual arts, poets and musicians, who were born in Iraq, active in Iraq or whose body of work is primarily concerned with Iraqi themes or subject matter. Note: This article uses Arabic naming customs: the name "al" (which means 'from a certain place') or "ibn" or "ben" (which means 'son of') are not used for alphabetical indexing. Artists are listed alphabetically by their paternal family name. For example, the Iraqi artist Hashem Muhammad al-Baghdadi, is listed under "B" for Baghdadi, the paternal family name while the artist Zigi Ben-Haim, is listed under "H" for Haim. A *Faraj Abbo (1921-1984) artist, theatre director, designer, author and educator * Firyal Al-Adhamy (also known as Ferial al-Althami) (b. 1950) hurufiyya artist, calligrapher * Kajal Ahmad (b. 1967 Kirkuk) Kurdish-Iraqi poet *Najiba Ahmad (b. 1954) poet * Modhir Ahmed (born 1956), visual artist * Sadik Kwaish Alfraji (b. Baghdad, 1960), multi-media ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artists From Baghdad
An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse refers to a practitioner in the visual arts only. However, the term is also often used in the entertainment business, especially in a business context, for musicians and other performers (although less often for actors). "Artiste" (French for artist) is a variant used in English in this context, but this use has become rare. Use of the term "artist" to describe writers is valid, but less common, and mostly restricted to contexts like used in criticism. Dictionary definitions The ''Oxford English Dictionary'' defines the older broad meanings of the term "artist": * A learned person or Master of Arts. * One who pursues a practical science, traditionally medicine, astrology, alchemy, chemistry. * A follower of a pursuit in which skill comes by study or practice. * A follower of a manual art, such as a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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