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Haridasas And Carnatic Music
The Haridaasas, the Vaishnava saints of Karnataka, are classified into the ''Vyaasakuta'' and ''Daasakuta''. The Vyaasakuta were the pontifical saints known for their scholarship and exposition of Madhva's philosophy. The ''Daasakuta'' were the peripatetic saint disciples of the Vyaasakuta sanyasins. They were proficient singers and composers and used classical music and the Kannada language as a medium to propagate the teachings and philosophy of the Dvaita school. While Sripadaraya is sometimes credited with starting this musical movement, Purandaradaasa, a disciple of Vyaasasraaya, became renowned as Karnataka Sangita Pitaamaha. The devotees of Panduranga Vitthala of Pandharapur in the Varakari tradition traveled through Karnataka and composed and wrote almost entirely in Kannada. The Haridaasas had a seminal influence on Carnatic music. Later composers from Karnataka and outside, including the venerated 'Trinity' and musical treatises exhibit and acknowledge these influenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dvaita
Dvaita Vedanta (); (originally known as Tattvavada; IAST:Tattvavāda), is a sub-school in the Vedanta tradition of Hindu philosophy. The term Tattvavada literally means "arguments from a realist viewpoint". The Tattvavada (Dvaita) Vedanta sub-school was founded by the 13th-century philosopher-saint Madhvacharya. Madhvacharya believed in three entities - God, ''jiva'' (soul), and ''jada'' (''maya'', matter). The Dvaita Vedanta school believes that God and the individual souls ( jīvātman) exist as independent realities, and these are distinct, being said that Vishnu (Narayana) is independent (''svatantra''), and souls are dependent (''paratantra'') on him. The Dvaita school contrasts with the other two major sub-schools of Vedanta, the Advaita Vedanta of Adi Shankara which posits nondualism – that ultimate reality (Brahman) and human soul ( Ātman) are identical and all reality is interconnected oneness, and Vishishtadvaita of Ramanuja which posits qualified nondualism – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palkuriki Somanatha
Palkuriki Somanatha was one of the most noted Telugu language writers of the 12th or 13th century. He was also an accomplished writer in the Kannada and Sanskrit languages and penned several classics in those languages. He was a Lingayat a follower of the 12th century social reformer Basava and his writings were primarily intended to propagate this faith.Sahitya Akademi (1992), p. 4133 He was a well acclaimed Shaiva poet. Life Indication that he was not a Shaiva by birth comes from the fact that he mentions the names of his parents in his very first work, '' Basava Purana'', as Visnuramideva and Sriyadevi,Encyclopaedia of Indian Literature: Sasay to Zorgot Edited by Mohan Lal, Sahitya Akademi, 1992 p. 4133 violating a general practice of Shaiva writers who do not mention their real parents but rather consider the god Shiva as the father and his consort Parvati as the mother. However, the scholar Bandaru Tammayya has argued that he was born a ''Jangama'' (devotee of the god Shi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Karnataka
Karnataka is a state of India with a long tradition of innovation in the fields of both Carnatic and Hindustani classical music. Basaveshwara, King of Kalyana, leader of the Bhakti movement and Prime Minister of Bijjala, created his Vachanas, an integral part of the Indian classical music's development during this period, which also saw the rise of composers like Chandraja, Shantala, Akka Mahadevi and Allama. Later, Ventamakhin's ''Chaturdandi Prakashika'' and Chaturkallinatha's '' Sangitaratnakara'' further refined these traditions. With the rise of Vaishnavism and the Haridasa movement came prominent composers from Karnataka like Purandaradasa, Kanakadasa, Vijaya Dasa and Jagannathadasa. The Wodeyars of Mysore were great patrons of the arts. Development In earlier times, Sangeeta Shaastra followed the "Guru-Shishya" tradition, and there did not exist any written text. First classical music began as abhyasa, and it was only later that shaastras were formed. It i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of People From Karnataka
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tyagaraja
Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Thyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Lord Rama, many of which remain popular today, the most popular being "Nagumomu". Of special mention are five of his compositions called the ''Pancharatna Kritis'' ( "five gems"), which are often sung in programs in his honour, and ''Utsava Sampradaya Krithis'' ( Festive ritual compositions), which are often sung to accompany temple rituals. Tyagaraja lived through the reigns of four kings of the Maratha dynasty — Tulaja II (1763–1787), Amarasimha (1787–1798), Serfoji II (1798–1832) and Sivaji II (1832–1855), although he served none of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damaru
A damaru ( sa, डमरु, ; Tibetan ཌ་མ་རུ་ or རྔ་ཆུང) is a small two-headed drum, used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the deity Shiva, associated with Tantric traditions. It is said to be created by Shiva to produce spiritual sounds by which the whole universe has been created and regulated. In Tibetan Buddhism, the damaru is used as an instrument in meditation practices. Description The drum is typically made of wood, metal with leather drum heads at both ends. The resonator is made of brass. The height of the damaru is 6 inches and weight varies from 250-330 gm. Its height ranges from a few inches to a little over one foot. It is played single-handedly. The strikers are typically beads fastened to the ends of leather cords around the waist of the damaru. Knots in the leather can also be used as strikers; crocheted material is also common. As the player waves the drum using a twisting wrist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tulu Language
Tulu () in Kannada script, ml, തുളു ഭാഷെ in Malayalam script. ''bhāṣe'', , ''bhāśe'', and ''bāśe'' are alternative spellings for the Tulu word ''bāse'' in the Kannada script. The correct spelling for the word "language" in Kannada Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native s ... is kn, ಭಾಷೆ ''bhāṣe'', but that is not necessarily true in Tulu. Männer's ''Tulu-English and English-Tulu Dictionary'' (1886) says, " bāšè, bāsè, ''see'' ." (vol. 1, p. 478), " bhāšè, bhāshè, ''s''. Speech, language." (vol. 1, p. 508), meaning that the four spellings are more or less acceptable. The word is actually pronounced ''bāse'' in Tulu. Note that š and sh in his dictionary correspond to ''ś'' and ''ṣ'', respe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ugabhoga
The term ''ugabhoga''Kannada Chapter, Medieval Indian Literature, An Anthology (1997) by Shiva Prakash H.S., edited by Ayyappapanicker, Sahitya Akademi refers to a type of vocal piece in Karnatic music, in which the artist elaborates the treatment of raga characteristics through freestyle verses (typically in the Kannada Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native s ... language) with or without tala. References {{reflist Carnatic music Vocal music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kriti (music)
''Kriti'' (Sanskrit: कृति, ''kṛti'') is a format of musical composition typical to Carnatic music. ''Kritis'' form the mental backbone of any typical Carnatic music concert and is the longer format of Carnatic song. "Kriti" also means Creation. Structure Conventional ''Kritis'' typically contain three parts #''Pallavi'', the equivalent of a refrain in Western music #'' Anupallavi'', the second verse, which is sometimes optional #''Charanam'', the final (and longest) verse that wraps up the song The ''charanam'' usually borrows patterns from the ''anupallavi''. The ''charanam's'' last line usually contains the composer's signature, or '' mudra'', with which the composer leaves their mark. Variations Some Kritis have a verse between the ''anupallavi'' and the ', called the '' ''. This verse consists only of notes, and has no words. Other ''krithis'', particularly some of Oottukkadu Venkata Kavi and Muthuswami Dikshitar's compositions, are intentionally composed without a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
