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Hans Thamm
Hans Thamm (1921 – 13 March 2007) was a German choral conductor, the founder and for more than three decades director of the boys' choir Windsbacher Knabenchor. Career Thamm was born in Kamenz, Saxony. He received his first musical training in the boys' choir Dresdner Kreuzchor, where he was active as a soprano singer, also in solo parts, and later as a choir prefect. Rudolf Mauersberger, then the Kreuzkantor, organist Herbert Collum and Alfred Bull, then the head of Protestant church music in Saxony, were among his teachers. During World War II, Thamm was severely injured three times. After the war, Thamm took a job as a piano and organ teacher at the Institute of Sacred Music at the University of Erlangen. In March 1946 he was appointed both prefect of music at the former parish orphanage and music teacher at the Gymnasium (Germany), Gymnasium in Windsbach. The same year he founded the choir that became internationally known as the Windsbacher Knabenchor as a regional choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boys' Choir
A boys' choir is a choir primarily made up of choirboys who have yet to begin puberty or are in the early to middle stages of puberty and so retain their more highly pitched childhood voice type. Members of a boys' choir are technically known as ''trebles'' and often termed boy sopranos," although occasionally some boys sing in the alto range. Some boys' choirs of churches or cathedrals are further supported by older male voices singing tenor and Bass (voice type), bass; these singers are sometimes former choirboys. The world's oldest active boys' choir is the Regensburger Domspatzen at Regensburg and was founded in 975. Middle Ages and early development Boys' choirs, as a Western World cultural tradition, developed in the Middle Ages. Boys were then responsible for contributing a treble sound to Anglican church music, church music, since women were typically barred from the performance of sacred music in a public (gender mixed) context. Some of the oldest existing boys' choirs&mda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schwabach
Schwabach () is a German city of about 40,000 inhabitants near Nuremberg in the centre of the region of Franconia in the north of Bavaria. The city is an autonomous administrative district (''kreisfreie Stadt''). Schwabach is also the name of the river which runs through the city prior to joining the Rednitz. Schwabach is famous for its crafts made of gold, particularly gold foil. In 2004, Schwabach celebrated this tradition with an anniversary festival, marking "500 years gold foil in Schwabach". Around 1500, a local typesetter developed the "Schwabacher" font. This font was used for printing the first Bible in German, which had been worked out by Martin Luther. Etymology The name derives from the old Franconian name ''Suapaha'' (later ''Suabaha'', then ''Villa Suabach'') which translates as "Schwaben-Bach" in modern German, which means "Swabian stream", the first part of the name was given by the Franconians who came to the area about a millennium after the Hallstatt culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1921 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * 19 (film), ''19'' (film), a 2001 Japanese film * Nineteen (film), ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * 19 (Adele album), ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD (rapper), MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * XIX (EP), ''XIX'' (EP), a 2019 EP by 1the9 Songs * 19 (song), "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee (Bad4Good album), Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * Nineteen (song), "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Male Conductors (music)
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Choral Conductors
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jakob Stämpfli (bass)
Jakob Stämpfli (26 October 1934 – 28 September 2014) was a Swiss bass concert singer and an influential academic teacher and director of the conservatory in Bern, also a teacher in Saarbrücken. Career Born in Bern, Jakob Stämpfli studied voice at the Bern Conservatory with Jakob Keller and at the Musikhochschule Frankfurt with Paul Lohmann.Jakob Stämpfli on bach-cantatas, 2009 His first recording was in 1955 the bass part of Bach's '''' with the conducted by |
Franz Crass
Franz Crass (9 March 192823 June 2012) was a German bass singer. A native of Wipperfürth, Rhine Province, Crass studied with Gerda Heuer in Wiesbaden and with Professor Clemens Glettenberg at the Hochschule für Musik in Köln. He won numerous competitions throughout Germany in the 1950s. In 1954, he made his debut at the municipal theater in Krefeld; from 1956 he sang at the Landestheater Hannover. Crass established a reputation as a Wagnerian early in his career, appearing at the Bayreuth Festival between 1954 and 1973. He made guest appearances throughout Germany, and was a regular member of the Köln Opera from 1962 until 1964. In addition to his work as a concert and oratorio singer, he became known for singing works of Wolfgang Amadeus Mozart. Crass developed hearing problems and as a result, ended his career abruptly in 1981; after that he devoted himself to coaching younger singers. He died in Rüsselsheim, in 2012, aged 84. The Kammersänger left recordings a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Schreier
Peter Schreier (29 July 1935 – 25 December 2019) was a German tenor in opera, concert and lied, and a conductor. He was regarded as one of the leading lyric tenors of the 20th century. Schreier was a member of the Dresdner Kreuzchor conducted by Rudolf Mauersberger, performing as an alto soloist. He became a tenor, focused on concert and lieder singing, well known internationally for the Evangelist parts in Bach's ''Christmas Oratorio'' and Passion. A member of the Berlin State Opera from 1963, he appeared in Mozart roles such as Belmonte in ''Die Entführung aus dem Serail'' and Tamino in ''Die Zauberflöte'', and in the title role of Pfitzner's ''Palestrina'', among others. He appeared at the Vienna State Opera and the Metropolitan Opera, among others, as one of few singers from the German Democratic Republic to perform internationally. Schreier made many recordings, especially of Bach's works as both a singer and a conductor, even simultaneously. He recorded many lieder i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teresa Żylis-Gara
Teresa Żylis-Gara (23 January 1930 – 28 August 2021) was a Polish operatic soprano who enjoyed a major international career from the 1950s through the 1990s. She made her stage debut at the Opera Krakowska in 1958 in the title role of Moniuszko's '' Halka'', and later recorded Chopin's Polish songs and songs by Karol Szymanowski. After achieving 3rd prize at the ARD International Music Competition in 1960, she became an ensemble member of the Oper Dortmund and the Deutsche Oper am Rhein. She was recognised internationally when she appeared at the Glyndebourne Festival in 1965 in the title role of ''Der Rosenkavalier'', alongside Montserrat Caballé, and two years later as Donna Elvira in Mozart's '' Don Giovanni''. From 1970, she was a long-time member of the Metropolitan Opera in New York City, where she appeared in leading roles including Desdemona in Verdi's '' Otello'', and Puccini's Mimi, Liù and Manon Lescaut. She performed a broad repertoire both on stage as in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singet Dem Herrn Ein Neues Lied, BWV 190
(Sing a new song to the Lord), , is a church cantata by Johann Sebastian Bach. He wrote it in Leipzig for the New Year's Day and first performed it on 1 January 1724 as part of his first cantata cycle. He adapted it in 1730 to , for the celebration of the bicentennial of the Augsburg Confession. History and words Bach wrote the cantata in 1723, his first year as ''Thomaskantor'' in Leipzig, for New Year's Day, which is also the Feast of the Circumcision of Christ. The prescribed readings for the feast day were from the Epistle to the Galatians, by faith we inherit (), and from the Gospel of Luke, the circumcision and naming of Jesus eight days after his birth (). The unknown poet, possibly Picander, refers only in a general way to the readings: he mentions the naming at the end of movement 4, "" (name of Jesus), and he starts every line in the following aria with "Jesus". Otherwise the text stresses praise and thanks for the gifts of the past and prayer for further blessings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aus Der Tiefen Rufe Ich, Herr, Zu Dir, BWV 131
(Out of the depths I call, Lord, to You), , is a church cantata by the German composer Johann Sebastian Bach. It was composed in either 1707 or 1708, which makes it one of Bach's earliest cantatas. Some sources suggest that it could be his earliest surviving work in this form, but current thinking is that there are one or two earlier examples. The cantata was commissioned by the minister of one of the churches in Mühlhausen, the city where Bach worked at the time. It was possibly written for a special occasion. The text is based on Luther's German version of Psalm 130 and also incorporates the words of a chorale. Bach's music integrates melodies from the chorale into larger structures. Bach also shows his interest in counterpoint, something which was characteristic of him throughout his career. History and words A note on the autograph score of the cantata indicates that the work was commissioned by Georg Christian Eilmar, minister of the Marienkirche (St. Mary's church) i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wer Nur Den Lieben Gott Läßt Walten, BWV 93
Johann Sebastian Bach composed the church cantata (Who only lets dear God rule), 93 in Leipzig for the fifth Sunday after Trinity and first performed it on 9 July 1724. He based the chorale cantata on the hymn of the same title by Georg Neumark (1657). It is part of his chorale cantata cycle. History Bach composed the chorale cantata in 1724 as part of his second annual cycle for the Fifth Sunday after Trinity. Only continuo parts of the first four movements survived of the first performance. The manuscripts of the complete music date from another performance around 1732/1733, therefore it is unknown if the cantata had the same structure from the beginning. The prescribed readings for the Sunday were from the First Epistle of Peter, "Sanctify the Lord God in your hearts" (), and from the Gospel of Luke, Peter's great catch of fish (. The cantata text is based on the chorale in seven verses of Georg Neumark, written in 1641 and published in 1657 in '. The chorale is conn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
