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Spinet
A spinet is a smaller type of harpsichord or other keyboard instrument, such as a piano or organ. Harpsichords When the term ''spinet'' is used to designate a harpsichord, typically what is meant is the ''bentside spinet'', described in this section. For other uses, see below. The bentside spinet shares most of its characteristics with the full-size instrument, including action, soundboard, and case construction. What primarily distinguishes the spinet is the angle of its strings: whereas in a full-size harpsichord, the strings are at a 90-degree angle to the keyboard (that is, they are parallel to the player's gaze); and in virginals they are parallel to the keyboard, in a spinet the strings are at an angle of about 30 degrees to the keyboard, going toward the right. The case of a bentside spinet is approximately triangular. The side on the right is usually bent concavely (hence the name of the instrument), curving away from the player toward the right rear corner. The long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oval Spinet
The oval spinet is a type of harpsichord invented in the late 17th century by Bartolomeo Cristofori, the Italian instrument maker who later achieved fame for inventing the piano. The oval spinet was unusual for its shape, the arrangement of its strings, and for its mechanism for changing registration. The two oval spinets built by Cristofori survive today. One, built in 1690, is kept in the Museo degli strumenti musicali, part of the Galleria del Accademia in Florence. The other, from 1693, is in the Museum für Musikinstrumente of the University of Leipzig. Design String layout In the oval spinet, the strings were placed parallel to the keyboard, the same arrangement as in a virginals. This can be seen in the following schematic false-color diagram of the 1690 oval spinet, showing the outline, keyboard, bridges, and string arrangement. The diagram and those that follow are colorizations of an original by Tony Chinnery. Unlike in a virginals, the longest strings in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virginals
The virginals (or virginal) is a keyboard instrument of the harpsichord family. It was popular in Europe during the late Renaissance and early Baroque periods. Description A virginal is a smaller and simpler rectangular or polygonal form of harpsichord with only one string per note running more or less parallel to the keyboard on the long side of the case. Many, if not most, of the instruments were constructed without legs, and would be placed on a table for playing. Later models were built with their own stands. Mechanism The mechanism of the virginals is identical to the harpsichord's, in that its wire strings are plucked by plectra mounted in jacks. Its case, however, is rectangular or polygonal, and the single choir of strings—one per note—runs roughly parallel to the keyboard. The strings are plucked either near one end, as with the harpsichord, or, in the case of the muselar, nearer the middle, producing a more flute-like tone reduced in upper harmonics. Etymolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virginal
The virginals (or virginal) is a keyboard instrument of the harpsichord family. It was popular in Europe during the late Renaissance and early Baroque periods. Description A virginal is a smaller and simpler rectangular or polygonal form of harpsichord with only one string per note running more or less parallel to the keyboard on the long side of the case. Many, if not most, of the instruments were constructed without legs, and would be placed on a table for playing. Later models were built with their own stands. Mechanism The mechanism of the virginals is identical to the harpsichord's, in that its wire strings are plucked by plectra mounted in jacks. Its case, however, is rectangular or polygonal, and the single choir of strings—one per note—runs roughly parallel to the keyboard. The strings are plucked either near one end, as with the harpsichord, or, in the case of the muselar, nearer the middle, producing a more flute-like tone reduced in upper harmonics. Etymology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Cristofori
Bartolomeo Cristofori di Francesco (; May 4, 1655 – January 27, 1731) was an Italian maker of musical instruments famous for inventing the piano. Life The available source materials on Cristofori's life include his birth and death records, two wills, the bills he submitted to his employers, and a single interview carried out by Scipione Maffei. From the latter, both Maffei's notes and the published journal article are preserved. Cristofori was born in Padua in the Republic of Venice. Nothing is known of his early life. A tale is told that he served as an apprentice to the great violin maker Nicolò Amati, based on the appearance in a 1680 census record of a "Christofaro Bartolomei" living in Amati's house in Cremona. However, as Stewart Pollens points out, this person cannot be Bartolomeo Cristofori, since the census records an age of 13, whereas Cristofori according to his baptismal record would have been 25 at the time. Pollens also gives strong reasons to doubt the a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spinettone
The spinettone ("big spinet") was a kind of harpsichord invented in the late 17th century by Bartolomeo Cristofori, who was later the inventor of the piano. Other names for this instrument were spinettone da teatro ("of the theater"), ''spinetta traversa'' ("transverse spinet"). Description The spinettone was a kind of spinet, which means specifically that its strings were placed in pairs along a diagonal relative to the position of the keyboard. The jacks that plucked the strings were placed in opposite-facing pairs within the larger gaps between strings. Most spinets are smaller than regular harpsichords. The spinettone was very long, but narrower than a regular harpsichord. The novelty of Cristofori's spinettone was that unlike any other spinet, it deployed multiple choirs of strings. Its disposition was 1 × 8′, 1 × 4′, which means one set of strings in the normal octave and one set that sounded an octave higher. As with all multichoired harpsichords, this necessitated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cawton Aston
Cawton Aston (active 1693 – 1733) was an English builder of spinets. He was the seventh and last apprentice of instrument builder John Player (1636 - 1707), and the only one to set up his own business. In 1730 he was living at the Prince’s Arms in New Queen Street in London. Two spinets signed by Aston are currently known; the first is dated 1726 and has the range GG-g΄΄΄ (five octaves). The case is decorated with inlay. The natural keys are covered in bone, and the sharps are made of a “sandwich” of ivory and ebony, sometimes referred to as “skunktail sharps” because of their appearance. The instrument was restored by Arnold Dolmetsch in 1898; Colonial Williamsburg purchased it in 1960. The second instrument was built in 1733 and also has the range GG-g΄΄΄. The keyboard has ivory-covered naturals and skunktail sharps, just as on the 1726 spinet. Many parts, such as the bridge, nut, and stand are replacements; the soundboard rose is probably not original. The i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hieronymus De Zentis
Girolamo Zenti (Viterbo c.1609 - Paris c.1666) (also: Girolama de Zenti, Gerolamo de Sentis, Hieronymus de Zentis) was an Italian harpsichord maker and organ builder in the 17th century. He is known as the probable inventor of the bentside spinet and for having traveled unusually extensively to practice his trade at the courts of Europe, including Rome, Florence, Paris, London and Stockholm. Biography Information on Zentis life is fragmentary and spread wide. Zenti was born in Viterbo, near Rome, and was registered as an instrument maker in the papal capital by 1638. He was apprentice to Giovani Battista Boni, and took over the workshop at the latter's death in 1641. He took a commission at the Swedish court in 1653, serving Queen Christina for several years. He took an Organ building project in Rome in 1660, but left the instrument unfinished for Paris. By 1664 he was in service at the newly restored English court of Charles II. He received the title of The King's virginal make ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epinette Rouaud
Epinette can refer to: * Chardonnay, a wine grape that is also known as Epinette * Saint-Pierre Doré, another wine grape that is also known as Epinette * Epinette des Vosges, a diatonic fretted zither from the Vosges region of France * Spinet, small keyboard instrument * Épinettes Épinettes () is a neighborhood of Paris, a part of the 17th arrondissement of the city. The neighborhood is bounded by the Avenue de Clichy, the Avenue de Saint-Ouen and the boundaries of Paris in the North. History Epinettes were part of B ..., a district in the 17th arrondissement of Paris {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacobean English
Early Modern English or Early New English (sometimes abbreviated EModE, EMnE, or ENE) is the stage of the English language from the beginning of the Tudor period to the English Interregnum and Restoration, or from the transition from Middle English, in the late 15th century, to the transition to Modern English, in the mid-to-late 17th century. Before and after the accession of James I to the English throne in 1603, the emerging English standard began to influence the spoken and written Middle Scots of Scotland. The grammatical and orthographical conventions of literary English in the late 16th century and the 17th century are still very influential on modern Standard English. Most modern readers of English can understand texts written in the late phase of Early Modern English, such as the '' King James Bible'' and the works of William Shakespeare, and they have greatly influenced Modern English. Texts from the earlier phase of Early Modern English, such as the late-15th-cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabethan
The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The symbol of Britannia (a female personification of Great Britain) was first used in 1572, and often thereafter, to mark the Elizabethan age as a renaissance that inspired national pride through classical ideals, international expansion, and naval triumph over Spain. This "golden age" represented the apogee of the English Renaissance and saw the flowering of poetry, music and literature. The era is most famous for its theatre, as William Shakespeare and many others composed plays that broke free of England's past style of theatre. It was an age of exploration and expansion abroad, while back at home, the Protestant Reformation became more acceptable to the people, most certainly after the Spanish Armada was repelled. It was also the end of the period when England was a separate re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clavichord
The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. The clavichord produces sound by striking brass or iron strings with small metal blades called tangents. Vibrations are transmitted through the bridge(s) to the soundboard. Etymology The name is derived from the Latin word ''clavis'', meaning "key" (associated with more common ''clavus'', meaning "nail, rod, etc.") and ''chorda'' (from Greek χορδή) meaning "string, especially of a musical instrument". An analogous name is used in other European languages (It. ''clavicordio'', ''clavicordo''; Fr. ''clavicorde''; Germ. ''Klavichord''; Lat. ''clavicordium''; Port. ''clavicórdio''; Sp. ''clavicordio''). Many languages also have another name derived from Latin ''manus'', meaning "hand" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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