|
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedal Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a Sound board (music), soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard Manual (music), manual, and even a #Pedal harpsichord, pedal board. Harpsichords may also have Organ stop, stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruckers
The Ruckers family (variants: Ruckaert, Ruckaerts, Rucqueer, Rueckers, Ruekaerts, Ruijkers, Rukkers, Rycardt) were harpsichord and virginal makers from the Southern Netherlands based in Antwerp in the 16th and 17th century. Their influence stretched well into the 18th century, and to the harpsichord revival of the 20th. The Ruckers family contributed immeasurably to the harpsichord's technical development, pioneering the addition of a second manual; the quality of their instruments is such that the name of Ruckers is as important to early keyboard instruments as that of Stradivarius is to the violin family. In the 18th century, Ruckers instruments were often modified by French makers in a process known as ''ravalement'', to allow for an extended range and other additions. The Ruckers family The family probably originated in Germany. The earliest known member, Hans Ruckers, was from Weissenburg, according to documents from 1530 in the Antwerp city archives, and the similarly name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burkat Shudi
Burkat Shudi (variants: Burkhart, Burkhardt, Schudi, Tschudi, Tshudi) (13 March 1702 – 19 August 1773) was an English harpsichord maker of Swiss origin. Biography He was born in Schwanden in the Canton of Glarus, and arrived in England in 1718, where he started work as a joiner. He married Catherine Wild, whose parents came from the same town as him, in 1728. John Broadwood worked for him from 1761, and in 1769 became his partner after marrying his daughter Barbara. Johannes Zumpe also worked for him. He retired in 1771, being succeeded by his son, who was also called Burkat (c.1738–1803), following whose death the firm was taken over entirely by Broadwood, who had by then become a piano maker. There are twenty-three harpsichords by Shudi and 27 by Shudi and Broadwood in existence today. Three harpsichords exist by his nephew Joshua, who worked for him unsatisfactorily for a while, and one signed 'Bernard Shudi', about whom nothing is known. Shudi's harpsichords His ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plectrum
A plectrum is a small flat tool used for plucking or strumming of a stringed instrument. For hand-held instruments such as guitars and mandolins, the plectrum is often called a pick and is held as a separate tool in the player's hand. In harpsichords, the plectra are attached to the jack mechanism. Plectra wielded by hand Guitars and similar instruments A plectrum for electric guitars, acoustic guitars, bass guitars and mandolins is typically a thin piece of plastic or other material most commonly shaped like a pointed teardrop or triangle, though the size, gauge, shape and width may vary considerably. Banjo and guitar players may wear a metal or plastic thumb pick mounted on a ring, and bluegrass banjo players often wear metal or plastic fingerpicks on their fingertips. Many guitarists use fingerpicks as well. Guitar picks are made of a variety of materials, including celluloid, metal, and rarely other exotic materials such as turtle shell, but today delrin (a synthetic t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virginals
The virginals (or virginal) is a keyboard instrument of the harpsichord family. It was popular in Europe during the late Renaissance and early Baroque periods. Description A virginal is a smaller and simpler rectangular or polygonal form of harpsichord with only one string per note running more or less parallel to the keyboard on the long side of the case. Many, if not most, of the instruments were constructed without legs, and would be placed on a table for playing. Later models were built with their own stands. Mechanism The mechanism of the virginals is identical to the harpsichord's, in that its wire strings are plucked by plectra mounted in jacks. Its case, however, is rectangular or polygonal, and the single choir of strings—one per note—runs roughly parallel to the keyboard. The strings are plucked either near one end, as with the harpsichord, or, in the case of the muselar, nearer the middle, producing a more flute-like tone reduced in upper harmonics. Etymolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirkman (harpsichord Makers)
The Kirkman family (variants: Kirckman, Kirchmann) were English harpsichord and later piano makers of Alsatian origin, active from the 1770s until the late 1800s. Members of the Kirkman family Jacob Kirkman (4 March 1710 – 9 June 1792) was born in Bischwiller, Alsace and moved to England in the early 1730s. He worked for Hermann Tabel, and married his widow in 1738. He became a British subject in 1755. He died in Greenwich and is buried in St Alfege Church in Greenwich. Abraham Kirkman (1737 – 16 April 1794), also born in Bischwiller, was Jacob Kirkman's nephew. In 1772 they formed a partnership. He died in Hammersmith. Joseph Kirkman I was the son of Abraham Kirkman, and followed his father in his craft, eventually going into partnership with him. Joseph Kirkman II (c.1790 – 1877) was the son of Joseph Kirkman I and like him became an instrument maker, helping his father with the last harpsichord they made in 1809 (though the latest surviving today is dated 1800). Kir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pascal Taskin
Pascal-Joseph Taskin (27 July 1723 – 9 February 1793) was a Belgium-born French harpsichord and piano maker. Biography Pascal Taskin, born in Theux near Liège, but worked in Paris for most of his life. Upon his arrival in Paris, he apprenticed in the workshop of François-Étienne Blanchet II. Little else is known of his activity until Blanchet's death on April 27, 1766. In early November of that year, he became a master harpsichord maker in the guild of instrument makers and took over the Blanchet workshop, and by the end of that month, he had married Blanchet's widow. The continuity between the Blanchet and Taskin traditions is indicated by the note Taskin attached to his instruments until 1770: : Taskin inherited Blanchet's title of royal harpsichord maker (''facteur des clavessins du Roi'') and additionally became keeper of the King’s instruments alongside Christophe Chiquelier in 1770, though he only fully occupied that role when Chiquelier retired in 1774. In order to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spinet
A spinet is a smaller type of harpsichord or other keyboard instrument, such as a piano or organ. Harpsichords When the term ''spinet'' is used to designate a harpsichord, typically what is meant is the ''bentside spinet'', described in this section. For other uses, see below. The bentside spinet shares most of its characteristics with the full-size instrument, including action, soundboard, and case construction. What primarily distinguishes the spinet is the angle of its strings: whereas in a full-size harpsichord, the strings are at a 90-degree angle to the keyboard (that is, they are parallel to the player's gaze); and in virginals they are parallel to the keyboard, in a spinet the strings are at an angle of about 30 degrees to the keyboard, going toward the right. The case of a bentside spinet is approximately triangular. The side on the right is usually bent concavely (hence the name of the instrument), curving away from the player toward the right rear corner. The long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Goldstein
Martha Goldstein (born Martha Svendsen; June 10, 1919 – February 14, 2014) was an American harpsichordist and pianist, who gave concerts in the United States, North Africa, the Middle East, and Europe. She performed works by George Frideric Handel, Frédéric Chopin, Georg Philipp Telemann, Franz Liszt, Ferruccio Busoni, Johann Sebastian Bach, and others. Biography Born in Baltimore, Maryland, Goldstein was trained at the Peabody Conservatory and the Juilliard School and studied with Audrey Plitt, Eliza Woods, James Friskin and Mieczysław Munz. She taught at the Peabody Conservatory for 20 years and at the Cornish College of the Arts. She also performed as a guest artist with the Soni Ventorum Wind Quintet, wind quintet-in-residence at the University of Washington School of Music since 1968. Many of Goldstein's recordings were first released on LP by Pandora Records, which was founded in 1973 and active for more than ten years. The company went out of business with the advent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hieronymus Albrecht Hass
Hieronymus Albrecht Hass (variants Haas, Hasse, Hase, Hasch) (1 December 1689 – 19 June 1752) (dates of baptism and burial) was a German harpsichord and clavichord maker. He was the father of Johann Adolph Hass, who also made harpsichords and clavichords. Life He received Hamburg citizenship on 2 October 1711, and was born and died there. In 1713 he was described as ''Instrumentenmacher'' and ''Clavirmacher'' on his son's birth certificate. The latest known instruments by him are two unfretted clavichords, dated 1744; a ''Clavicimbel'' for Duke Friedrich Carl von Plön was delivered the same year. The first recorded reference to his family was in 1758, when Adlung described 'Hasse in Hamburg' as the maker of a ''cembal d'amour''. Later, in 1773, English music historian Charles Burney noted 'Hasse, father and son, both dead' as German organ builders, and that 'their Flügel and Claviere are much sought after'. Instruments Of the Hass family instruments, Frank Hubbard wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
