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Harmony (color)
In color theory, color harmony refers to the property that certain aesthetically pleasing color combinations have. These combinations create pleasing contrasts and consonances that are said to be harmonious. These combinations can be of complementary colors, split-complementary colors, color triads, or analogous colors. Color harmony has been a topic of extensive study throughout history, but only since the Renaissance and the Scientific Revolution has it seen extensive codification. Artists and designers make use of these harmonies in order to achieve certain moods or aesthetics. Types Several patterns have been suggested for predicting which sets of colors will be perceived as harmonious. One difficulty with codifying such patterns is the variety of color space A color space is a specific organization of colors. In combination with color profiling supported by various physical devices, it supports reproducible representations of colorwhether such representation entail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Theory
In the visual arts, color theory is the body of practical guidance for color mixing and the visual effects of a specific color combination. Color terminology based on the color wheel and its geometry separates colors into primary color, secondary color, and tertiary color. The understanding of color theory dates to antiquity. Aristotle (d. 322 BCE) and Claudius Ptolemy (d. 168 CE) already discussed which and how colors can be produced by mixing other colors. The influence of light on color was investigated and revealed further by al-Kindi (d. 873) and Ibn al-Haytham (d.1039). Ibn Sina (d. 1037), Nasir al-Din al-Tusi (d. 1274), and Robert Grosseteste (d. 1253) discovered that contrary to the teachings of Aristotle, there are multiple color paths to get from black to white. More modern approaches to color theory principles can be found in the writings of Leone Battista Alberti (c. 1435) and the notebooks of Leonardo da Vinci (c. 1490). A formalization of "color theory" began in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Wheel
A color wheel or color circle is an abstract illustrative organization of color hues around a circle, which shows the relationships between primary colors, secondary colors, tertiary colors etc. Some sources use the terms ''color wheel'' & ''color circle'' interchangeably; however, one term or the other may be more prevalent in certain fields or certain versions as mentioned above. For instance, some reserve the term ''color wheel'' for mechanical rotating devices, such as color tops, filter wheels or Newton disc. Others classify various color wheels as ''color disc'', ''color chart'', and ''color scale'' varieties. History In his book ''Opticks'', Isaac Newton presented a color circle to illustrate the relations between these colors. The original color circle of Isaac Newton showed only the spectral hues and was provided to illustrate a rule for the color of mixtures of lights, that these could be approximately predicted from the center of gravity of the numbers of "rays" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
HSV Color Space
HSL (for hue, saturation, lightness) and HSV (for hue, saturation, value; also known as HSB, for hue, saturation, brightness) are alternative representations of the RGB color model, designed in the 1970s by computer graphics researchers to more closely align with the way human vision perceives color-making attributes. In these models, colors of each ''hue'' are arranged in a radial slice, around a central axis of neutral colors which ranges from black at the bottom to white at the top. The HSL representation models the way different paints mix together to create color in the real world, with the ''lightness'' dimension resembling the varying amounts of black or white paint in the mixture (e.g. to create "light red", a red pigment can be mixed with white paint; this white paint corresponds to a high "lightness" value in the HSL representation). Fully saturated colors are placed around a circle at a lightness value of ½, with a lightness value of 0 or 1 corresponding to fully bla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theory Of Painting
The idea of founding a theory of painting after the model of music theory was suggested by Goethe in 1807 and gained much regard among the avant-garde artists of the 1920s, the Weimar culture period, like Paul Klee. From Goethe to Klee Goethe famously said in 1807 that painting "lacks any established, accepted theory as exists in music". Moshe Barasch (2000) Theories of art – from impressionism to Kandinsky', part IV 'Abstract art', chap. 'Color' pp. 332–3 Kandinsky in 1911 reprised Goethe, agreeing that painting needed a solid foundational theory, and such theory should be patterned after the model of music theory, and adding that there is a deep relationship between all the arts, not only between music and painting. The comparison of painting with music gained much regard among the avant-garde artists of the 1920s, the Weimar culture period, like Paul Klee. Marcel Franciscono ''Paul Klee: His Work and Thought'', part 6 'The Bauhaus and Düsseldorf', chap. 'Klee's theory cours ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subtractive Color
Subtractive color or subtractive color mixing predicts the spectral power distribution of light after it passes through successive layers of partially absorbing media. This idealized model is the essential principle of how dyes and inks are used in color printing and photography where the perception of color is elicited after white light passes through microscopic "stacks" of partially absorbing media allowing some wavelengths of light to reach the eye and not others. Process The subtractive color mixing model predicts the resultant spectral power distribution of light filtered through overlaid partially absorbing materials on a reflecting or transparent surface. Each layer partially absorbs some wavelengths of light from the illumination spectrum while letting others pass through, resulting in a colored appearance. The resultant spectral power distribution is predicted by sequentially taking the product of the spectral power distributions of the incoming light and transmissiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Additive Color
Additive color or additive mixing is a property of a color model that predicts the appearance of colors made by coincident component lights, i.e. the perceived color can be predicted by summing the numeric representations of the component colors. Modern formulations of Grassmann's laws describe the additivity in the color perception of light mixtures in terms of algebraic equations. Additive color predicts perception and not any sort of change in the photons of light themselves. These predictions are only applicable in the limited scope of color matching experiments where viewers match small patches of uniform color isolated against a grey or black background. Additive color models are applied in the design and testing of electronic displays that are used to render realistic images containing diverse sets of color using phosphors that emit light of a limited set of primary colors. Examination with a sufficiently powerful magnifying lens will reveal that each pixel in CRT, L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Albert Keeley
Charles Albert Keeley (1 December 1821 – 11 August 1889) was a British inventor, amateur scientist, entertainer and pioneering colour expert. He is most famous for his 'Colour Conundrum' parlour game, and is considered by many to be one of Victorian Britain's most significant colour theorists. Early life Keeley was born in Bristol, the son of a local clergyman. Performance Work Inspired by the work of French chemist and colour theorist Eugene Chevreul, Keeley was a regular performer at the London Royal Polytechnic in the 1860s, which was chaired by distinguished scientist and aeronautical engineer Sir George Cayley. Keeley became famous for an innovative form of magic lantern display in which abstract colour slides replaced the normal representational and narrative forms. By employing geometric and repetitive patterns his projections had the effect of producing afterimages in the eyes of his audiences (it may be that Keeley was familiar with studies of the afterimage made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Mixing
There are three types of color mixing: ''additive'', ''subtractive'', and ''average''. In first two cases, mixing is typically described in terms of three primary colors and three secondary colors (colors made by mixing two of the three primary colors in equal amounts). Subtractive mixing with all three primaries will result in black, while additive mixing with all three primaries will result in white. Additive mixing The additive mixing of colors is not commonly taught to children, as it does not correspond to the mixing of physical substances (such as paint) which would correspond to subtractive mixing. Two beams of light that are superimposed mix their colors additively. By convention, the three primary colors in additive mixing are red, green, and blue. In the absence of light of any color, the result is black. If all three primary colors of light are mixed in equal proportions, the result is neutral (gray or white). When the red and green lights mix, the result is yello ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Scheme
In color theory, a color scheme is the choice of colors used in various artistic and design contexts. For example, the "Achromatic" use of a white background with black text is an example of a basic and commonly default color scheme in web design. Color schemes are used to create style and appeal. Colors that create an aesthetic feeling when used together will commonly accompany each other in color schemes. A basic color scheme will use two colors that look appealing together. More advanced color schemes involve several related colors in "Analogous" combination, for example, text with such colors as red, yellow, and orange arranged together on a black background in a magazine article. The addition of light blue creates an "Accented Analogous" color scheme. Use of the phrase ''color scheme'' may also and commonly does refer to choice and use of colors used outside typical aesthetic media and context, although may still be used for purely aesthetic effect as well as for purely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Wheel
A color wheel or color circle is an abstract illustrative organization of color hues around a circle, which shows the relationships between primary colors, secondary colors, tertiary colors etc. Some sources use the terms ''color wheel'' & ''color circle'' interchangeably; however, one term or the other may be more prevalent in certain fields or certain versions as mentioned above. For instance, some reserve the term ''color wheel'' for mechanical rotating devices, such as color tops, filter wheels or Newton disc. Others classify various color wheels as ''color disc'', ''color chart'', and ''color scale'' varieties. History In his book ''Opticks'', Isaac Newton presented a color circle to illustrate the relations between these colors. The original color circle of Isaac Newton showed only the spectral hues and was provided to illustrate a rule for the color of mixtures of lights, that these could be approximately predicted from the center of gravity of the numbers of "rays" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Focal Press
Focal Press is a publisher of creative and applied media books and it is an imprint of Routledge/Taylor & Francis. Company history The firm was founded in London in 1938 by Andor Kraszna-Krausz, a Hungarian photographer who migrated to England in 1937 and eventually published over 1,200 books on photography, cinematography and broadcasting. It "published practical guides to photography at affordable prices for the general public". One of the books published by Kraszna-Krausz's Focal Press was ''The All-in-One Camera Book'' by E. Emanuel and W. D. Dash, which was one of the earliest books on photography written for the general public. First published in 1939 it had gone through 81 editions by 1978. Book series published by the firm included Masters of the Camera and Classics of Photography. There was a second firm named Focal Press which was founded by George Bernhard Eisler in London in 1937 and later opened a branch in New York. It is unclear if there was a connection betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
