There are three types of color mixing: ''additive'', ''subtractive'', and ''average''. In first two cases, mixing is typically described in terms of three
primary colors
A set of primary colors or primary colours (see spelling differences) consists of colorants or colored lights that can be mixed in varying amounts to produce a gamut of colors. This is the essential method used to create the perception of a bro ...
and three
secondary colors (colors made by mixing two of the three primary colors in equal amounts). Subtractive mixing with all three primaries will result in
black
Black is a color which results from the absence or complete absorption of visible light. It is an achromatic color, without hue, like white and grey. It is often used symbolically or figuratively to represent darkness. Black and white have o ...
, while additive mixing with all three primaries will result in
white
White is the lightest color and is achromatic (having no hue). It is the color of objects such as snow, chalk, and milk, and is the opposite of black. White objects fully reflect and scatter all the visible wavelengths of light. White on ...
.
Additive mixing
The additive mixing of colors is not commonly taught to children, as it does not correspond to the mixing of physical substances (such as paint) which would correspond to subtractive mixing. Two beams of light that are superimposed mix their colors additively.
By convention, the three primary colors in additive mixing are
red
Red is the color at the long wavelength end of the visible spectrum of light, next to orange and opposite violet. It has a dominant wavelength of approximately 625–740 nanometres. It is a primary color in the RGB color model and a secondar ...
,
green
Green is the color between cyan and yellow on the visible spectrum. It is evoked by light which has a dominant wavelength of roughly 495570 Nanometre, nm. In subtractive color systems, used in painting and color printing, it is created by ...
, and
blue
Blue is one of the three primary colours in the RYB colour model (traditional colour theory), as well as in the RGB (additive) colour model. It lies between violet and cyan on the spectrum of visible light. The eye perceives blue when obs ...
. In the absence of light of any color, the result is black. If all three primary colors of light are mixed in equal proportions, the result is neutral (gray or white). When the red and green lights mix, the result is
yellow
Yellow is the color between green and orange on the spectrum of light. It is evoked by light with a dominant wavelength of roughly 575585 nm. It is a primary color in subtractive color systems, used in painting or color printing. In the R ...
. When green and blue lights mix, the result is
cyan
Cyan () is the color between green and blue on the visible spectrum of light. It is evoked by light with a predominant wavelength between 490 and 520 nm, between the wavelengths of green and blue.
In the subtractive color system, or CMYK color ...
. When the blue and red lights mix, the result is
magenta
Magenta () is a color that is variously defined as pinkish- purplish-red, reddish-purplish-pink or mauvish-crimson. On color wheels of the RGB (additive) and CMY (subtractive) color models, it is located exactly midway between red and blue. I ...
.
Red-green–blue additive mixing is used in television and computer
monitors
Monitor or monitor may refer to:
Places
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* Monitor, Washington
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, including smartphone displays, to produce a wide range of colors. A screen
pixel
In digital imaging, a pixel (abbreviated px), pel, or picture element is the smallest addressable element in a raster image, or the smallest point in an all points addressable display device.
In most digital display devices, pixels are the smal ...
uses a juxtaposition of these three primary colors. Projection televisions sometimes have three projectors, one for each primary color.
Subtractive mixing
The mixing of colored physical substances corresponds to subtractive color mixing, hence it corresponds to our intuition about mixing colors. To explain the mechanism, consider paint. Red paint is red because, when the ambient light strikes it, the composition of the material is such that it absorbs all other colors in the visible spectrum except for red. The red light, not being absorbed, is reflected by the paint and seen by our eyes. This same mechanism describes the color of material objects – note that light is not a material object – and so applies to the yellow paint as well. Making recourse to the figure above demonstrating additive color mixing, one sees that yellow light is composed of an (additive) mixture of red and green light. When we mix the two paints, the resulting substance has red paint and yellow paint. The yellow paint absorbs all colors except for red and green. However, the red paint will absorb the green reflected by the yellow paint. The red paint can be said to subtract the green from the yellow paint. The resulting paint reflects only red light and so appears red to our eyes. Note however that this description is theoretical and that the mixing of
pigment
A pigment is a colored material that is completely or nearly insoluble in water. In contrast, dyes are typically soluble, at least at some stage in their use. Generally dyes are often organic compounds whereas pigments are often inorganic compo ...
s does not correspond to ideal subtractive color mixing because some light from the subtracted color is still being reflected by one component of the original paint. This results in a darker and desaturated color compared to the color that would be achieved with ideal filters.
The three
primary colors
A set of primary colors or primary colours (see spelling differences) consists of colorants or colored lights that can be mixed in varying amounts to produce a gamut of colors. This is the essential method used to create the perception of a bro ...
typically used in subtractive color mixing systems are
cyan
Cyan () is the color between green and blue on the visible spectrum of light. It is evoked by light with a predominant wavelength between 490 and 520 nm, between the wavelengths of green and blue.
In the subtractive color system, or CMYK color ...
,
magenta
Magenta () is a color that is variously defined as pinkish- purplish-red, reddish-purplish-pink or mauvish-crimson. On color wheels of the RGB (additive) and CMY (subtractive) color models, it is located exactly midway between red and blue. I ...
, and
yellow
Yellow is the color between green and orange on the spectrum of light. It is evoked by light with a dominant wavelength of roughly 575585 nm. It is a primary color in subtractive color systems, used in painting or color printing. In the R ...
, corresponding to the
CMY color model
The CMYK color model (also known as process color, or four color) is a subtractive color model, based on the CMY color model, used in color printing, and is also used to describe the printing process itself. The abbreviation ''CMYK'' refers ...
and
CMYK color model
The CMYK color model (also known as process color, or four color) is a subtractive color model, based on the CMY color model, used in color printing, and is also used to describe the printing process itself. The abbreviation ''CMYK'' refers ...
widely used in color printing. In subtractive mixing of color, the absence of color is white and the presence of all three primary colors makes a neutral dark gray or black. The secondary colors are the same as the primary colors from additive mixing and vice versa. Subtractive mixing is used to create a variety of colors when
printing
Printing is a process for mass reproducing text and images using a master form or template. The earliest non-paper products involving printing include cylinder seals and objects such as the Cyrus Cylinder and the Cylinders of Nabonidus. The ea ...
or painting on paper or other white substrates, by combining a small number of
ink
Ink is a gel, sol, or solution that contains at least one colorant, such as a dye or pigment, and is used to color a surface to produce an image, text, or design. Ink is used for drawing or writing with a pen, brush, reed pen, or quill. Thi ...
or paint colors. Red is created by mixing magenta and yellow (removing green and blue). Green is created by mixing cyan and yellow (removing red and blue respectively). Blue is created by mixing cyan and magenta (removing red and green). Black can be approximated by mixing cyan, magenta, and yellow, although real pigments are not ideal and so pure black is nearly impossible to achieve.
Average mixing
Average mixing obtains a new color out of two component colors, with brightness equal to the average of the two components. This is different from additive mixing, which results in a color lighter than the colors being mixed; and from subtractive mixing, which results in a color darker than the colors being mixed. Some examples of average mixing are: black and white averages to gray, and blue and red averages to purple. Average mixing has eight primary colors:
white
White is the lightest color and is achromatic (having no hue). It is the color of objects such as snow, chalk, and milk, and is the opposite of black. White objects fully reflect and scatter all the visible wavelengths of light. White on ...
,
cyan
Cyan () is the color between green and blue on the visible spectrum of light. It is evoked by light with a predominant wavelength between 490 and 520 nm, between the wavelengths of green and blue.
In the subtractive color system, or CMYK color ...
,
magenta
Magenta () is a color that is variously defined as pinkish- purplish-red, reddish-purplish-pink or mauvish-crimson. On color wheels of the RGB (additive) and CMY (subtractive) color models, it is located exactly midway between red and blue. I ...
,
yellow
Yellow is the color between green and orange on the spectrum of light. It is evoked by light with a dominant wavelength of roughly 575585 nm. It is a primary color in subtractive color systems, used in painting or color printing. In the R ...
,
red
Red is the color at the long wavelength end of the visible spectrum of light, next to orange and opposite violet. It has a dominant wavelength of approximately 625–740 nanometres. It is a primary color in the RGB color model and a secondar ...
,
green
Green is the color between cyan and yellow on the visible spectrum. It is evoked by light which has a dominant wavelength of roughly 495570 Nanometre, nm. In subtractive color systems, used in painting and color printing, it is created by ...
,
blue
Blue is one of the three primary colours in the RYB colour model (traditional colour theory), as well as in the RGB (additive) colour model. It lies between violet and cyan on the spectrum of visible light. The eye perceives blue when obs ...
, and
black
Black is a color which results from the absence or complete absorption of visible light. It is an achromatic color, without hue, like white and grey. It is often used symbolically or figuratively to represent darkness. Black and white have o ...
, and a maximum of four of those colors would be needed to archive a particular color, for example, using two colors that are part of a color wheel, along with white and black.
Another example of average mixing is different colors on a disk, which results in an average color when the disk spins fast enough.
Average mixing can be confused with subtractive mixing. For example, even though red and blue averages to purple, an attempt to make a particular shade of purple by mixing red and blue paint may fail, since there is no purple spectrum between the red and blue spectra.
In some case, paint mixing can result in average wavelength. For example, mixing blue and yellow usually results in some shade of green despite them being complementary colors, because there is a green spectrum between yellow spectrum and blue spectrum. It's also one reason why mixing red and blue along with white can result in gray, because red and blue averages to purple, but the average wavelength is green which is a complementary color of purple.
See also
*
Additive color
Additive color or additive mixing is a property of a color model that predicts the appearance of colors made by coincident component lights, i.e. the perceived color can be predicted by summing the numeric representations of the component colo ...
*
Color theory
In the visual arts, color theory is the body of practical guidance for color mixing and the visual effects of a specific color combination. Color terminology based on the color wheel and its geometry separates colors into primary color, seconda ...
*
Impossible color
Impossible colors are colors that do not appear in ordinary visual functioning. Different color theories suggest different hypothetical colors that humans are incapable of perceiving for one reason or another, and fictional colors are rou ...
s
*
Subtractive color
Subtractive color or subtractive color mixing predicts the spectral power distribution of light after it passes through successive layers of partially absorbing media. This idealized model is the essential principle of how dyes and inks are use ...
References
*
Macaulay, David and Neil Ardley (1988). ''The New Way Things Work''. London: Dorling Kindersley Ltd. .
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Color
Light