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Hans Feodor Von Milde
Hans Feodor von Milde (13 April 1821 – 10 December 1899) was an Austrian operatic baritone and the husband of the soprano Rosa von Milde (née Agthe). He sang for almost four decades at the court opera in Weimar where he particularly excelled in the works of Richard Wagner. Elizabeth Forbes: "Hans von Milde", ''Grove Music Online'' ed. L. Macy (Accessed 25 February 2009)(subscription access) For many years, Milde sang under the direction of Franz Liszt, notably creating the role of Telramund in the world premiere of Richard Wagner's ''Lohengrin'' under his baton. He sang in several other notable premieres, including singing the role of the High Priest in the first stage performance of Camille Saint-Saëns's ''Samson et Dalila'' in 1877. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petronell
Petronell-Carnuntum is a community of Bruck an der Leitha in Austria. It is known for its annual World Theatre Festival. History The village derives the second half of its name, Carnuntum, from the ancient Roman legionary fortress and headquarters of the Pannonian fleet from 50 AD, and later a large city of 50,000 inhabitants. There is a 2000-year-old amphitheatre, which was built outside the city walls around the end of the 2nd century AD. The arena was originally surrounded by stadium seating for 13,000 spectators. There was an hexagonal basin speculated to be a baptismal font built in the 4th century AD, by which time the amphitheatre's usage had changed. Geography Petronell-Carnuntum lies in the Industrieviertel area of Lower Austria. About 26 percent of the municipality is forested. It lies on the right bank of the Danube, southwest of Hainburg an der Donau. Culture The World Theatre Festival Carnumtum (german: Art Carnuntum Welttheater Festival) is held each year i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Fliegende Holländer
' (''The Flying Dutchman''), WWV 63, is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater Dresden in 1843. Wagner claimed in his 1870 autobiography '' Mein Leben'' that he had been inspired to write the opera following a stormy sea crossing he made from Riga to London in July and August 1839. In his 1843 '' Autobiographic Sketch'', Wagner acknowledged he had taken the story from Heinrich Heine's retelling of the legend in his 1833 satirical novel ''The Memoirs of Mister von Schnabelewopski'' (''Aus den Memoiren des Herrn von Schnabelewopski''). This work shows early attempts at operatic styles that would characterise his later music dramas. In ''Der fliegende Holländer'' Wagner uses a number of leitmotifs (literally, "leading motifs") associated with the characters and themes. The leitmotifs are all introduced in the overture, which begins with a well- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operatic Baritones
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Austrian Male Opera Singers
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under Colonialism, colonial rule. It was also marked by the collapse o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1899 Deaths
Events January 1899 * January 1 ** Spanish rule ends in Cuba, concluding 400 years of the Spanish Empire in the Americas. ** Queens and Staten Island become administratively part of New York City. * January 2 – ** Bolivia sets up a customs office in Puerto Alonso, leading to the Brazilian settlers there to declare the Republic of Acre in a revolt against Bolivian authorities. **The first part of the Jakarta Kota–Anyer Kidul railway on the island of Java is opened between Batavia Zuid ( Jakarta Kota) and Tangerang. * January 3 – Hungarian Prime Minister Dezső Bánffy fights an inconclusive duel with his bitter enemy in parliament, Horánszky Nándor. * January 4 – **U.S. President William McKinley's declaration of December 21, 1898, proclaiming a policy of benevolent assimilation of the Philippines as a United States territory, is announced in Manila by the U.S. commander, General Elwell Otis, and angers independence activists who had fought agai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1821 Births
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series '' 12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Cid
Der or DER may refer to: Places * Darkənd, Azerbaijan * Dearborn (Amtrak station) (station code), in Michigan, US * Der (Sumer), an ancient city located in modern-day Iraq * d'Entrecasteaux Ridge, an oceanic ridge in the south-west Pacific Ocean Science and technology * Derivative chromosome, a structurally rearranged chromosome * Distinguished Encoding Rules, a method for encoding a data object, including public key infrastructure certificates and keys * Distributed Energy Resources * ∂, the partial derivative symbol *Deep energy retrofit, an energy conservation measure Organizations * Digital Education Revolution, former Australian Government-funded educational reform program * DER rental (Domestic Electric Rentals Ltd), a UK television rentals company * Documentary Educational Resources, a non-profit film producer and distributor Other uses *Defence (Emergency) Regulations The Defence (Emergency) Regulations are an expansive set of regulations first promulgated by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Barbier Von Bagdad
''Der Barbier von Bagdad'' (''The Barber of Baghdad'') is a comic opera in two acts by Peter Cornelius to a German libretto by the composer, based on ''The Tale of the Tailor'' and ''The Barber’s Stories of his Six Brothers'' in '' One Thousand and One Nights''. The first of three operas by Cornelius, the piece was first performed at the Hoftheater in Weimar on 15 December 1858.Holden, p. 88 Performance history Cornelius planned the work as a one-act comedy, but on the advice of Franz Liszt expanded it to two. Franz Liszt later arranged the second overture for orchestra (S.352). Unlike most German comic operas of the period, which have spoken dialogue, ''Der Barbier von Bagdad'' is through composed. Cornelius offered the inventive and complex opera as an alternative to the contemporary German opera composers such as Richard Wagner, whose ideological fervor he found overwhelming. At its first performance the opera was a failure, and it was not played again in the composer's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso Und Estrella
' (''Alfonso and Estrella''), 732, is an opera with music by Franz Schubert, set to a German libretto by Franz von Schober, written in 1822. Along with the later '' Fierrabras'', composed in 1823, it marks Schubert's attempt to compose grand Romantic opera in German, departing from the Singspiel tradition. Unlike ''Fierrabras'', it contains no spoken dialogue. Background In close collaboration with von Schober in the region of Sankt Pölten, Schubert wrote the vocal numbers of ''Alfonso und Estrella'' between September 1821 and February 1822. Schober, only one year older than the young Schubert, and a dabbler in literature, music and theatre, was enthusiastic about the collaboration. Schubert and Schober shared an appreciation for the operatic theories of Ignaz von Mosel, a patron of Schubert's, who supported Gluck's operatic ideals. This influence may have led to the omission of all spoken dialog, parting from the German Singspiel form followed in operas such as Mozart's '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Nibelungen (opera)
''Die Nibelungen'' ("The Nibelungs") is a two-part series of silent fantasy films created by Austrian director Fritz Lang in 1924, consisting of ''Die Nibelungen: Siegfried'' and ''Die Nibelungen: Kriemhild's Revenge''. The scenarios for both films were co-written by Lang's then-wife Thea von Harbou, based upon the epic poem ''Nibelungenlied'' written around AD 1200. ''Die Nibelungen'' received its UK premiere at the Royal Albert Hall in London, where it played for 40 performances between 29 April and 20 June 1924. ''Siegfried'' was released in the United States on 23 August 1925, premiering at the Century Theatre in New York City in the short-lived Phonofilm sound-on-film process. ''Kriemhild's Revenge'' was released in the U.S. in 1928. Plot summary ''Die Nibelungen: Siegfried's Death'' The title character Siegfried, son of King Siegmund of Xanten, masters the art of forging a sword at the shop of Mime. Siegfried hears the tales of the kingdom of Burgundy, the kings who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Dorn
Heinrich Ludwig Egmont Dorn (14 November 1800 or 1804-10 January 1892) was a German conductor, composer, teacher, and journalist. He was born in Königsberg, where he studied piano, singing, and composition. Later, he studied in Berlin with Ludwig Berger, Bernhard Klein, and Carl Friedrich Zelter. His first opera, ''Rolands Knappen'', was produced in 1826, and was a success. Around this time, he became co-editor of the ''Berliner allgemeine Musikzeitung''. Dorn became well known as a conductor of opera, and held theatre posts at Königsberg (1828), Leipzig (1829–32), Hamburg (1832), Riga (1834–43), and Cologne (1844–8). In 1849, he became co-conductor, with Wilhelm Taubert, of the Berlin Hofoper - a post he held until 1869. Dorn taught counterpoint to the young Robert Schumann, and was a friend of Franz Liszt. He was a harsh critic of Richard Wagner, but was persuaded to conduct the opera ''Tannhäuser'', in 1855. He also wrote an opera ''Die Nibelungen'', based on the Ni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benvenuto Cellini (opera)
''Benvenuto Cellini '' is an opera semiseria in four ''tableaux'' (spread across two or three acts) by Hector Berlioz, his first full-length work for the stage. Premiered at the Académie Royale de Musique (Salle Le Peletier) on 10 September 1838, it is a setting of a libretto by Léon de Wailly and Henri Auguste Barbier who were inspired by the memoirs of the titular Florentine sculptor but who invented most of the plot. The opera is technically challenging and was until the 21st century rarely performed. But its overture sometimes features in orchestral concerts, as does the concert overture '' Le carnaval romain'' which Berlioz composed from material in the opera. Composition history Berlioz wrote this in his ''Mémoires'' about the background to the opera: I had been greatly struck by certain episodes in the life of ''Benvenuto Cellini''. I had the misfortune to believe they would make an interesting and dramatic subject for an opera, and I asked Léon de Wailly and Augus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
